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Seven-year-old Russell and his three-year-old sister Elisa have adventures with friends and family in their New York City apartment building. Another entry in the popular Riverside Kids series.
Finally...first grade! Elisa is finally in a grade with a number -- just like her big brother, Russell. Elisa is old enough to take piano lessons, lose a tooth, or make a special Mother's Day breakfast. Sometimes Russell treats her like a baby, but Elisa is making big plans! Elisa is finally in a grade with a number -- just like her big brother, Russell. Elisa is old enough to take piano lessons, lose a tooth, and make a special Mother's Day breakfast. Sometimes Russell treats her like a baby, but Elisa has big plans!
Now that she's done with first grade, Elisa has lots of time to prove she can do anything her older brother, Russell, can do. With the family's big vacation coming up, Elisa finds plenty of ways to show Russell that just because he's older, doesn't mean he's better. But topping Russell is one thing. What will happen when it's up to Elisa to save the day for the whole family?
Russell's enjoying his first year in school. The trouble is his baby sister, Elisa. She's only a few months old, and she's a pest! But sometimes, as Russell is about to discover, it's not so bad to have a little sister. Because that also means he's something special: a big brother!
"Crybaby, Crybaby!" That's what Russell calls Elisa whenever she gets upset, and she hates it. Elisa does get frustrated sometimes, like when she can't wear her favorite red shirt to school. But that doesn't mean she can't do other things -- like trade her mittens for a tooth so that the tooth fairy will come sooner, or have a beach party in the middle of winter -- whenever and however she wants!"
Nora has made friends with all the people in her building--almost. Cranky Mrs. Ellsworth, whom Nora has nicknamed Mrs. Mind-Your-Own-Business, just won't be friendly. Then one day Mommy needs a baby-sitter for Nora and Teddy. No one can take the job...except Mrs. Mind-Your-Own-Business! Teddy is scared, but Nora is curious. Will Mrs. Mind-Your-Own-Business become their friend at last?
Pharmaceutical microbiology has a bearing on all aspects of pharmacy, from the manufacture and quality control of pharmaceutical products through to an understanding of the mode of action of antibiotics. Fully revised and restructured, drawing on the contributions of subject experts, and including material relevant to the European curricula in pharmacy, the eighth edition covers: biology of micro-organisms pathogens and host response prescribing therapeutics contamination and infection control pharmaceutical production current trends and new directions Hugo and Russell’s Pharmaceutical Microbiology, a standard text for Schools of Pharmacy for seven editions, continues to be a user-friendly and authoritative guide for both students and practitioners of pharmacy and pharmaceutical microbiology. 'Highly Commended' in the Pharmacology section of the 2012 BMA Book Awards
From humor and drama to science fiction and history, Reid makes it easy to find just the right place to begin, with unique 10-minute read-aloud suggestions drawn from 200 carefully selected titles.
Paolo Sorrentino, director of Il Divo (2008) and The Great Beauty (2013) and creator of the HBO series The Young Pope (2016), has emerged as one of the most compelling figures in twenty-first-century European film. From his earliest productions to his more recent transnational works, Sorrentino has paid homage to Italy’s cinematic past while telling stories of masculine characters whose sense of self seems to be on the brink of dissolution. Together with his usual collaborators (including cinematographer Luca Bigazzi and editor Cristiano Travagliolo) and actors (chief among them Toni Servillo), Sorrentino has produced an incisive depiction of the contemporary European condition by means of an often spectacular postclassical style that nevertheless continues postwar Italian film’s tradition of political commitment. This book is a critical examination of Sorrentino’s work, focusing on his emergence as a preeminent transnational auteur. Russell J. A. Kilbourn offers close readings of Sorrentino’s feature films and television output from One Man Up (2001) to The Young Pope (2016) and Loro (2018), featuring in-depth analyses of the director’s exuberant and intensified film style. Addressing the crucial themes of Sorrentino’s output—including a masculine subject defined by a melancholic awareness of its own imminent demise, and a critique of the conventional cinematic representation of women—Kilbourn illuminates Sorrentino’s ability to suffuse postmodern elegies for the humanist worldview with a sense of social awareness and responsibility. Kilbourn also foregrounds Sorrentino’s contributions to the ongoing transformations of cinematic realism and the Italian and European art cinema traditions more broadly. The first English-language study of the acclaimed director’s oeuvre, The Cinema of Paolo Sorrentino demonstrates why he is considered one of the most dynamic figures making films today.
Now that he's six, Russell has some very important questions 1. If he has to wear hand-me-downs, shoulden't bigger kids wear hand-me-ups? 2. If he can't say bad words, can he make up his own words when he's angry? 3. If he has to get a report card, isn't it about time his parents got one, too?