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Philosopher, astronomer and mathematician, Khayyam as a poet possesses a singular originality. His poetry is richly charged with evocative power and offers a view of life characteristic of his stormy times, with striking relevance to the present day. For more than seventy years, Penguin has been the leading publisher of classic literature in the English-speaking world. With more than 1,700 titles, Penguin Classics represents a global bookshelf of the best works throughout history and across genres and disciplines. Readers trust the series to provide authoritative texts enhanced by introductions and notes by distinguished scholars and contemporary authors, as well as up-to-date translations by award-winning translators.
A repository of subversive, melancholic and existentialist themes and ideas, the rubaiyat (quatrains) that make up the collected poems attributed to the 12th century Persian astronomer Omar Khayyam have enchanted readers for centuries. In this modern translation, complete with critical introduction and epilogue, Juan Cole elegantly renders the verse for contemporary readers. Exploring such universal questions as the meaning of life, fate and how to live a good life in the face of human mortality, this translation reveals anew why this singular collection of poems has struck a chord with such a temporally and culturally diverse audience, from the wine houses of medieval Iran to the poets of Western twentieth century modernism.
Rooted in tales both ancient and modern, these vibrant images date from the early twentieth century's Golden Age of Illustration. Edmund Dulac, a prominent artist of the period, created them for books published between 1905 and 1928. Their moods range from the shadowy foreboding of Jane Eyre to the venturesome spirits of Treasure Island and the lighthearted fantasies of A Fairy Garland. Other featured titles include Shakespeare's The Tempest, The Arabian Nights, The Rubáiyát of Omar Khayyam, and the fairy tales of Hans Christian Andersen. French-born Edmund Dulac arrived in London in 1904, when new advances in the printing process kindled a rage for picture books. Dulac's imaginative powers and technical skills assured the popularity of his book illustrations, many of which were sold separately as fine art paintings. After World War I, when the appetite for deluxe volumes waned, the artist turned his talents in many new directions, including portraiture, theatrical costume and set design, newspaper caricature, and stamp design. This retrospective of his early works is the only such anthology available, offering a singular tribute to an artist from a halcyon era of art inspired by literature.
The poems attributed to Omar Khayyam have a universal and timeless philosophical theme: life is a meaningful journey even if brief and uncertain. They inspire an unconstrained free-thinking mindset and a wise realization that guides thinking persons: it is impossible to see the absolute truth, as the universe has its own reality that remains largely hidden, and that one must think and act accordingly. This book presents a selection of Khayyam's poems in their original Persian language along with their English translations in a faithful and modern version. By relying only on the original Persian version of Khayyam's poems, and using the author's own body of literary and linguistic knowledge, this book presents a modern translation of Omar Khayyam's poems since Edward Fitzgerald's Rubaiyat in 1859.
The Rubaiyat of Omar Khayam by Edward Fitzgerald do it; the result was the Jalali era (so called from Jalal-ud-din, one of the king's names)--'a computation of time, ' says Gibbon, 'which surpasses the Julian, and approaches the accuracy of the Gregorian style.' He is also the author of some astronomical tables, entitled 'Ziji-Malikshahi, ' and the French have lately republished and translated an Arabic Treatise of his on Algebra. "His Takhallus or poetical name (Khayyam) signifies a Tent-maker, and he is said to have at one time exercised that trade, perhaps before Nizam-ul-Mulk's generosity raised him to independence. Many Persian poets similarly derive their names from their occupations; thus we have Attar, 'a druggist, ' Assar, 'an oil presser, ' etc. Omar himself alludes to his name in the following whimsical lines: -- "'Khayyam, who stitched the tents of science, Has fallen in grief's furnace and been suddenly burned; The shears of Fate have cut the tent ropes of his life, And the broker of Hope has sold him for We are delighted to publish this classic book as part of our extensive Classic Library collection. Many of the books in our collection have been out of print for decades, and therefore have not been accessible to the general public. The aim of our publishing program is to facilitate rapid access to this vast reservoir of literature, and our view is that this is a significant literary work, which deserves to be brought back into print after many decades. The contents of the vast majority of titles in the Classic Library have been scanned from the original works. To ensure a high quality product, each title has been meticulously hand curated by our staff. Our philosophy has been guided by a desire to provide the reader with a book that is as close as possible to ownership of the original work. We hope that you will enjoy this wonderful classic work, and that for you it becomes an enriching experience.
For all its fame in the wider world, Edward FitzGerald's 'Rubáiyát of Omar Khayyám' (1859) has been largely ignored by the academic establishment. This volume explores the reasons for both its popularity and neglect.
David Ramsey's reinterpretation of the Edward FitzGerald English-language version of the classic Omar Khayyam poem, The Rubaiyat, began with his displeasure of the oft-quoted verse: "Here with a loaf of Bread Beneath..." The author says: "I thought this sounded more Victorian than Persian. I think Omar meant something more like this: 'With a book of verse beneath the bough...' For my own amusement I then proceeded to deflower other of Fitzgerald's translations of Khayyam's poetry. The challenge was to make suitable alternatives to those famous verses that have made The Rubaiyat one of the best-known works of poetry in the English language. One might say that I plagiarized the author, or his principal translator, or both--but I consider this more as an unholy collaboration between the three of us over the centuries. I hope my two unwitting collaborators would not be displeased with my reinterpretation of their efforts." Ramsey's irreverent verses are amusing, full of philosophical wit, and very relevant indeed to today's free-swinging culture. Great reading! Great fun!
Edward FitzGerald's ‘Rubáiyát’, loosely based on verses attributed to the eleventh-century Persian writer, Omar Khayyám, has become one of the most widely known poems in the world, republished virtually every year from 1879 to the present day, and translated into over eighty different languages. And yet it has been largely ignored or at best patronized by the academic establishment. This volume sets out to explore the reasons for both the popularity and the neglect.