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In the enchanting pages of "Royal Love," Sheikh Ajmal Bin Shalik, a soulful royal and business magnate, discovers an extraordinary connection with Molly Cohan, a spirited self-made photographer. Their serendipitous encounter becomes the poignant overture to a symphony of emotions that echo in the chapters of fate. As love whispers its tender secrets, the revelation of Ajmal's regal lineage unfurls a tapestry of challenges and heart-stirring moments. A Royal Proposal, Love in the Air, and Mixed Up Feelings paint the canvas of their shared journey, leading to the grand crescendo of The Grand Wedding. Within these pages, characters come to life with the early days sketching Sheikh Ajmal's nobility, Molly's steadfast devotion, and the benevolence of John Cohan, a pillar of unwavering support. Noor, the vivacious embodiment of joy and royalty, dances through the narrative, adding hues of warmth and charm. In the ebb and flow of the plot, "Royal Love" becomes a tale that transcends mere words. An accident, mysterious letters, and the intricate dance of wedding preparations elevate the narrative, creating a mosaic of love, sacrifice, and the harmonious merging of two disparate worlds. It's a story that doesn't just unfold; it wraps itself around the reader's heart, leaving an indelible mark—a celebration of love that resonates beyond the final chapter.
Danette Michaels knew that when she became Principe Marcello Scorsolini's secret mistress there would be no marriage, no future and no public acknowledgment. At the time it was enough. But Danette can't be Marcello's secret any longer. She wants him, all or nothing — even if it means their affair is over. Until a pregnancy test changes the rules forever....
The Queen is getting married and Lady Priscilla is required to work alongside the Lord Chancellor, Dominique, to ensure that the whole affair goes off without a hitch and that they don’t, unwittingly, start World War Three. The only problem is that Priscilla finds Dominique insufferable and Dom isn’t all that enamoured with Priscilla either. When Priscilla’s sister, Bianca, falls for Dominique’s brother, Louis, the two young lovers hatch a plot to ensure that they can spend time together, but it means that Dom has to pretend to be interested in Priscilla and get her to date him. The more time they spend together, the more Dom and Priscilla start to like each other, except that now Dom is caught in a difficult spot…should he tell Priscilla that he only asked her out because his brother wanted to date her sister, or should he keep quiet and hope she doesn’t find out?
From New York Times bestselling author Lexi Blake, discover The Park Avenue Promise Series... Three young women make a pact in high school— to always be friends and to one day make it big in Manhattan. My Royal Showmance Anika Fox knows exactly where she wants to be, and it’s not on the set of a reality TV dating show. She’s working her way up at the production company she works for and she’s close to achieving some of her dreams. The big boss just wants one thing from her. She’s got a potential problem with the director of The King Takes a Bride and she wants Anika to pose as a production assistant and report back. As the king of a tiny European country, Luca St. Marten knows the world views him as one of the pampered royalty of the world. It couldn’t be further from the truth. His country is hurting and he’s right there on the front lines with his citizens. When he’s asked to do a dating show, his counselors point out that it could bring tourism back to Ralavia. It goes against his every desire, but he agrees. When one of the contestants drops out at the last minute, Anika finds herself replacing the potential princess. She’s sure she’ll be asked to leave the first night, but Luca keeps picking her again and again. Suddenly she finds herself in the middle of a made-for-TV fantasy, and she’s unsure what’s real and what’s simply reality TV. Reviews for My Royal Showmance: “If you love The Bachelor, this book is for you!” ~ bookshelfofmydreams “I loved this story! I could completely picture My Royal Showmance being on TV.” ~ Kay Daniels Romance “This story was a perfect read I needed.” ~ Stacyandpaigelovebooks “A witty romcom meets reality television that is your next obsession.” ~ The Romance Reporter “It’s funny, it’s clever, it’s a quick fun read. I will for sure be picking up another Lexi Blake book in the future.” ~ Ashley, Sister Sister Book Blog “This was the perfect book for a weekend binge or a beach read.” ~ vanelena.reads
Fatherhood has changed him— But can she risk her heart? ER nurse Amara Patel is starting over. Running into her ex, physician Eli Collins, on her first day at Boston General throws a major wrench in the works! Because despite his still irrefutably sexy appearance, he’s not the Eli she remembers. He’s always put work first, but now that he’s bringing up his niece, everything’s changed—except his and Amara’s feelings for each other! Dare Amara allow herself a second chance at love?
Gautam has here laid out the first serious reading of Michel Foucault in relation to key Sanskrit texts, and--what may be a surprise to many--he has written the first book-length work in English on the nature and origin of the Kamasutra. Gautam also takes up the Natyasastra (the Kamasutra's twin), locating in the first the themes of sexual-erotic pleasure, and locating in the second the classical Indian view of theater, music, dance, and aesthetic pleasure. The book shows how closely intertwined the history of erotics in ancient Indian culture is with the history of theater-aesthetics. Foucault provides a framework for opening up the intellectual horizon of Indian thought; it is his distinction between ars erotics (erotic arts) and scientia sexualis (science of sexuality) that fuels Gautam's exploration of the courtesan as symbol of both erotic and aesthetic pleasure, particularly in her role as a wife to her patron, which entails the morphing of erotics into a form of theater. The scope broadens ambitiously, to an inquiry on the nature of knowledge formation, erotics, theater, and gender relations in premodern Indian society and culture--as they converged on the historical figures of the courtesan and her male counterpart, the dandy. Gautam's twining of aims and subjects--Foucault's western philosophy of pleasure and India's classic text on eros (anchored in art and aesthetics)--transforms both the modern and the ancient texts with new understandings, and as new forms of investigating erotics and subjectivity itself.
Reprint of the original, first published in 1865.