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Though he once killed in the name of the nascent Meiji government, even an infamous manslayer such as "Hitokiri Battôsai" might grow weary and vow never to kill again. As a new age dawns, there are those who yet cling to the ways of bloodshed, and see the days of peace and prosperity Kenshin and others like him fought so hard to bring forth as betrayal. In ten days' time, the enemies of Kenshin will come for him, and all who stand beside him are in danger. Is the time of earthly justice truly at hand? -- VIZ Media
The battle to decide the fate of Meiji-era swordsmanship has begun! Action, romance, and historical intrigue help make Nobuhiro Watsuki's Rurouni Kenshin, the tale of a wandering swordsman set against the backdrop of the Meiji Restoration, one of the most popular Shonen Jump titles among fans to date. Himura Kenshin, once an assassin (or hitokiri ) of ferocious power, now fights to protect the honor of those in need. Though he once killed in the name of the nascent Meiji government, even an infamous manslayer such as "Hitokiri Battôsai" might grow weary and vow never to kill again. As a new age dawns, there are those who yet cling to the ways of bloodshed, and see the days of peace and prosperity Kenshin and others like him fought so hard to bring forth as betrayal. In ten days' time, the enemies of Kenshin will come for him, and all who stand beside him are in danger. Is the time of earthly justice truly at hand?
One hundred and forty years ago in Kyoto, with he coming of the American "Black Ships," there arose a warrior who, felling men with his bloodstained blade, gained the name Hitokiri, manslayer! His killer blade helped close the turbulent Bakumatsu era and slashed open the progressive age known as Meiji. Then he vanished, and with the flow of years, became legend. -- VIZ Media
The ghosts of Kenshin's past come to wreak havoc on his future as the fight is literally brought to the doorstep of Kamiya Dojo. Three great battles--three great warriors! Myôjin Yahiko, the student of swords not yet a man, takes on a fighter more than twice his age. Sagara Sanosuke, the free-wheeling street fighter, learns a new humility and becomes stronger for it. And Himura Kenshin, the former slayer of men, begins to see a way to atone for the sins of the hitokiri... -- VIZ Media
Once upon a time, one had to read Japanese in order to enjoy manga. Today manga has become a global phenomenon, attracting audiences in North America, Europe, Africa, and Australia. The style has become so popular, in fact, that in the US and UK publishers are appropriating the manga style in a variety of print material, resulting in the birth of harlequin mangas which combine popular romance fiction titles with manga aesthetics. Comic publishers such as Dark Horse and DC Comics are translating Japanese "classics", like Akira, into English. And of course it wasn't long before Shakespeare received the manga treatment. So what is manga? Manga roughly translates as "whimsical pictures" and its long history can be traced all the way back to picture books of eighteenth century Japan. Today, it comes in two basic forms: anthology magazines (such as Shukan Shonen Jampu) that contain several serials and manga 'books' (tankobon) that collect long-running serials from the anthologies and reprint them in one volume. The anthologies contain several serials, generally appear weekly and are so thick, up to 800 pages, that they are colloquially known as phone books. Sold at newspaper stands and in convenience stores, they often attract crowds of people who gather to read their favorite magazine. Containing sections addressing the manga industry on an international scale, the different genres, formats and artists, as well the fans themselves, Manga: An Anthology of Global and Cultural Perspectives is an important collection of essays by an international cast of scholars, experts, and fans, and provides a one-stop resource for all those who want to learn more about manga, as well as for anybody teaching a course on the subject.
The battle to decide the fate of Meiji-era swordsmanship has begun! Action, romance, and historical intrigue help make Nobuhiro Watsuki's Rurouni Kenshin, the tale of a wandering swordsman set against the backdrop of the Meiji Restoration, one of the most popular Shonen Jump titles among fans to date. Himura Kenshin, once an assassin (or hitokiri ) of ferocious power, now fights to protect the honor of those in need. To build a new age, must one truly be mad enough to turn from the extreme justice that political allegiance requires? Deep in the Japanese countryside, far from the gore-spattered streets of the capital, a man who never knew what happiness was begins a new life as husband to a woman who claims to have nowhere else to go. If a man cannot fight to protect the woman he loves, what will become of the nation? Can one woman alone be enough to hold back the madness?
With Misao's help, Kaoru finally manages to locate Kenshin in Kyoto--at the home of Hiko Seijûrô, his master in the school of Hiten Mitsurugi. Having convinced his master to resume (complete) his training, Kenshin assumes the role of pupil once more, while elsewhere in Kyoto, other forces come together. There is the arrival of Shinomori Aoshi, soon approached by the men of Shishio Makoto to join their cause; there is the arrival also of Saitô Hajime, who comes to free Sano from jail and also to join him in questioning "Ten Swords" member Chô. The truth of Shishio's plan for Japan is beginning to be unveiled... -- VIZ Media
He may be one of the "good guys" now (as Misao insists) but, even a month later, Kenshin still is haunted by Kyoto. How can he not be, when it was in Kyoto that, as the feared "Hitokiri Battôsai," he once made the streets flow red...? And yet, before he departs this place of so many memories, there are ghosts which must be put to rest. It's said that, when strong feelings are attached to a particular wound, so long as those feelings persist, the scar will remain. How did Kenshin get that cross-shaped scar on his face, and who was it that gave it to him? -- VIZ Media