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In Runt and Mumble: A Tale of Love and War, rats and mice take on human characteristics. They end up having the same dilemmas, but with a political undertone. Runt's gentle demeanor and small stature make him an easy target for abuse by other rats in the horde. Mumble, on the other hand, is an overgrown mouse whose slowness and large girth make her the laughingstock of her colony. A chance meeting between the two outcasts creates an unlikely friendship, as well as the chance for a new life of their own. Although rejected by their own societies, Runt and Mumble's relationship sparks a war between rats and mice as they fight for ultimate control over food and territory. With their lives in danger and their freedom slipping away, Runt and Mumble find themselves in a worse situation than when they first met, and it seems that nothing short of a miracle could help them now.
!--StartFragment--How can you talk about something that you can't remember? Before the ski trip, Cassidy "Sid" Murphy was a cheerleader (on the bottom of the pyramid, but still...) and a straight-A student, with two of the best friends a girl could ask for. When Sid finds herself on a ski lift with hunky local college guy, Dax Windsor, she's thrilled. "Come to a party with me," he tells her, but Dax isn't what he seems. He takes everything from Sid-including a lock of her perfect red curls-and she can't remember any of it. After the ski trip, Sid is an insomniac and an obsessive late-night runner, unable to relate to her old friends. Caught in a downward spiral, Sid drops her college prep classes and takes up residence in the A/V room with only Corey "The Living Stoner" Livingston for company. But as she gets to know Corey--slacker, baker, total dreamboat--Sid finds someone who truly makes her happy. Now, if only she could shake the nightmares, everything would be perfect... Witty and poignant, Colleen Clayton's debut is a stunning story of moving on after the unthinkable happens. !--EndFragment--
A sinister, sophisticated debut thriller by “a remarkable new voice to watch” (J.T. Ellison, New York Times bestselling author), Man of the Year has been lauded by Shelf Awareness as “an impressive slow burn that builds suspense and cracks the whip at the end…redolent with menace and ego.” Dr. Robert Hart, Sag Harbor’s just-named Man of the Year, is the envy of his friends and neighbors. His medical practice is thriving. He has a beautiful old house and a beautiful new wife and a beautiful boat docked in the village marina. Even his wayward son, Jonah, is back on track, doing well at school and finally worthy of his father’s attentions. So when Jonah’s troubled college roommate needs a place to stay for the summer, Hart and his wife generously offer him their guesthouse. A win-win: Jonah will have someone to hang with, and his father can bask in the warm glow of his own generosity. But when Robert suspects his new houseguest of getting a little too close to his wife, the good doctor’s veneer begins to crack, and all the little lies he tells start to mount. Before long, Robert is embroiled in a desperate downward spiral, threatening to destroy anyone who stands in his way. It’s only the women in his life—his devoted office manager, his friends and neighbors, his wife—who can reveal the truth…if he’s willing to look. Biting and timely, Man of the Year races along at an electric pace, building to a wicked twist you won’t see coming.
North Carolina's Paul Green (1894-1981) was part of that remarkable generation of writers who first brought southern writing to the attention of the world. Winner of a Pulitzer Prize for Drama in 1927, Green was a restless experimenter who pioneered a new form of theater with his "symphonic drama," The Lost Colony. A concern for human rights characterized both his life and his writing, and his steady advocacy for educational and social reform and racial justice contributed in fundamental ways to the emerging New South in the first half of this century. A Paul Green Reader makes available once again the work of this powerful and engaging writer. It features Green's drama and fiction, with texts of three plays--including the Pulitzer Prize-winning In Abraham's Bosom and the famous second act of The Lost Colony--and six short stories. It also reveals the life behind the work through several of Green's essays and letters and an excerpt from The Wordbook, his collection of regional folklore. Laurence Avery's introduction outlines Green's life and examines the central concerns and techniques of his work. A native of Harnett County, North Carolina, Paul Green was a devoted teacher of philosophy and drama at the University of North Carolina at Chapel Hill.
This is the story of young mans dream of being a mountain man. Billy White was struggling with adventurous spirit while working hard on his parents farm. But wanderlust got the best of Billy, and he left his old life behind and headed west to fulfill his dreams. Billys travels take him through all means of adventures and romances. Billys eye for women gets him in trouble more often than not. He travels on a flatboat, a paddleboat, a steamship, and on horseback to get to the mountains, with a lust for women that never stops as he heads west. There is a new adventure at every turn of his journey.
A tender story about a tough-as-nails girl forced to take one small step towards understanding during the summer of 1969. "Muscle Man McGinty is a squirrelly runt, a lying snake, and a pitiful excuse for a ten-year old......the problem is that no one knows it but me. In the entire town of Massapequa Park, only I can see him for what he really is. A phony." Tamara Ann Simpson is determined to expose Muscle Man McGinty, a foster boy new to her neighborhood, for the liar that she knows he is. Muscle Man tells the other kids his uncle is Neil Armstrong and he even has the audacity to challenge the entire block to a kickball game. So, why is Tamara the only one who can see through this kid? It's the summer of 1969 and things are changing in Tamara's little town of Massapequa, Long Island, and in the world. Perhaps Tamara can take one small step towards a bit of compassion and understanding.
When his father moves them halfway across Colorado, eleven-year-old Hugo O'Donnell is surprised that his remarkable talent for garbology makes him popular for the first time in his life.
''Hymn to the Rising Sun, '' a grim prison drama from the 1930's, takes place in the barracks of a rural Southern work camp in the early morning on the Fourth of July, and the idea of the cruelly incarcerated waking to Independence Day is the irony that thrums loudly throughout the play. --NY Times, Feb. 5, 2001.
When religion reporter Cathleen Falsani climbed aboard Bono's tour bus, it was to interview the rock start about AIDS awareness. Instead, they plunged into a lively discussion about faith. "This is a defining moment for us," Bono said. "For the culture we live in." Spirituality clearly now plays a key role in the United States. But what is also clear is that faith is a more complex issue than snapshots of the country convey. Jesus. Buddha. Kabbalah. Angels. This may be a nation of believers but not of one belief—of many. To shape a candid picture of modern faith, Falsani sat down with an array of people who shape our culture, and in turn, our collective consciousness. She's talked about Jesus with Anne Rice; explored "Playboy theology" with Hugh Hefner; discussed evil with crusading attorney Barry Scheck, and heaven with Senator Barack Obama. Laura Esquivel, basketball star Hakeem Olajuwon, Studs Terkel, guru Iyanla Vanzant, rockers Melissa Etheridge and Annie Lennox, economist Jeffrey Sachs, Pulitzer-winning playwright John Patrick Shanley—all opened up to her. The resulting interviews, more than twenty-five in all, offer a fresh, occasionally controversial, and always illuminating look at the beliefs that shape our lives. THE GOD FACTOR is a book for the believers, the seekers, as well as the merely curious among us. Included are interviews with Sherman Alexie, Bono, Dusty Baker, Sandra Bernhard, Sandra Cisneros, Billy Corgan, Kurt Elling, Laura Esquivel, Melissa Etheridge, Jonathan Safran Foer, Mike Gerson, Seamus Heaney, Hugh Hefner, Dr. Henry Lee, Annie Lennox, David Lynch, John Mahoney, Mark Morris, Mancow Muller, Senator Barack Obama, Hakeem Olajuwon, Harold Ramis, Anne Rice, Tom Robbins, Russell Simmons, Jeffrey Sachs , Barry Scheck, John Patrick Shanley , The Reverend Al Sharpton, Studs Terkel, Iyanla Vanzant, and Elie Wiesel.