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This series is concerned with the relationship between religion, society, culture, and identity in Europe from the early medieval period to the end of the ancien regime, with particular emphasis on continuity and transformation within urban religious life and institutions. The series concentrates on medieval Europe, though may also include North Africa and the Middle East, with a particular emphasis on studies that focus on history in the longue duree.
This book brings together challenging new essays from some of the leaders in Italian scholarship in three countries, to show the range of work that is currently being done not only on Florence but also on Naples, Ferrara and Lucca and on the relationship between cities and countryside.
This book addresses a gap in Italian historiography by examining rural rather than city communes. In recent years, historians have increasingly focused on local and regional studies of village communities as a way of understanding medieval European history. This discussion of a group ofvillages around Lucca is the first detailed study of the origin of organized village communities in Italy for over seventy years, showing how the social and political structures of the countryside ran alongside those of the city. Chris Wickham analyses how local politics took recognizable shape asits ruling structures gradually emerged over time. His argument does not end there, and indeed extends beyond Italy, to France and Spain, providing sustained comparisons of rural development and social organization. The result is a rare combination of systematic local analysis and wide synthesis,aimed at illuminating the whole area of social transformation in twelfth-century Europe.
The aim of the book is to gauge the impact of the general European crisis upon a regional society, and to assess the contribution of agrarian economic and social trends towards that crisis.
Queen of Sorrows takes an original approach to both late-medieval Italian history and the history of Christianity, using quantitative and qualitative analyses of a remarkable archive of 1,904 testaments to determine patterns in giving to the Virgin of Loreto shrine in the late fourteenth and early fifteenth centuries. Bianca M. Lopez argues that in central Italy, as elsewhere, the cult of the Virgin Mary gained new prominence at this time of unprecedented mortality. Individuals gave to Santa Maria di Loreto, which houses the structure in which Mary is believed to have lived, as an expression of their grief in the hope of strengthening family lineages beyond death and to care for loved ones believed to be languishing in purgatory. Lopez establishes statistical correlations between different social groups and their donations to Loreto over time, uncovering informative new historical patterns such as the prominence of widow and migrant donors in the notarial record. The testaments also provide a social history of Recanati, revealing how its denizens venerated Mary as a saint with unrivaled spiritual power and uniquely sympathetic to grief, having lost her own son, Jesus. In the fourteenth century, plague survivors transformed their anguish into Marian devotion. The devastation of the plague brought the Virgin out of noble courts and monasteries and onto city streets. As Queen of Sorrows details, however, the popularity and growing wealth of Loreto's Marian shrine attracted the attention of the papacy and peninsular seigneurial lords, who eventually brought Santa Maria di Loreto under the control of the Church.
Melding evolutionary theory and both animal and human ethology together with close, descriptive historical research on a typical Tuscan village in the Seventeenth century, Hanlon explains the good reasons individuals had for behaving in ways that now seem strange to us.
An essential introductory survey of the towns, villages and parishes in which people lived in the medieval and early modern periods. Beat Kumin assesses the similarities, differences and the wider significance of these communities for European society prior to 1800.
This book shows how the seemingly immutable Tuscan landscape was largely shaped by modern conflicts over economic resources and cultural meanings.
Julia Rombough explores the regulation of sound in women's residential institutions in early modern Florence. Silence was tied to ideals of feminine purity and spiritual discipline, yet enclosed women still laughed, shouted, sang, and conversed. A Veil of Silence offers a revealing history of the political and spiritual meanings of the senses.