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Media commentators have noted a rising public tolerance to the use of rude or offensive words in modern English. John Lydon’s obscene outburst on 'I’m a Celebrity...' only provoked a handful of complaints – a muted reaction compared to the furore following his use of the f-word on television twenty-eight years earlier. This timely and authoritative exploration of rudeness in modern English draws together experts from the academic world and the media – journalists, linguists, lexicographers and literary critics – and argues that rudeness is an important cultural phenomenon. Tightly edited with clear accessibly written pieces, the essays look at rudeness in: the media literature football chants street culture seaside postcards. With contributions from media figures including Tom Paulin and leading media-friendly linguists Deborah Cameron and Lynda Mugglestone, Rude Britannia raises concerns about linguistic and social codes, standards of decency, what is considered taboo in the public realm, constructions of bawdy, class, race, power and British identity.
This second volume of John Rule's major two-volume portrait of Georgian England is a comprehensive and authoritative survey of eighteenth-century society, incorporating the exciting new research findings of recent years. It deals in turn with the upper class, `middling sort' and lower orders; with popular education, religion and culture; with standards of living in town and country; and with crime, punishment and protest. The book, which is as rich and varied as the age it explores, ends with an assessment of continuity and change across the century.
14 COUNTRIES, 42 WOMEN - FROM PERIODS TO ORGASMS TO FGM. THERE IS NO SUCH THING AS OVERSHARING. 'Nimko's book is going to shift the conversation around women's bodies. Our bodies, and everything they do, make us who we are' - Amika George, founder of Free Periods Campaign ______________________ What do you do when you're homeless and on your period? What does it feel like to have a poo following childbirth? How do we learn to love our bodies again after they've been abused? It's rude. It's improper. It's disgusting. All justifications that leave women's questions about their bodies unanswered. And activist Nimko Ali has had enough of it. Following her own experience of FGM and rebuilding her relationship with her body, this important book contains the true stories of women sharing what they've always been told is secret and shameful - from east London to Ethiopia, from pregnancy to menopause. This is a call to arms. This is a cry to reclaim the narrative around our fannies and to refuse the taboos that silent us. ______________________ 'A beautiful book with such a wide range of uplifting but often heart-breaking stories. Made us cry and think in equal measure' - Pandora Sykes, co-host of The High Low 'Nimko has blown apart all taboos, blown apart the echo chamber and included all women in the feminist conversation.' - Scarlett Curtis, author of Feminists Don't Wear Pink 'There is no subject too taboo for her to tackle. We should all be talking about our vaginas and she is leading the way' - Bryony Gordon, author of Mad Girl 'Nimko Ali is heroine for our time, she destroys the notion of things being too rude to discuss' - Caitlin Moran, author of How to Be a Woman
Work of historical fiction based on John Stow's (1525-1605) Chronicle of London. Religous, economic and social history of 16th century London in the environs of the Tower of London.
"Liberty was the most cherished right possessed by English-speaking people in the eighteenth century. It was both an ideal for the guidance of governors and a standard with which to measure the constitutionality of government; both a cause of the American Revolution and a purpose for drafting the United States Constitution; both an inheritance from Great Britain and a reason republican common lawyers continued to study the law of England." As John Philip Reid goes on to make clear, "liberty" did not mean to the eighteenth-century mind what it means today. In the twentieth century, we take for granted certain rights—such as freedom of speech and freedom of the press—with which the state is forbidden to interfere. To the revolutionary generation, liberty was preserved by curbing its excesses. The concept of liberty taught not what the individual was free to do but what the rule of law permitted. Ultimately, liberty was law—the rule of law and the legalism of custom. The British constitution was the charter of liberty because it provided for the rule of law. Drawing on an impressive command of the original materials, Reid traces the eighteenth-century notion of liberty to its source in the English common law. He goes on to show how previously problematic arguments involving the related concepts of licentiousness, slavery, arbitrary power, and property can also be fit into the common-law tradition. Throughout, he focuses on what liberty meant to the people who commented on and attempted to influence public affairs on both sides of the Atlantic. He shows the depth of pride in liberty—English liberty—that pervaded the age, and he also shows the extent—unmatched in any other era or among any other people—to which liberty both guided and motivated political and constitutional action.
This is the first full-length, modern study of the Diggers or "True Levellers", who were among the most remarkable of the radical groups to emerge during the English Revolution of 1640-60. It was in April 1649 that the Diggers, inspired by the teachings and writings of Gerrard Winstanley, began their occupation of waste land at St. George's Hill in Surrey and called on all poor people to join them or follow their example. Acting at a time of unparalleled political change and heightened millenarian expectation, the Diggers believed that the establishment of an egalitarian, property-less society was imminent. This book should be of interest to all those interested in England's mid-seventeenth-century revolution and in the history of radical movements.
August 1781 saw the publication of a manual on fox hunting that would become a classic of its genre. Hugely popular in its own day, Peter Beckford's Thoughts on Hunting is often cited as marking the birth of modern hunting and continues to be quoted from affectionately today by the hunting fraternity. Less stressed is the fact that its subject was immediately controversial, and that a hostile review which appeared on the heels of the manual's publication raised two criticisms of fox hunting that would be repeated over the next two centuries: fox hunting was a cruel sport and a feudal, anachronistic one at that. This study explores the attacks made on fox hunting from 1781 to the legal ban achieved in 2004, as well as assessing the reasons for its continued appeal and post-ban survival. Chapters cover debates in the areas of: class and hunting; concerns over cruelty and animal welfare; party politics; the hunt in literature; and nostalgia. By adopting a thematic approach, the author is able to draw out the wider social and cultural implications of the debates, and to explore what they tell us about national identity, social mores and social relations in modern Britain.
"Brings together a diverse range of black British literatures, essays and documents from across the post-war period ... includes South Asian, African and Caribbean cultural production by both leading and lesser-known artists, critics and commentators ... [accommodates] popular and 'high' cultural materials from across the disciplines of literature, film, photography, history, sociology, politics, Marxism, feminism, cultural and communications studies"--Publisher