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When a diphtheria epidemic hits her 1840 village, thirteen-year-old Jessie discovers it is actually a 1996 tourist site under unseen observation by heartless scientists, and it's up to Jessie to escape the village and save the lives of the dying children.
Joe Conzo and David A. Perez luminously recreate the life of widely acclaimed Afro-Cuban and jazz musician Tito Puente in the biography "Mambo Diablo - My Journey with Tito Puente." The authors chronicle the life of the popular and combative New York Puerto Rican multi talented musician and entertainer who climbed from his obscure and poor environment in East Harlem (El Barrio), New York to international fame and recognition. Countless stories have been written about Tito Puente's percussive musical abilities, but rarely has the talent, intuition, mishaps and controversies been presented in a vivid and personal biography. Joe Conzo was Tito's close friend, confidant and chronicler for nearly 40 years - no one was closer to Tito or knew him better, not even his family. Joe tells the story of a man and his music the way it has never been told. David A. Perez sets down Joe's personal recollections and fits them into the context of the social milieu and revolving world. Hundreds of articles have been written about Puente, and three books Powell, Josephine. Tito Puente - When The Drums are Dreaming, Authorhouse, 2007 (Information re: Tito is based on her conversations with Tito Puente. The book is self-published and chronicles many of his activities on the West Coast. There are many inconsistencies, mis-quotes, and errors of fact.) Loza, Steven. Tito Puente and the Making of Latin Music, University of Illinois Press, 1999 (A technical work that is based on interviews with people who knew Tito. The life of Puente is glanced over; the musicians he worked with are almost overlooked. Joe Conzo is among those interviewed.)Payne, Jim. Tito Puente - The King of Latin Music, Hudson Music, 2000. (Is presented as an overview of Tito Puente's music and includes a DVD with footage of Tito discussing his 50-year career. Joe Conzo provided much of the information for this endeavor.) record some of his achievements. None of them touch on the personal life of the man, expose his weaknesses, reveal his intensity for perfection, and describe the musical brilliance in such a delicate and personal way. Joe and David reveal the inner Tito Puente through his music, his musical associations and present a man that is more than a flamboyant percussionist. Tito played piano - and he played it well. Tito played the saxophone and often sat in the sax section of his orchestra. Tito played the vibes and had an incomparable style that was exciting, romantic and jazzy. He composed about 500 tunes, probably more. And, yet in the realm of American jazz historians, writers and critics ignore, brush over and avoid the importance of Tito's music and his contributions. A prime example of this is Ken Burn's television documentary about jazz - he virtually ignores Afro-Cuban music, Afro-Cuban jazz. Joe and David reveal Tito's rightful place in the history of music and give an unbiased, on-the-mark portrait of Puente's complexities like no book before it. Author and journalist Pete Hamill sets the stage for the journey in the preface.
Includes the decisions of the Supreme Courts of Missouri, Arkansas, Tennessee, and Texas, and Court of Appeals of Kentucky; Aug./Dec. 1886-May/Aug. 1892, Court of Appeals of Texas; Aug. 1892/Feb. 1893-Jan./Feb. 1928, Courts of Civil and Criminal Appeals of Texas; Apr./June 1896-Aug./Nov. 1907, Court of Appeals of Indian Territory; May/June 1927-Jan./Feb. 1928, Courts of Appeals of Missouri and Commission of Appeals of Texas.
Let’s face it - the holidays can be stressful. When the peppermint latte won’t cut it, you might find yourself in need of something to stab. A LOT. Now, you can release your holiday anxiety with some truly irreverent and silly sentiments, and make a couple of presents in the process! Featuring 20 patterns from the crafting world’s most bad-ass cross-stitchers, this book has everything from a simple “Ho” ornament to a sampler featuring Clark Griswold’s famous “Hallelujah, holy shit, where’s the Tylenol?” There is no previous experience required here! In addition to simple instructions and clear, easy-to-follow patterns, you get a basic lesson in cross-stitch technique, so anyone can make these designs. Stitch your stress away with a little “Hello Drunk, I’m Christmas” for your tree, or make a “Deck the Halls and Not Your Family” for your sibling. And above all, have a Happy F*cking Holiday! TOP DESIGNERS: Patterns created by some of the f*cking best-selling cross-stitch designers and influencers on Etsy 20 FESTIVE PATTERNS: Festive As F*ck includes 20 hilariously sassy patterns to help ease the stress of the holiday season EASY-TO-FOLLOW-DESIGNS: With simple instructions and clear and easy-to-follow patterns, even a novice potty-mouth can enjoy this filthy holiday fun INSPIRING IMAGES: Full-color images of the finished projects help ensure success and offer ideas of how to frame and display your festive artwork THE PERFECT SNARKY GIFT: Make the best f*cking gifts of the season with hilarious and irreverent cross stitch designs that will make anyone laugh their ass off.
The Old U(VA) and I: 1961-1965 By: Frank Briggs The decade of the 1960s saw sweeping changes at UVA as old barriers fell and students of new backgrounds came. Litigation that lasted from the late 1940s through the end of the 1960s eliminated historic barriers to African American and women students. No detailed UVA-specific narrative has existed until former graduates from two ends of the decade, Joel Gardner, BA 1970, Rebel Yell to Revolution, in 2018 and now Frank Briggs, BA 1965, recognized that the University had changed in the most profound ways and used their own experiences to document what happened. This book will attract anyone who lived through that heady period. It will appeal also to others, to women and men who grew up later, and who may have wondered why and how the good old days ended and America stepped beyond them. Some might say grew up. —John T. Casteen III, President Emeritus, University of Virginia, 1990–2010 Frank Briggs’s memoir is a highly entertaining trip in time to an era in UVA history that predated the social upheavals of the late 1960s. We accompany the author through his four years in a cloistered culture of tradition that had not changed over many decades. In a series of revealing and amusing anecdotes, we relive the road trips, party weekends, and collegiate shenanigans that dominated the student experience during that period. This is a must read for every Wahoo who lived through that era or anyone who has an interest in the social history of college life prior to the cultural revolution that swept across the country after Briggs’s graduation. —Joel B. Gardner, Author, From Rebel Yell to Revolution: My Four Years at UVA, 1966–1970 As an old Beta and in many other respects as one of the older observers of the University still more or less vertical, I salute Frank Briggs for his most successful undertaking. I have encouraged alumni to write memoirs of their student days, and Frank has done this splendidly. —Alexander G. “Sandy” Gilliam, Professor and University Historian Emeritus, University of Virginia
The New York Times–bestselling historical trilogy of an eighteenth-century Englishwoman’s romances and adventures. A great love story and a journey through the late eighteenth-century from England to colonial America to the Caribbean to imperial Russia, this trilogy by the author of Angel in Scarlet and other beloved historical romances follows Marietta Danver, a poor Englishwoman who escapes Newgate Prison to find a rich and passionate life. Love’s Tender Fury: Born out of wedlock to a London barmaid, Marietta Danver yearns to overcome her humble origins, but instead is sold into indentured servitude in North America. In the Carolinas and Louisiana, she will find herself arousing unruly passions in the hearts of three men. Love Me, Marietta: Marietta is engaged to a British aristocrat, but meets a rakish, indigo-eyed man in New Orleans she cannot help but feel drawn to. She will find herself reunited with him when she’s taken prisoner by pirates on the high seas. When Love Commands: Marietta awakens after a traumatic accident and finds herself in the care of a mesmerizingly handsome Russian count and his niece. But when she accompanies them to their lavish estate in St. Petersburg, she is caught up in the intrigues of the imperial court and must fight for her freedom—and her life. Now available in one collection, this is a delicious read from one of the classic names in historical romance.
The devastating outcome of four years ago has left its stains on a community, especially for Jack Tanner, along with estranged father and son, Tom and Jon Malone. Each trying to navigate their sorrows in their own ways. Jacks Place once again thrust Vietnam veterans Jack Tanner, Tom Malone and Bill Kirkland into devastating circumstances. Tom struggles with his former friend Jack Tanner regarding the death of Toms sister Barbra. He along with his partner Bill Kirkland investigate the slaughter of five people. While young Jon is forced with the decision to trust Jack, and new employer, as he reconnects with the lovely Jennifer. At the same time people are dying, an old threat seems to draw closer as our heroes are forced to put their differences aside to help those that mean the most........