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Myths and legends are deeply rooted in the world's literature, language, and history. But what does the phrase "Achilles heel" refer to, and what did Oedipus or Beowulf actually do? Gather round for enthralling stories of gods, danger, heroes, and great cosmic events. With over 1000 illustrations, Myths and Legends explores epic global stories, bringing to life the greatest creation myths of all time, such as that of Brahma and Vishnu, and the Inca god Viracocha. It brings you monstrous creatures and terrifying people including the witch Baba Yaga, as well as epic adventures such as King Arthur's search for the Holy Grail and Jason's capture of the Golden Fleece. It tells how the Masai first got their cattle, or how the Greeks discovered fire and shares legends that explain death, including the story of the Maori god Tane. Originally passed down from one generation to the next, these sagas from all over the world are part of our heritage and touch our hearts. Myths and Legends provides context and meaning to each one, and is a treasure trove for everyone interested in their cultural legacy.
Like their regal counterparts in societies around the globe, ancient Maya rulers departed this world with elaborate burial ceremonies and lavish grave goods, which often included ceramics, red pigments, earflares, stingray spines, jades, pearls, obsidian blades, and mosaics. Archaeological investigation of these burials, as well as the decipherment of inscriptions that record Maya rulers' funerary rites, have opened a fascinating window on how the ancient Maya envisaged the ruler's passage from the world of the living to the realm of the ancestors. Focusing on the Classic Period (AD 250-900), James Fitzsimmons examines and compares textual and archaeological evidence for rites of death and burial in the Maya lowlands, from which he creates models of royal Maya funerary behavior. Exploring ancient Maya attitudes toward death expressed at well-known sites such as Tikal, Guatemala, and Copan, Honduras, as well as less-explored archaeological locations, Fitzsimmons reconstructs royal mortuary rites and expands our understanding of key Maya concepts including the afterlife and ancestor veneration.
"List of authorities": pages 503-526.
Close your eyes and picture -- just for a moment -- hell. Fire? Demons? Eternal torment? Well, yes -- that's the place, in one very hot nutshell. But that's not all there is to the forbidding world beneath us. For a few millennia now, we mortals have imagined and reimagined hell in countless ways: as a realm of damnation, as an inspiration for highest art, as a setting for the lowest of lowbrow comedy. One might conclude that for all our good intentions to enter para- dise, we can't seem to get enough vivid details of its counterpart, hell. Provocative, colorful, and damned entertaining, Go to Hell takes readers on a tour of the underworld that is both darkly comical and seriously informative. From the frozen hell of the Vikings to the sun-drenched Cayman Islands' town of Hell (where tourists line up to have their postcards aptly postmarked), from Dante's circles of hell to Buffy the Vampire Slayer's Hellmouth, Go to Hell embraces our evolving relationship with the sinner's final destination, revealing how we truly think of ourselves in this world. What's down below? Meet HEL, the hideous, half-rotting goddess of the Viking underworld. Beware the Egyptians' AM-MUT, an unsightly mix of lion, crocodile, and hippo parts, and insatiably hungry for wicked souls. Visit JIGOKU, a Buddhist realm of eight fiery hells and eight icy hells: an all-you-can-suffer hot-and-cold buffet. Step into the INFERNO for a tour of Dante's nine circles of the damned...
To question the idea of hell as a default destination is to question the entire fundamentalist evangelical worldview. This book does just that. Fundamentalist evangelicalism holds that the Bible is an infallible authority and that all are born in sin. Sinners go to hell, but Jesus, taking their place, died to save them from hell. How did this belief come to be? What were the effects on people brought up with a belief in the reality of hell? What has been the process of people leaving the fundamentalist evangelical movement? In Bad Girls and Boys Go To Hell (or not), Gloria Neufeld Redekop takes us on her own personal journey as she engages a movement in which she was raised, conducting a careful study of the history of fundamentalist evangelicalism, the attachment to a literal-factual interpretation of the Bible, and an analysis of the experience of those who have left the movement.
Utilizing a variety of ancient sources, including cuneiform texts, images and archaeological finds, Luxury and Legitimation explores how the collecting of luxury objects contributed to the formation of royal identity in one of the world's oldest civilizations, ancient Mesopotamia (modern Iraq). Allison Thomason makes a significant and timely contribution to the subjects of collecting and material culture studies by bringing a new understanding to the political, cultural and social institutions of an important pre-Classical, non-Western civilization.
New York Times bestselling author Dr. Darrell Bock teams up with Dr. Daniel Wallace to help you separate fact from fiction among constant attacks on Christianity from popular culture and bogus scholars. There is a quest going on to reduce Jesus to a mythic legend or to nothing more than a mere man. Scholars such as Elaine Pagels and James Tabor are using recent discoveries like the Gospel of Judas and the Gospel of Thomas to argue that the Christ of Christianity is a contrived figure and that a different Christ—one human and not divine—is the "true" Christ. Both research professors, Bock and Wallace set out a vigorous defense of Christianity against a popular trend that they dub "Jesusanity", where Christ was simply a human teacher. In their trademark, easy-to-understand style, the authors take on attempts to redefine Jesus in a convincing way that will help you understand that the orthodox understanding of Christ and his divinity is as trustworthy and sure as it ever was. This book: Refutes the six main claims that represent a large part of skepticism about Jesus today Provides credible answers to attacks on the traditional texts Defends against the interpretations of bogus scholars and the arguments of biased scholars Constructs a positive case for the Jesus of faith If you’re exhausted by the constant attempts to dethrone Jesus, renew the security of your knowledge of who Jesus really is: the Son of God.
The Ten Kings hanging scrolls at Tokyo’s Seikadō Bunko Art Museum are among the most resplendent renderings of the Buddhist purgatory extant, but their origin and significance have yet to be fully explored. Cheeyun Kwon unfurls this exquisite set of scrolls within the existing Ten Kings painting tradition while investigating textual, scriptural, archaeological, and visual materials from East Asia to shed light on its possible provenance. She constructs a model scheme of the paintings’ evolution based on more than five hundred works and reveals channels of popularization, mass production, and agglomeration. The earliest images of the Ten Kings are found in the tenth-century sūtra The Scripture on the Ten Kings, known to be the work of the monk Zangchuan. By the mid-twelfth century, typological conventions associated with the Ten Kings were widely established, and paintings depicting them, primarily large-scale and stand-alone, became popular export commodities, spreading via land and sea routes to the Korean peninsula and the Japanese archipelago. An examination of materials in Korea suggests a unique development path for Ten Kings subject matter, and this—in conjunction with a close analysis of the Seikadō paintings—forms the core of Kwon’s book. Among the Korean works discussed is a woodblock edition of The Scripture on the Ten Kings from 1246. It is markedly different from its Chinese counterparts and provides strong evidence of the subject’s permutations during the Koryŏ period (918–1392), when Northern Song (960–1127) visual art and culture were avidly imported. In the Seikadō paintings, Northern Song figural, architectural, landscape, and decorative elements were acculturated to the Koryŏ milieu, situating them in the twelfth to early thirteenth centuries and among the oldest and most significant surviving examples of Koryŏ Buddhist painting. Efficacious Underworld fills major lacunae in Korean, East Asian, and Ten Kings painting traditions while illuminating Korea’s contribution to the evolution of a Buddhist theme on its trajectory across East Asia. With its rich set of color reproductions and detailed analysis of textual and visual materials, this volume will invite significant revision to previously held notions on Koryŏ painting.
From the primal chaos of Tiamat, the Gods of Order Marduk, Ishtar and Adad; Underworld Gods including Nergal and Ereskigal to demons and spirits such as Pazuzu, Lilitu, Lamastu and the Seven Udug-Hul, Sebitti is a gateway into ancient Babylonian (the gate of the gods) powers. Sebitti guides the Kassapu (warlock or sorcerer) in the most effective methods of understanding and invoking Deific Masks of ancient Mesopotamia. From ancient Sumerian, Akkadian, Babylonian and Neo-Assyrian tablets and temple invocations, within is a modern approach to these primal powers inherent in nature and humanity. Luciferians embrace sorcery and primal forces, inherent within nature and the self in order to expand consciousness and personal power. The theory and practice of ancient sorcery is outlined for the modern practitioner and is presented to awaken the desires of our current time. Presented first is the modern Luciferian philosophical foundation, followed by a study of the ancient practice of Sorcery in Mesopotamia
Explores this dark aspect of folklore and religion and the role that demons play in the modern world. Includes numerous entries documenting beliefs about demons and demonology from ancient history to the present.