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This volume gathers 36 essays by one of the leading scholars in the study of Russian music. An extensive introduction lays out the main issues and a justification of Taruskin's approach, seen both in the light of his intellectual development and in that of the changing intellectual environment.
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M. Montagu-Nathan takes an in-depth look and the history of Russian music, and a special look at the rise and progress of the Russian School of Composers. Contents include: Introduction; Part 1- The Pre-nationalists. Volkoff- Berezovsky, Bortniansky and Verstovsky, Glinka "A Life for the Czar", Russian and Ludmilla, Dargomijsky, The Stone Guest and the Five, Seroff and Lvoff. Part 2 - The Nationalists. Balakireff, Cesar cui, Borodin, Moussorgsky, Boris Goudounoff, Khovantchina, The Last Phase, Rimsky Korsakoff. Part 3- The Decline of Nationalism. Glazounoff, Liadoff and Liapounoff, Arensky, Tchaikovsky Rubinstein and the Eclectics, Taneieff. Part 4- The Present Movement. Rachmaninoff, Gliere and Ippolitoff-Ivanoff, Scriabin, Vassilenko and Grechaninoff, Akimenko Tcherepnin and Rebikoff, Steinberg Medtner and Catoire, Stravinsky, Operatic and Concert Enterprises, Appendix I, Appendix II.
Networking the Russian Diaspora is a fascinating and timely study of interwar Shanghai. Aside from the vacated Orthodox Church in the former French Concession where most Russian émigrés resided, Shanghai today displays few signs of the bustling settlement of those years. Russian musicians established the first opera company in China, as well as choirs, bands and ensembles to play for their own and other communities. Russian musicians were the core of Shanghai’s lauded Municipal Orchestra, and taught at China’s first conservatory. Two Russian émigré composers in particular -- Alexander Tcherepnin and Aaron Avshalomov – experimented with incorporating Chinese elements into their compositions as harbingers of intercultural music that has become a well-recognized trend in composition since the late twentieth century. The Russian musical scene in Shanghai was the embodiment of musical cosmopolitanism, anticipating the hybrid nature of twentieth-first century music arising from cultural contacts through migration, globalization, and technological advancement. Networking the Russian Diaspora is a pioneering study of the Russian community, especially its musical activities and influence in Shanghai. While the focus of the book is on music, it also gives insight into the social dynamics between Russians and other Europeans on the one hand, and with the Chinese on the other. The volume co-authored by Chinese music specialists makes a significant contribution to studies of diaspora, cultural identity, and migration through focusing on a little studied area of Sino-Russian cultural relations and Russian influence in modern China. The discoveries stretch the boundaries of music studies by addressing the relational aspects of Western music – how it has articulated national and cultural identities but also served to connect people of different origins and cultural backgrounds.