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Kant’s Critique of Judgment is one of the most important texts in the history of modern aesthetics. This GuideBook discusses the Third Critique section by section, and introduces and assesses: Kant's life and the background of the Critique of Judgment the ideas and text of the Critique of Judgment, including a critical explanation of Kant’s theories of natural beauty the continuing relevance of Kant’s work to contemporary philosophy and aesthetics. This GuideBook is an accessible introduction to a notoriously difficult work and will be essential reading for students of Kant and aesthetics.
The "Routledge Philosophy Guide Book to Kant on Judgment" introduces students to Immanuel Kant's "Critique of Judgment", widely accepted as the foundation of modern aesthetic theory. It places this philosophical classic in its historical context and shows its relevance to major issues in contemporary aesthetics. Robert Wicks leads the reader through Kant's analysis and deduction of pure judgments of taste, and goes on to explore the themes of nature, fine art and morality found in the Critique. This is the ideal book for anyone coming to Kant's "Critique of Judgment" for the first time.
Kant's Critique of Pure Reason is arguably the single most important work in western philosophy. The book introduces and assesses: * Kant's life and background of the Critique of Pure Reason * the ideas and text of the Critique of Pure Reason * the continuing relevance of Kant's work to contemporary philosophy. Ideal for anyone coming to Kant's thought for the first time. This guide will be vital reading for all students of Kant in philosophy.
This book, ideal for anyone coming to Kant's Critique of Judgment for the first time, introduces this philosophical classic and places it in its historical context, showing its relevance to major issues in contemporary aesthetics.
Throughout his career, Kant engaged with many of the fundamental questions in philosophy of religion: arguments for the existence of God, the soul, the problem of evil, and the relationship between moral belief and practice. Religion within the Boundaries of Mere Reason is his major work on the subject. This book offers a complete and internally cohesive interpretation of Religion. In contrast to more reductive interpretations, as well as those that characterize Religion as internally inconsistent, Lawrence R. Pasternack defends the rich philosophical theology contained in each of Religion’s four parts, and shows how the doctrines of the "Pure Rational System of Religion" are eminently compatible with the essential principles of Transcendental Idealism. The book also presents and assesses: the philosophical background to Religion within the Boundaries of Mere Reason the ideas and arguments of the text the continuing importance of Kant’s work to philosophy of religion today.
Immanuel Kant's 'The Critique of Judgment' explores the realms of aesthetic judgment and teleological judgment in a rigorous and thought-provoking manner. In this seminal work, Kant delves into the concepts of beauty, taste, and the nature of artistic creation. He presents a detailed analysis of how judgment functions in relation to aesthetics, weaving together philosophical insights with practical examples to illustrate his points. Through his meticulous argumentation, Kant lays the groundwork for the understanding of the role of judgment in appreciating art and nature. The book's dense yet insightful prose engages readers in a contemplative journey through the intersections of art, nature, and human perception. Immanuel Kant, a renowned German philosopher of the Enlightenment era, was influenced by thinkers such as Leibniz and Rousseau. His deep interest in metaphysics and epistemology led him to ponder the fundamental principles that govern human experience. 'The Critique of Judgment' reflects Kant's comprehensive philosophical system, bridging the gap between his earlier works on metaphysics and ethics. I highly recommend 'The Critique of Judgment' to readers who are interested in delving into the complexities of aesthetic and teleological judgment. Kant's nuanced arguments and incisive analysis pave the way for a deeper appreciation of art, nature, and the human mind. This book is essential reading for anyone seeking to explore the intersections of philosophy, aesthetics, and the nature of beauty.
This book expounds Kant's Critique of Judgement by interpreting all the details in the light of what Kant himself declares to be his fundamental problem. Providing an excellent introduction to Kant's third critique, it will be of interest to students of philosophy.
A new translation of Immanuel Kant’s 1790 "Critique of Judgement" in modern American English with the original German in the back for reference. This is Volume IX in the Complete Works of Immanuel Kant from Newcomb Livraria Press. "Herewith I end my whole critical business" Kant states in the preface to his third and final Critique in his core triad of critical philosophical treatises. In his old age, he turned from being Polemic to being prescriptive in his vision for a future of transcendental, rational morality. Here he recaps his whole critical system and breaks out his final thoughts between a Critique of Aesthetic and Teleological Judgment. Between Pure Reason (theoretical) and Practical Reason (law and ethics) stands the mediating Power of Judgement which recognizes the particular in the general and bridges the chasm between sensuality and morality, nature and freedom, manifesting itself to the senses. Kant's Teleological, dialectal understanding of the experience of art is still used today in Modern art theory. His analysis of sublimity as "disinterested pleasure" as an aesthetic experience between the dynamics of the cognitive faculties of sensuality and rationality, creates a paradox of judgment as both subjective and universal. To Kant, the correct recognition of what beauty is, and responding to it authentically (morally), is vital to his entire project.
In THE CRITIQUE OF JUDGMENT (1790), Immanuel Kant (1724-1804) seeks to establish the a priori principles underlying the faculty of judgement, just as he did in his previous critiques of pure and practical reason. The first part deals with the subject of our aesthetic sensibility; we respond to certain natural phenomena as beautiful, says Kant, when we recognise in nature a harmonious order that satisfies the mind's own need for order. The second half of the critique concentrates on the apparent teleology in nature's design of organisms. Kant argues that our minds are inclined to see purpose and order in nature and this is the main principle underlying all of our judgements. Although this might imply a super sensible Designer, Kant insists that we cannot prove a supernatural dimension or the existence of God. Such considerations are beyond reason and are solely the province of faith.