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A fresh exploration of apologetic material that pushes beyond form criticism Andrew Knapp applies modern genre theory to seven ancient Near Eastern royal apologies that served to defend the legitimacy of kings who came to power under irregular circumstances. Knapp examines texts and inscriptions related to Telipinu, Hattusili III, David, Solomon, Hazael, Esarhaddon, and Nabonidus to identify transhistorical common issues that unite each discourse. Features: Compares Hittite, Israelite, Aramean, Assyrian, and Babylonian apologies Examination of apologetic as a mode instead of a genre Charts and illustrations
Analyses Solomon's birth, rise, and temple-building within scriptural, archaeological and historical contexts.
This study analyzes several passages in the Former Prophets (2 Sam 19:12-44; 2 Kgs 2:1-18; Judg 8:4-28) from a literary perspective, and argues that the text presents Transjordan as liminal in Israel's history, a place from which Israel's leaders return with inaugurated or renewed authority. It then traces the redactional development of Samuel-Kings that led to this literary symbolism, and proposes a hypothesis of continual updating and combination of texts, beginning early in Israel's monarchy and continuing until the final formation of the Deuteronomistic History. Several source documents may be isolated, including three narratives of Saul's rise, two distinct histories of David's rise, and a court history that was subsequently revised with pro-Solomonic additions. These texts had been combined already in a Prophetic Record during the 9th c. B.C.E. (with A. F. Campbell), which was received as an integrated unit by the Deuteronomistic Historian. The symbolic geography of the Jordan River and Transjordan, which even extends into the New Testament, was therefore not the product of a deliberate theological formulation, but rather the accidental by-product of the contingency of textual redaction that had as its main goal the historical presentation of Israel's life in the land.
In Scribes Writing Scripture, Justus Theodore Ghormley describes how the ancient Judean scribes who expanded the Book of Jeremiah through duplication functioned as textual diviners akin to the divining scribal scholars of the ancient Near East.
Few topics are as broad or as daunting as the God of Israel, that deity of the world's three monotheistic religions, Judaism, Christianity, and Islam, who has been worshiped over millennia. In the Hebrew Bible, God is characterized variously as militant, beneficent, inscrutable, loving, and judicious. Who is this divinity that has been represented as masculine and feminine, mythic and real, transcendent and intimate? The Origin and Character of God is Theodore J. Lewis's monumental study of the vast subject that is the God of Israel. In it, he explores questions of historical origin, how God was characterized in literature, and how he was represented in archaeology and iconography. He also brings us into the lived reality of religious experience. Using the window of divinity to peer into the varieties of religious experience in ancient Israel, Lewis explores the royal use of religion for power, prestige, and control; the intimacy of family and household religion; priestly prerogatives and cultic status; prophetic challenges to injustice; and the pondering of theodicy by poetic sages. A volume that is encyclopedic in scope but accessible in tone and was honored with all three of the major awards in the field in three seperate disciplines (American Society of Overseas Research (ASOR) 2020 Frank Moore Cross Award, 2021 American Academy of Religion Award for Excellence in the Study of Religion, 2021 Biblical Archaeology Society Biennial Publication Award for the Best Book Relating to the Hebrew Bible), The Origin and Character of God is an essential addition to the growing scholarship of one of humanity's most enduring concepts.
Sola Scriptura offers a multi-disciplinary reflection on the theme of the priority and importance of Scripture in theology, from historical, biblical-theological and systematic-theological perspectives, aiming at the interaction between exegesis and dogmatics. Brian Brock and Kevin J. Vanhoozer offer concluding reflections on the theme, bringing the various contributions together.
Write That They May Read is a collection of essays written in honor of our mentor, friend, and fellow scholar, Professor Alan R. Millard. Respectful of his contribution to our understanding of writing and literacy in the ancient biblical world, all the essays deal with some aspect of this issue, ranging in scope from archeological artifacts that need to be ""read,"" to early evidence of writing in Israel's world, to the significance of reading and writing in the Bible, including God's own literacy, to the production of books in the ancient world, and the significance of metaphorical branding of God's people with his name. The contributors are distributed among Professor Millard's peers and colleagues in a variety of institutions, his own students, and students of his students. They represent a variety of disciplines including biblical archeology, Egyptology, Assyriology, Hebrew and other Northwest Semitic texts, and the literature of the Bible, and reside in North America, Japan, the United Kingdom, Denmark, and Germany.
This volume explores concepts of fiction in late antique hagiographical narrative in different cultural and literary traditions. It includes Greek, Latin, Syriac, Armenian, Persian and Arabic material. Whereas scholarship in these texts has traditionally focussed on historical questions, this book approaches imaginative narrative as an inherent element of the genre of hagiography that deserves to be studied in its own right. The chapters explore narrative complexities related to fiction, such as invention, authentication, intertextuality, imagination and fictionality. Together, they represent an innovative exploration of how these concepts relate to hagiographical discourses of truth and the religious notion of belief, while paying due attention to the various factors and contexts that impact readers’ responses.
In this book, Brian Doak analyzes the way biblical authors described the bodies of some of their most iconic male heroic figures, such as Jacob, the Judges, Saul, and David. These bodies represent not mere individuals, but rather also communicate as national bodies.
At head of title: The Hebrew University of Jerusalem, the Institute of Advanced Studies.