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Drawing on relevant postmodern theories, and exploring the link between the dynamics of eroticism and esotericism, this book establishes the esoteric significance of the bawdy tales in R?m?'s (d. 1273) "Mathnaw?," a masterpiece of medieval Perso-Islamic mystical literature.
This is the first systematic examination of the esoteric significance of the bawdy tales and explicit sexual passages present in Rūmī’s (d. 1273) Mathnawī, a masterpiece of medieval Perso-Islamic mystical literature and theosophic teachings. Using the relevant features of postmodern theories as strategic conceptual tools, and drawing on the recent interpretations of medieval kabbalistic texts, it is a fascinating examination of the link between the dynamics of eroticism and esotericism operative in Rūmī’s Mathnawī. In some of these bawdy tales, the phallus is used as an esoteric symbol. The book concludes that these tales are used primarily to communicate esoteric secrets, particularly when this communication is contemplated along gender lines, mediated through erotic imagery, or expressed in sexual terms.
The Mawlana Rumi Review is an annual academic review devoted to the life, thought, poetry and legacy of Mawlana ( Our master ) Jalal al-Din Rumi (d.1273). It is a publication of the Rumi Institute, Near East University, Cyprus, and the Rumi Studies Group at the Centre for Persian and Iranian Studies, Institute of Arab & Islamic Studies, University of Exeter. The Mawlana Rumi Review publishes articles, translations, review articles, and book reviews including articles on Rumi s art of story-telling, poetic imagery, theology, spiritual psychology, ecumenism, erotic spirituality, pedagogy, hermeneutics, ethics, epistemology, prophetology, metaphysics and cosmology, the heritage of Rumi s thought in modern and medieval literary history, the interpretation and commentary on his works such as the Mathnawi and Divan-i Shams-i Tabrizi, and literary translations of his poetry."
Jacques Lacan was fascinated with forms of the "religious" throughout his life, from monotheism, which shaped his account of the signifier, to modern occultism, as he was well acquainted with the writings of figures such as Oskar Goldberg and René Guénon. Lacan also repeatedly turned to non-European religiosities to test the limits of psychoanalytic theory. In his yearly seminars he engaged with traditions such as Kabbalah and Taoism, going beyond the Western Christian, capitalist and postcolonial setting of the French university to search for a possible outside to psychoanalysis. But such a quest ultimately recapitulates Lacan's constant awareness of the desire for a new master, and the still open question regarding the names and meanings that this desire may yield. This anthology of eleven essays, which travel from gnosticism to sufism, from afro-pessimism to post-68 ex-Maoist apocalypticism, investigates these unresolved threads that Lacan left behind. Beneath the exoteric psychoanalytic apparatus of Lacan's thought, there is an esoteric Lacan who remains unexplored.
Religion and Representation: Islam and Democracy brings together a series of reflections, studies and observations that examine the complex relationship between political representation and Islam. Through the perspectives of theology, history, sociology, philosophy and political science, contributions to this volume explore the connections between religious beliefs, religiosity, political ideals and political behaviour. Grounded in the experience of both Muslim-majority and Muslim-minority states, the chapters represent a broad cross-section of approaches that emerge from a process of exchange and dialogue, which began with a three-day conference in London, Canada in March 2012. Beyond demonstrating how Islam and democracy are compatible, the authors in this volume employ theological reasoning, theoretical insight, logical argumentation and empirical data to explore in detail the points of connection. Contributions encompass a broad spectrum of interpretations of Islam, as well as consideration of critical and compelling issues and controversies across a range of contemporary settings.
In these poems of taut clarity, craft, and texture, Michael Waters continues his bold exploration of sensual pleasure and moral transgression as means of affirming spiritual faith. Just as a joyride suggests recklessness and exhilaration, so Celestial Joyride is an energized journey marked by spiritual recklessness in the face of perpetual mortality. Compelling, musical narratives offer rich meaning and vivid consequence. Michael Waters's poetry books include BOA Editions titles Gospel Night, Darling Vulgarity, finalist for the Los Angeles Times Book Prize; and Parthenopi, finalist for the Paterson Poetry Prize. He teaches at Monmouth University and in the Drew University MFA Program.
"Bashir weaves a rich history of Sufi Islam around the depiction of bodily actions in Sufi literature and miniature paintings produced circa 1300-1500 CE. Focusing on the Persianate societies of Iran and Central Asia, he explores medieval Sufis' conception of the human body as the primary shuttle between interior (batin) and exterior (zahir) realities with particular attention to three arenas: religious activity in the form of rituals, rules of etiquette, asceticism, and a universal hierarchy of saints; the deep imprint of Persian poetic paradigms on the articulation of love, desire, and gender; and the reputation of Sufi masters for working miracles, which empowered them in all domains of social activity. Bashir ultimately offers a new methodology for extracting historical information from religious narratives"--Cover p. [4].
The American Journal of Islamic Social Sciences (AJISS) is a double blind peer-reviewed and interdisciplinary journal that publishes a wide variety of scholarly research on all facets of Islam and the Muslim world: anthropology, economics, history, philosophy and meta-physics, politics, psychology, religious law, and traditional Islam. Submissions are subject to a blind peer review process.
Historiography is the study of the methodology of writing history, the development of the discipline of history, and the changing interpretations of historical events in the works of individual historians. Exploring the historiography of Persian art and architecture requires a closer look at a diverse range of sources, including chronicles, historical accounts, travelogues, and material evidence coming from archaeological excavations. The Historiography of Persian Architecture highlights the political, cultural, and intellectual contexts that lie behind the written history of Persian architecture in the twentieth century, presenting a series of investigations on issues related to historiography. This book addresses the challenges, complexities, and contradictions regarding historical and geographical diversity of Persian architecture, including issues lacking in the 20th century historiography of Iran and neighbouring countries. This book not only illustrates different trends in Persian architecture but also clarifies changing notions of research in this field. Aiming to introduce new tools of analysis, the book offers fresh insights into the discipline, supported by historical documents, archaeological data, treatises, and visual materials. It brings together well-established and emerging scholars from a broad range of academic spheres, in order to question and challenge pre-existing historiographical frameworks, particularly through specific case studies. Overall, it provides a valuable contribution to the study of Persian architecture, simultaneously revisiting past literature and advancing new approaches. This book would be of interest to students and scholars of Middle East and Iranian Studies, as well as Architectural History, including Islamic architecture and historiography.
"Book Abstract: The sociology of the Middle East has been an expanding field of inquiry since the aftermath of WWII when phenomena as diverse as urbanization, internal and international migration, and peasant societies attracted the attention of scholars working on the region. The Middle East became central in key sociological debates on modernization theory and the critical responses. The Oxford Handbook of the Sociology of the Middle East connects this historical trajectory with the emergence of the sociology of Islam, inspired by Max Weber. It explores how within the global community, the Middle East has become a terrain of heightened concern within the post-Cold War context, where the promising rise of civic (and often religiously-inspired) sociopolitical movements in the 1980s and 1990s has been slowly overwhelmed by the affirmation of jihadist networks, authoritarian states, and complex supranational security apparatuses. This foundational volume starts by engaging in a critical examination of the field itself, starting with a historical sociology of the making of the idea itself of the Middle East and linking it with the legacy of colonialism and the evolving dynamics of global power. In repurposing the sociology of the Middle East within a growing interdisciplinary multifield, the Handbook develops the critical argument that the exploration of social dynamics in the Middle East cannot be disjoined from the analysis of culture and politics. By connecting the vexed state-society relations in the region with movements of transformation and the affirmation of rights and creativity in the public arenas, it provides a comprehensive perspective to investigate longstanding regional and new transregional and global dynamics and their impact on the life of people in the region. Keywords: sociology of the Middle East, sociology of Islam, Max Weber, historical sociology, Middle East and North Africa region, MENA"--