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This set of three previously out-of-print volumes collects together in one place key areas of research into the genre of science fiction. It critically examines science fiction, establishing its common themes and definitions, and comprehensively assesses the sci-fi world in its entirety.
This book, first published in 1980, is a guide to the major forces in the subculture of science fiction. It analyses the history of the field and the related developments, for instance the Bomb, that have shaped the literature. It examines the complex of activity and background tradition, the body of accepted beliefs and conventions, and the ethics and values of the world of science fiction.
First published in 1979. This volume presents Science Fiction as a coherent system, not as a collection of facts or random sequence of individual voices. The contributors are concerned with less with surveying the bare facts of the genre than with interpretating their significance. They attempt to establish the common properties of Science Fiction writing whether in the treatment of a theme or in SF of a given period or nationality.
This book, first published in 1979, presents a portrait of science fiction as a distinct form of serious and creative literature. Contributors are drawn from Britain, America and Europe, and range from well-known academic critics to young novelists. The essays establish the common properties of science fiction writing, and assess the history and significance of a field in which critical judgements have often been unreliable. The material ranges from the earliest imaginative journeys to the moon, to later developments of British, American and European science fiction.
This book, first published in 1980, examines issues such as the definition of the genre, its function as social criticism and as an embodiment and critique of the scientific outlook. In order to work towards a more comprehensive view of the genre, the author analyses science fiction by turns as a mode of popular literature, as a socially responsible and quasi-realistic form of writing, and as a home for a fantastic and parodic use of language. How much are ‘future histories’, to name but one type of SF, the answer to a frustration of the epic impulse? These questions and more are closely examined in this lively and informative book.
Academic attention to science fiction and fantasy began in 1958, when the Modern Language Association scheduled its first seminar on science fiction at its New York meeting. Over the years science fiction emerged as a popular subject that achieved critical attention and acceptance as an academic discipline. A Research Guide to Science Fiction Studies, originally published in 1977, is designed to provide the reader – whether they be scholar, teacher, librarian, or fan – with a comprehensive listing of the important research tools that have been published in the United States and England through 1976. The volume contains over 400 selected, annotated entries covering both general and specialized sources, including general surveys, histories, genre studies, author studies, bibliographies, and indices, which span the entire range of science fiction and fantasy scholarship.
How do women writers use science fiction to challenge assumptions about the genre and its representations of women? To what extent is the increasing number of women writing science fiction reformulating the expectations of readers and critics? From Mary Shelley onwards, women writers have played a central role in the shaping and reshaping of this genre, irrespective of its undeniably patriarchal image. Essays on the work of writers such as Doris Lessing and Ursula Le Guin, Katherine Burdekin, C. L. Moor, Suzette Elgin, Gwyneth Jones, Maureen Duffy and Josephine Saxton demonstrate that science fiction remains as particularly well-suited to the exploration of woman as 'alien' or 'other' in our culture today, as it was with the publication of Frankenstein in 1818.
Science Fiction Audiences considers the continuing popularity of two television `institutions' of our time through an examination of their followers and fans.
Routledge Library Editions: Modern Fiction (26 volume set) contains titles, originally published between 1977 and 1997. It includes titles on the roles of women in literature, fantasy as a genre, a source guide to science fiction and many titles by renowned academics looking at specific novelists, the progression of their work and how it has been influential within modern fiction. Covering writers such as Iris Murdoch, John le Carré, Doris Lessing, Kurt Vonnegut and others, this collection will be of particular interest to students of literature and literary criticism.