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Media commentators have noted a rising public tolerance to the use of rude or offensive words in modern English. John Lydon’s obscene outburst on 'I’m a Celebrity...' only provoked a handful of complaints – a muted reaction compared to the furore following his use of the f-word on television twenty-eight years earlier. This timely and authoritative exploration of rudeness in modern English draws together experts from the academic world and the media – journalists, linguists, lexicographers and literary critics – and argues that rudeness is an important cultural phenomenon. Tightly edited with clear accessibly written pieces, the essays look at rudeness in: the media literature football chants street culture seaside postcards. With contributions from media figures including Tom Paulin and leading media-friendly linguists Deborah Cameron and Lynda Mugglestone, Rude Britannia raises concerns about linguistic and social codes, standards of decency, what is considered taboo in the public realm, constructions of bawdy, class, race, power and British identity.
Media commentators have noted a rising public tolerance to the use of rude or offensive words in modern English. John Lydon’s obscene outburst on 'I’m a Celebrity...' only provoked a handful of complaints – a muted reaction compared to the furore following his use of the f-word on television twenty-eight years earlier. This timely and authoritative exploration of rudeness in modern English draws together experts from the academic world and the media – journalists, linguists, lexicographers and literary critics – and argues that rudeness is an important cultural phenomenon. Tightly edited with clear accessibly written pieces, the essays look at rudeness in: the media literature football chants street culture seaside postcards. With contributions from media figures including Tom Paulin and leading media-friendly linguists Deborah Cameron and Lynda Mugglestone, Rude Britannia raises concerns about linguistic and social codes, standards of decency, what is considered taboo in the public realm, constructions of bawdy, class, race, power and British identity.
Catalog of the exhibition held at Tate Britain, June 9-Sept. 5, 2010.
Tim Fountain knows more about sex than most people. His show, Sex Addict, was the target of widespread and vociferous critical media attention and led him to be labeled a pervert and a freak by much of the mainstream press. This, understandably, raised a few questions in his mind. Was his sex life really so different to the rest of Britain? Or was he just being rather more vocal about what he was up to? To find out, Tim has traveled around the UK, starting in Bradford at the site of his first 14-year-old fumble, to take the sexual temperature of our age. Visiting doll-fetishists and animal-fanciers, dogging fans and spanking enthusiasts, swingers' hotels and glory holes, Tim investigates our current attitudes on sex, peeping behind closed doors and exploring the private lives of Britons in an attempt to discover just what is going on beneath their stiff upper lips.
How do you respond to a dinner invitation that says "Eight for eight thirty"? What might induce you to get off a London train at a place called Mud Chute? When is it okay to drive over a sleeping policeman? And why do teh Brits keep saying "Who's she, the cat's mother"? Rules, Britannia is an invaluable resource for Americans who want to make a smooth transition when visiting or relocating to the UK. This entertaining and practical insider's guide contains scores of established do's and dont's that only a Brit would know. Most of us know that an elevator is called a "lifet," a toilet is a "loo," and the trunk of your car is the "boot," but who would have a clue about a "sprog" or a "gobsmacked berk"? These phrases are part of daily conservation in the UK, and leave many visiting Americans as baffled as if they listening to a foreign language. Covering such essential topics as vocabulary, house- or "flat"-hunting, business culture, child rearing, and even relationship etiqutte, Rules, Britannia will ease the anxiety that comes with a transatlantic move or extended visit, and is sure to make any old Yank feel like a regular Joe Bloggs.
Head nurse Britannia finds herself strangely attracted to the stone-faced and stoic visiting professor Jake Luitingh van Thien. Getting a glimpse into his softer side, Britannia takes him up on his offer to visit his hometown in Holland to find love…
Owen Wister (1860-1938) was an American writer whose stories helped to establish the cowboy as an archetypical hero. Wister helped to create the basic Western myths and themes, which were later popularized by radio, television, and movies. His most famous work is the 1902 "The Virginian."
Whether one describes them as sequential art, graphic narratives or graphic novels, comics have become a vital part of contemporary culture. Their range of expression contains a tremendous variety of forms, genres and modes − from high to low, from serial entertainment for children to complex works of art. This has led to a growing interest in comics as a field of scholarly analysis, as comics studies has established itself as a major branch of criticism. This handbook combines a systematic survey of theories and concepts developed in the field alongside an overview of the most important contexts and themes and a wealth of close readings of seminal works and authors. It will prove to be an indispensable handbook for a large readership, ranging from researchers and instructors to students and anyone else with a general interest in this fascinating medium.