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Was a member of the Fiala-Ziegler Expedition, 1903-1905.
Was a member of the Fiala-Ziegler Expedition, 1903-1905.
The author's narrative of his expeditions into the arctic with famous explorers such as Peary and Cook, illustrated with his pencil sketches and watercolours.
In Gilded Age America, Arctic explorers were fabulous celebrities—assured of riches and near-immortality so long as they reached the North Pole first. Of the many attempts to meet that goal, three American expeditions, launched from the Russian archipelago of Franz Josef Land, ended in abject failure, their exploits consigned to near-oblivion. Even so, these ventures—the Wellman expedition (1898–99), the Baldwin-Ziegler (1901–2), and the Fiala-Ziegler (1903–5)—have much to tell us about the personalities, politics, and economics of exploration in their day. In The Greatest Show in the Arctic, the first book to chronicle all three expeditions, P. J. Capelotti explores what went right and what, in the end, went tragically wrong. The cast of colorful characters from the Franz Josef Land forays included Walter Wellman, a Chicago journalist and bon vivant running from debts, his mistress, and an illegitimate daughter; Evelyn Briggs Baldwin, a deranged meteorologist with a fetish for balloons and a passion for Swedish conserves; and Anthony Fiala, a pious photographer in search of God in the Arctic. Featuring an international cast of supporting characters worthy of a three-ring circus, The Greatest Show in the Arctic follows each of the three expeditions in turn, from spectacular feats of financing to their bitter ends. Along the way, the explorers accumulated considerable geographic knowledge and left a legacy of place-names. Through close study of the expeditions’ journals, Capelotti reveals that the Franz Josef Land endeavors foundered chiefly because of poor leadership and internal friction, not for lack of funding, as historians have previously suspected. Presenting tales of noble intentions, novel inventions, and epic miscalculations, The Greatest Show in the Arctic brings fresh life to a unique and underappreciated story of American exploration.
It was a lucky twist of fate when in the early1980s David Levy, a writer and amateur astronomer, joined up with the famous scientist Eugene Shoemaker and his wife, Carolyn, to search for comets from an observation post on Palomar Mountain in Southern California. Their collaboration would lead to the 1993 discovery of the most remarkable comet ever recorded, Shoemaker-Levy 9, with its several nuclei, five tails, and two sheets of debris spread out in its orbit plane. A year later, Levy would be by the Shoemakers' side again when their comet ended its four-billion-year-long journey through the solar system and collided with Jupiter in the most stunning astronomical display of the century. Not only did this collision revolutionize our understanding of the history of the solar system, but it also offered a spectacular confirmation of one scientist's life work. As a close friend and colleague of Shoemaker (who died in 1997 at the age of 69), Levy offers a uniquely insightful account of his life and the way it has shaped our thinking about the universe. Early in his training as a geologist, Shoemaker suspected that it wasn't volcanic activity but rather collisions with comets and asteroids that created most of the craters on the moon and most other bodies in the solar system. Convincing the scientific community of the plausibility of "impact theory," and revealing its power for penetrating mysteries such as the extinction of the dinosaurs and the timing of the Earth's eventual demise, became Shoemaker's mission. Through conversations with Shoemaker and his family, Levy reconstructs the journey that began with a young geologist's serious desire to go to the moon in the late1940s. Sent by the government to find a way to harvest plutonium, Shoemaker instead found evidence in desert craters for what became his impact theory. While he never became an astronaut, he did become the first geologist hired by NASA and subsequently set the research agenda for the first manned lunar landing. After a series of victories and setbacks for Shoemaker, the collision of Shoemaker-Levy 9 with Jupiter provided the most convincing proof to date of the role of impacts in our solar system. Levy's explanation of the scientific reasoning that guided Shoemaker in his career up to this dramatic point--as well as his personal portrait of a man who found white-water rafting to be an easy way to relax--sets these fascinating events in a human scale. This biography shows what Shoemaker's legacy will be for our understanding of the story of the Earth well into the twenty-first century.
Every year, millions of Americans visit planetariums and are captivated by their strikingly realistic portrayal of the night sky. Today, it is indeed difficult to imagine astronomy education without these magnificent celestial theaters. But projection planetariums, first developed in Germany, have been a part of American museum pedagogy only since the early twentieth century and were not widespread until the 1960s. In this unique social history, former planetarium director and historian of science Jordan D. Marché II offers the first complete account of the community of individuals and institutions that, during the period between 1930 and 1970, made planetariums the popular teaching aids they are today. Marché addresses issues such as the role of gender and social developments within the planetarium community, institutional patronage, and the popularization of science. He reveals how, at different times, various groups, including financial donors, amateur scientists, and government officials, viewed the planetarium as an instrument through which they could shape public understanding and perceptions of astronomy and space science. Offering an insightful, wide-ranging look into the origins of an institution that has fascinated millions, Theaters of Time and Space brings new perspectives to how one educational community changed the cultural complexion of science, helped shape public attitudes toward the U.S. space program, and even contributed to policy decisions regarding allocations for future space research.
Amateur astronomer and Shoemaker-Levy 9 comet co-discoverer David Levy recounts the story of the crash of the comet into the surface of Jupiter on July 16, 1994, and what the celestial impact taught scientists and the world.
Astronomy and Astrophysics Abstracts, which has appeared in semi-annual volumes since 1969, is de voted to the recording, summarizing and indexing of astronomical publications throughout the world. It is prepared under the auspices of the International Astronomical Union (according to a resolution adopted at the 14th General Assembly in 1970). Astronomy and Astrophysics Abstracts aims to present a comprehensive documentation of literature in all fields of astronomy and astrophysics. Every effort will be made to ensure that the average time interval between the date of receipt of the original literature and publication of the abstracts will not exceed eight months. This time interval is near to that achieved by monthly abstracting journals, com pared to which our system of accumulating abstracts for about six months offers the advantage of greater convenience for the user. Volume 18 contains literature published in 1976 and received before March 1, 1977; some older liter ature which was received late and which is not recorded in earlier volumes is also included.