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Photographer Chris Jackson has been by the Royal family's side on domestic visits and overseas tours for the past fifteen years, resulting in an unparalleled photographic archive of the evolving British Royal family. Occupying a front-row seat to history, Jackson's assignments have taken him to the four corners of the Earth to document the extraordinary breadth and devotion of the Royals to causes such as cancer research, mental health, and HIV awareness in Africa. In his own words in captions and texts, he reveals the magic as well as the logistics of what it's like to photograph the Royal family. The result is this unique collection of photographs of the modern British Royal Family the archive of this multi-award winning Royal Photographer and current Royal Photographer of the Year. From the modern-day fairy tale of the Duke and Duchess of Cambridge's wedding to the births of Prince George and Princess Charlotte and their soon-to-be new sibling to Prince Harry and Meghan Markle's historic marriage to countless Royal tours in between, this book presents the British Monarchy and Queen Elizabeth II, its most enduring icon, through the lens of one of its most trusted photographers. Whether it's Prince George's first day of school, the Duchess of Cambridge playing cricket in Mumbai, or the Invictus Games, Jackson records moments both large and small with a warmth and sincerity that has made him a media standout. Organized by theme, from State Occasions to Charity works to a typical year in the Royal Diary, this book celebrates fifteen years of the Royals in intimate portraits of a singular family's role on the world stage at a unique moment in time.
Collection of the author's woodcuts made between 1898 and 1923 along with information about himself and tips for woodcutters.
A first book about the royal family in London, with push, pull and slide mechanisms, published for the Queen's 95th birthday.
Offers young girls a simple devotional exercise for each day of the year that consists of Scripture, a special message, a prayer, and an activity.
The power of monarchs has traditionally been as much symbolic as actual, rooted in popular imagery of sovereignty, divinity, and authority. In Mystifying the Monarch, a distinguished group of contributors explores the changing nature of that imagery—and its political and social effects—in Europe from the Middle Ages to the present day. They demonstrate that, rather than a linear progression where perceptions of rulers moved inexorably from the sacred to the banal, in reality the history of monarchy has been one of constant tension between mystification and demystification.
Gateway and the Last Priest of the Avatar is the second book in the Gateway series. This book takes off at the end of book one, after our heroes face the high queen of Acaras assassin cube. The assassin cube was an amalgam of souls forced by dark magic, together with the purpose of capturing Royalher lost sonand Simon Monroe. In addition, it was supposed to kill Lethia and Reverend Monroe, his kidnappers. As a result of the fire at the church and Tishas quick thinking, our heroes defeated the mechanisms of the high queen. Yet as a result of battle, for the first time, our heroes were separated in splintered groups. Reverend Royal Monroe, Hue Lee, Lethia, Maximus, and Wisdom Simms were left to figure out a way off of the Lost Islands, which were at the end of Acara. Simon Monroe, Reverend Monroe, Mr. Ben Lee, Officer Purcell Simms, and new comrades were in a race of time against another creation of the dark queen, the Marauder, which sought to stop them from finding their only way to Acara. Lastly, Tisha, alone, is left to the Wonders of Acara City. The Wonders sought to transform her into the essence of something she was not before. From Balimore to Acara City to the Lost Islands, all roads led everyone to the enigmatic red desert, a direct confrontation with the High Queen, and finally, the birth of the last priest of the Avatar.
New York Times Bestseller Named a Best Book of the Year by NPR, Wall Street Journal, Publishers Weekly, Kirkus Reviews, and Library Journal "Hilarious…This book charmed my socks off." —Patricia O’Conner, New York Times Book Review Mary Norris has spent more than three decades working in The New Yorker’s renowned copy department, helping to maintain its celebrated high standards. In Between You & Me, she brings her vast experience with grammar and usage, her good cheer and irreverence, and her finely sharpened pencils to help the rest of us in a boisterous language book as full of life as it is of practical advice.
In recent years new schools of historiography and criticism have recast the political and cultural histories of Elizabethan and early Stuart England. However, for all the benefits of their insights, most revisionist historians have too narrowly focussed on high politics to the neglect of values and ideology, and New Historicist literary scholars have displayed an insufficient grasp of chronology and historical context. The contributors to this pioneering volume, richly fusing these approaches, apply a revisionist close attention to moments to the wide range of texts - verbal and visual - that critics have begun to read as representations of power and politics. Excitingly broadening the range of areas and evidence for the study of politics, these outstanding essays demonstrate how the study of high culture - classical translations, court portraits royal palaces, the conduct of chivalric ceremony - and low culture - cheap pamphlets and scurrilous verses - enable us to reconstruct the languages through which contemporaries interpreted their political environment. The volume posits a reconsideration of the traditional antithetical concepts - court and country, verbal and visual, critical and complimentary, elite and popular; examines the constructions of a moral and social order enacted in a wide variety of cultural practices; and demonstrates how common vocabularies could in changed circumstances be combined and deployed to sustain quite different ideological positions. This book opens a new agenda for the study of the politics of culture and the culture of politics in early modern England. -- Publisher's website.