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Bernardo K. Cho investigates how Jewish messianism from the mid-second century BCE to the late first-century CE envisaged the proper relation between the Israelite king and the Jerusalem priests in the ideal future, and then proceeds to describe how the Gospel of Mark addresses this issue in depicting Jesus. Cho responds to claims that the Markan Jesus regards the kingdom of God as fundamentally opposed to the ancient Levitical system, and argues that, just as with most of its related Jewish literature, the earliest Gospel assumes the expectation that the royal messiah would bring the Jerusalem institution to its eschatological climax. But Mark also depicts Jesus's stance towards the priests in terms of a call to allegiance and warning of judgement. Cho concludes that the Markan Jesus anticipates the destruction of the Jerusalem temple because the priests have rejected Israel's end-time ruler and thus placed themselves outside the messianic kingdom.
Bernardo K. Cho investigates how Jewish messianism from the mid-second century BCE to the late first-century CE envisaged the proper relation between the Israelite king and the Jerusalem priests in the ideal future, and then proceeds to describe how the Gospel of Mark addresses this issue in depicting Jesus. Cho responds to claims that the Markan Jesus regards the kingdom of God as fundamentally opposed to the ancient Levitical system, and argues that, just as with most of its related Jewish literature, the earliest Gospel assumes the expectation that the royal messiah would bring the Jerusalem institution to its eschatological climax. But Mark also depicts Jesus's stance towards the priests in terms of a call to allegiance and warning of judgement. Cho concludes that the Markan Jesus anticipates the destruction of the Jerusalem temple because the priests have rejected Israel's end-time ruler and thus placed themselves outside the messianic kingdom.
In this book, Matthew Levering unites eschatologically charged biblical Christology with metaphysical and dogmatic Thomistic Christology, by highlighting the typological Christologies shared by Scripture, the Church Fathers, and Aquinas. Like the Church Fathers, Aquinas often reflected upon Jesus in typological terms (especially in his biblical commentaries), just as the New Testament does. Showing the connections between New Testament, Patristic, and Aquinas' own typological portraits of Jesus, Levering reveals how the eschatological Jesus of biblical scholarship can be integrated with Thomistic Christology. His study produces a fully contemporary Thomistic Christology that unites ressourcement and Thomistic modes of theological inquiry, thereby bridging two schools of contemporary theology that too often are imagined as rivals. Levering's book reflects and augments the current resurgence of Thomistic Christology as an ecumenical project of relevance to all Christians.
Mark the Messiah’s Gospel is just one of the commentaries that Carroll has written on the four gospels—Matthew the Hebrew Gospel, Luke the Lord’s Gospel, and John the Jewish Gospel. Mark, identified as John Mark in the New Testament, was writing through the inspiration of Simon Peter who had walked with the very Son of God and was the leader of the disciples. Mark was writing to the Jewish and Gentile believers in Rome. His gospel is the shortest of the four gospels and presents Jesus as Israel’s Messiah in a fast-paced, action-packed style.
One of the earliest Christian confessions—that Jesus is Messiah and Lord—has long been recognized throughout the New Testament. Joshua Jipp shows that the New Testament is in fact built upon this foundational messianic claim, and each of its primary compositions is a unique creative expansion of this common thread. Having made the same argument about the Pauline epistles in his previous book Christ Is King: Paul’s Royal Ideology, Jipp works methodically through the New Testament to show how the authors proclaim Jesus as the incarnate, crucified, and enthroned messiah of God. In the second section of this book, Jipp moves beyond exegesis toward larger theological questions, such as those of Christology, soteriology, ecclesiology, and eschatology, revealing the practical value of reading the Bible with an eye to its messianic vision. The Messianic Theology of the New Testament functions as an excellent introductory text, honoring the vigorous pluralism of the New Testament books while still addressing the obvious question: what makes these twenty-seven different compositions one unified testament?
In this book, Michael Patrick Barber examines the role of the Jerusalem temple in the teaching of the historical Jesus. Drawing on recent discussions about methodology and memory research in Jesus studies, he advances a fresh approach to reconstructing Jesus' teaching. Barber argues that Jesus did not reject the temple's validity but that he likely participated in and endorsed its rites. Moreover, he locates Jesus' teaching within Jewish apocalyptic eschatology, showing that Jesus' message about the coming kingdom and his disciples' place in it likely involved important temple and priestly traditions that have been ignored by the quest. Barber also highlights new developments in scholarship on the Gospel of Matthew to show that its Jewish perspective offers valuable but overlooked clues about the kinds of concerns that would have likely shaped Jesus' outlook. A bold approach to a key topic in biblical studies, Barber's book is a pioneering contribution to Jesus scholarship.
The essays in Reading the Gospel of John’s Christology as Jewish Messianism: Royal, Prophetic, and Divine Messiahs seek to interpret John’s Jesus as part of Second Temple Jewish messianic expectations. The Fourth Gospel is rarely considered part of the world of early Judaism. While many have noted John’s Jewishness, most have not understood John’s Messiah as a Jewish messiah. The Johannine Jesus, who descends from heaven, is declared the Word made flesh, and claims oneness with the Father, is no less Jewish than other messiahs depicted in early Judaism. John’s Jesus is at home on the spectrum of early Judaism’s royal, prophetic, and divine messiahs
James M. Neumann proposes that there is far more at work in Mark's portrayal of Jesus as Son of God, and what it means for Mark to depict him as such, than past scholarship has recognized. He argues that Mark presents Jesus's life from beginning to end as the actualization of Psalm 2: a coronation hymn describing the Davidic king as God's “son,” which was interpreted messianically in early Judaism and christologically in early Christianity. Rather than a simple title, the designation of Jesus as God's “Son” in Mark contains and encapsulates an entire story of its own. Beginning with an analysis of why this most important identity of Jesus in the Gospel has been under-studied, Neumann retraces the interpretive traditions surrounding Psalm 2 in early Judaism and Christianity alike. Pointing to Mark's first introduction of Jesus as God's Son into the narrative via an allusion to Ps 2:7 and portraying his baptism as a royal anointing, he demonstrates how Jesus begins to realize the implications of his anointment through his disestablishment of Satan's kingdom. Focusing on the repetition of the allusion to Ps 2:7 at Jesus's transfiguration and exploring how the Parable of the Vineyard uniquely encapsulates the Gospel as a whole, Neumann traces the use of the psalm throughout the Markan passion narrative, contending that, in Mark's vision, the hope envisaged by the psalm has been realized: the Son begins to inherit (the worship of) the nations. He concludes that Mark paradoxically portrays the accomplishment of the Messiah's victory through Jesus's crucifixion.
John H. Walton is a significant voice in Old Testament studies, who has influenced many scholars in this field as well as others. This volume is an acknowledgment from his students of Walton’s role as a teacher, scholar, and mentor. Each essay is offered by scholars (and former students) working in a range of fields—from Old and New Testament studies to archaeology and theology. They are offered as a testimony and tribute to Walton’s prolific career.”