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This book tries to encompass the life's achievement of Pierre Albert-Birot in art, poetry, and prose. This book is a rich and exhaustively researched study of a fascinating figure and a most original mind. The volume also attempts to encompass a life's achievement and to view globally Albert-Birot's artistic, poetic, and prose productions. As such, this is an important contribution to the study and knowledge of French literature of the first half of the twentieth century and to interdisciplinary studies. It is of interest not only to specialists in French literature, but also to art historians, literary historians, and those interested in comparative aesthetics.
Religion and Politics in a Global Society: Comparative Perspectives from the Portuguese-Speaking World, edited by Paul Christopher Manuel, Alynna Lyon, and Clyde Wilcox, explores the legacy of the Portuguese colonial experience, with careful consideration of the lasting impression that this experience has had on the cultural, religious, and political dynamics in the former colonies. Applying the insights derived from three theoretical schools (religious society, political institutions, and cultural toolkit), this volume brings together scholars from a variety of disciplines, offering in-depth case studies on Angola, Brazil, East Timor, Goa, Mozambique, and Portugal—societies connected by a shared colonial past and common cultural and sociolinguistic characteristics. Each chapter examines questions on how faith and culture interrelate, and how the various national experiences might resonate with one another. This volume provides a deeper understanding of the Lusophone global society, as well as the larger field of religion and politics.
As the image of anthropologists exploring exotic locales and filling in blanks on the map has faded, the idea that cultural anthropology has much to say about the contemporary world has likewise diminished. In an increasingly smaller world, how can anthropology help us to tackle the concerns of a global society? David A. Westbrook argues that the traditional tool of the cultural anthropologist—ethnography—can still function as an intellectually exciting way to understand our interconnected, yet mysterious worlds. Navigators of the Contemporary describes the changing nature of ethnography as anthropologists use it to analyze places closer to home. Westbrook maintains that a conversational style of ethnography can help us look beyond our assumptions and gain new insight into arenas of contemporary life such as corporations, financial institutions, science, the military, and religion. Westbrook’s witty, absorbing book is a friendly challenge to anthropologists to shed light on the present and join broader streams of intellectual life. And for those outside the discipline, his inspiring vision of ethnography opens up the prospect of understanding our own world in much greater depth.
Vladimir Lossky’s posthumously published masterwork is now made available in English for the first time. Eckhart’s Negative Theology is the culmination of a long process, whereby the renowned Orthodox philosopher and theologian embraced the ways of thinking of a thirteenth-century German monk and mystic. While refusing to simplify Eckhart’s theology to a system or single motif, Lossky explores in detail the various ramifications of Eckhart’s insistence on the ineffability of God. Is God to be regarded as ‘being’, or the ‘One’, or ‘Intellect’? Does God’s pure expression of each of these preclude the others? Framed by six key statements about God’s essence, Lossky lays out Eckhart’s approach to this dilemma. His understanding of the problem, guided by careful engagement with a multitude of sources, is exhaustive. Scholars will welcome this eagerly-anticipated translation.
This book is a thematic history of the communist movement in Kerala, the first major region (in terms of population) in the world to democratically elect a communist government. It analyzes the nature of the transformation brought about by the communist movement in Kerala, and what its implications could be for other postcolonial societies. The volume engages with the key theoretical concepts in postcolonial theory and Subaltern Studies, and contributes to the debate between Marxism and postcolonial theory, especially its recent articulations. The volume presents a fresh empirical engagement with theoretical critiques of Subaltern Studies and postcolonial theory, in the context of their decades-long scholarship in India. It discusses important thematic moments in Kerala’s communist history which include — the processes by which it established its hegemony, its cultural interventions, the institution of land reforms and workers’ rights, and the democratic decentralization project, and, ultimately, communism’s incomplete national-popular and its massive failures with regard to the caste question. A significant contribution to scholarship on democracy and modernity in the Global South, this volume will be of great interest to scholars and researchers of politics, specifically political theory, democracy and political participation, political sociology, development studies, postcolonial theory, Subaltern Studies, Global South Studies, and South Asia Studies.
"The Sacred Liturgy is not a hobby for specialists. It is central to all our endeavors as disciples of Jesus Christ. This profound reality cannot be over emphasized. We must recognize the primacy of grace in our Christian life and work, and we must respect the reality that in this life the optimal encounter with Christ is in the Sacred Liturgy." With these words Bishop Dominique Rey of Fréjus-Toulon, France, opened Sacra Liturgia 2013, an international conference in which he brought together over twenty leading liturgists, cardinals, bishops and other scholars from around the world to emphasize the centrality of liturgical formation and celebration in the life and mission of the Church. "The New Evangelization must be founded on the faithful and fruitful celebration of the Sacred Liturgy as given to us by the Church in her tradition - Western and Eastern," Bishop Rey asserted. Sacra Liturgia 2013 - the proceedings of which this book publishes - explored questions of liturgical art, architecture, music, the ars celebrandi, the importance of ritual in human psychology, truly pastoral liturgy, the place of the older liturgical rites in the New Evangelization, liturgical formation, liturgical law, the role of the diocesan bishop in respect of the liturgy, and more. Sacred Liturgy - The Source and Summit of the Life and Mission of the Church is an important resource in ongoing liturgical formation for clergy, religious and laity, and makes a significant contribution to that renewal promoted in the Pontificate of Benedict XVI. That is the renewal which embraces the riches of liturgical tradition as valuable treasures, seeks to read the Second Vatican Council according to a hermeneutic of continuity, not rupture, and is in no doubt that, as Joseph Cardinal Ratzinger once wrote, "the true celebration of the Sacred Liturgy as the center of any renewal of the Church."
This book applies a novel method of critical reading of Lumen Gentium and Mystici Corporis in combination with redaction-historical analysis to channel the Second Vatican Council’s modest attempts at pneumatological renewal into a more open and receptive faith practice and theology.
Fifty Key Texts in Art History is an anthology of critical commentaries selected from the classical period to the late modern. It explores some of the central and emerging themes, issues and debates within Art History as an increasingly expansive and globalised discipline. It features an international range of contributors , including art historians, artists, curators and gallerists. Arranged chronologically, each entry includes a bibliography for further reading and a key word index for easy reference. Text selections range across issues including artistic value, cultural identity, modernism, gender, psychoanalysis, photographic theory, poststructuralism and postcolonialism. Rozsika Parker and Griselda Pollock Old Mistresses, Women, Art & Ideology (1981) Victor Burgin’s The End of Art Theory: Criticism and Postmodernity (1986) Homi Bhabha The Location of Culture: Hybridity, Liminal Spaces and Borders (1994) Geeta Kapur When was Modernism in Indian Art? (1995) Judith Butler's Gender Trouble (1999) Georges Didi Huberman Confronting Images. Questioning the Ends of a Certain History of Art (2004)
This book aims to delve deeper into China’s Road studies, bringing together China’s leading scholars from different disciplines to examine, with reference to the grand strategies of major powers in the world, the strategically important issues that China faces, the interactions between domestic politics and international politics, and the way in which China seeks to become a world player. The book contains articles analyzing the history and reality of China’s road, domestic and international foundations of China’s Road, and China’s Road and the world’s future. The authors also discuss the unique aspects of China’s Road, as the properties and the selection of the system, ideas, and development model all comprise an unalterable socialist direction, government-led market economic system, human-oriented core ideas, and gradual reform. With balanced and peaceful development, cooperation, and mutual benefits as outstanding characteristics, China’s Road will ensure that China continues to progress.
In over fifteen years, the cultural and artistic response to 9/11 has been wide-ranging in form and function. As the turbulent post-9/11 years have unfolded – years that have been shaped and characterized by the War on Terror, the Patriot Act, the Wars in Afghanistan and Iraq, 7/7, Abu Ghraib and Guantánamo Bay – these texts have been commemorative and heroic, have attempted to work through collective and individual traumas, and have struggled with trying to represent the “terrorist other.” Many of these earlier domestic, heroic and traumatic works have so often been read as limitations in narrative. This collection, however, challenges the language of limitation and provides re-readings of earlier work, but also traces the emergence of a new paradigm for discussing the artistic responses to 9/11 – one that frames these narratives as dialogic, self-conscious and self-reflexive interventions in the responses to the attacks, the initial representations of the attacks, and the ever-shifting social and geopolitical continuities of the 9/11 decade. These texts widen the conversation about the lasting impacts of 9/11, and incorporate strands of discussion on American exceptionalism and imperialism, torture, and otherness, whilst still remaining invested in the personal and collective traumas of the attacks. The authors included here ask crucial questions about the way 9/11 is being historicized: will it, for example, be read as a moment of rupture or epoch? Will it inevitably be attached to the War on Terror or the Wars in Iraq and Afghanistan? As they trace the emergent patterns of reflexivity, politicization and dissent, the contributions here are also implicitly invested in asking how far they extend.