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John Adam Rausch (1711-1786) immigrated to Pennsylvania in 1736. He married Susannah in about 1740. They had eight children. Descendants and relatives lived mainly in Pennsylvania and Ohio.
What is it that makes a man strap himself into an automobile and drive it hundreds of laps around a track at speeds surpassing 200 miles per hour? Critically acclaimed journalist G. Wayne Miller decided to find out by spending a year on the NASCAR circuit with Roush Racing's legendary owner Jack Roush and his four title-contending Winston Cup drivers: Mark Martin, Jeff Burton, Matt Kenseth, and Kurt Busch. Miller plumbs the allure of speed and the exploding popularity of stock-car racing through the dramatic 2001 season, which opened with the most famous Daytona 500 in history, when NASCAR legend Dale Earnhardt died as his car slammed into the wall on the final turn. Miller takes us inside the minds and behind the wheels of the of the hottest drivers of the past two seasons, as they cope with the thrills and the dangers along the way to the Cup. Miller also takes us inside Roush Racing, a $125 million business, showing a side of NASCAR that few fans ever get to see. For longtime fans and curious newcomers alike, Men and Speed takes you for a wild ride through the fastest sport in the land.
A mother recounts her interactions with the US government as she struggled to bring home her abducted daughters from Saudi Arabia. Patricia Roush’s girls were kidnapped more than 16 years ago and taken by their Saudi father, who they hardly knew, to the kingdom of Saudi Arabia. They were three and seven at the time. At Any Price is the story of her fight to get them back from a father with a documented history of severe mental illnesses and violent tendencies. Amid this tragic set of circumstances was a bigger problem—an ongoing, demoralizing struggle with the U.S. government and the Saudi kingdom to reunite her with her children. At Any Price reveals the desperate and risky attempts for rescue that slip again and again from Patricia’s grasp. This personal story of bravery, courage, and faith will warm and inspire readers.
Show Me the Money is the definitive business journalism textbook that offers hands-on advice and examples on doing the job of a business journalist. Author Chris Roush draws on his experience as a business journalist and educator to explain how to cover businesses, industries and the economy, as well as where to find sources of information for stories. He demonstrates clearly how reporters take financial information and turn it into relevant facts that explain a topic to readers. This definitive business journalism text: provides real-world examples of business articles presents complex topics in a form easy to read and understand offers examples of where to find news stories in SEC filings gives comprehensive explanations and reviews of corporate financial, balance sheet, and cash flow statements provides tips on finding sources, such as corporate investors and hard-to-find corporate documents gives a comprehensive listing of websites for business journalists to use. Key updates for the second edition include: tips from professional business journalists provided throughout the text new chapters on personal finance reporting and covering specific business beats expanded coverage of real estate reporting updates throughout to reflect significant changes in SEC, finance, and economics industries. With numerous examples of documents and stories in the text, Show Me the Money is an essential guide for students and practitioners doing business journalism.
The 1919 World Series is baseball's black eye, resulting in eight members of the White Sox being banned from the game for life for intentionally losing the series. Moviegoers recognize Shoeless Joe Jackson, the slugging outfielder for the Sox, from such popular films as Eight Men Out and Field of Dreams. And most baseball aficionados have seen photos of the grim-faced baseball commissioner who banned the offending players from the game. But there is another side to the story, revealed for the first time in Red Legs and Black Sox. Author Susan Dellinger focuses on the series from the Cincinnati Reds’ perspective, as told by her grandfather, Edd Roush, star player of the 1919 Reds. This is a story that is far more complicated than previous movies and books have alluded to, involving fixes on both teams — and corruption right down to the leagues themselves.
This biography of Edd Roush, Indiana-born deadball batting king, centers on the events of the 1919 Black Sox World series but covers his life in full. Roush earned two National League batting titles and entered the Baseball Hall of Fame in 1962. The work contains interviews with Roush and photographs, many from the Roush family collection.
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Tracking Truth presents a unified treatment of knowledge, evidence, and epistemological realism and anti-realism about scientific theories. A wide range of knowledge-related phenomena, especially but not only in science, strongly favour the idea of tracking as the key to what makes something knowledge. A subject who tracks the truth - an idea first formulated by Robert Nozick - has the ability to follow the truth through time and changing circumstances. Epistemologistsrightly concluded that Nozick's theory was not viable, but a simple revision of that view is not only viable but superior to other current views. In this new tracking account of knowledge, in contrast to the old view, knowledge has the property of closure under known implication, and troublesome counterfactualsare replaced with well-defined conditional probability statements. Of particular interest are the new view's treatment of skepticism, reflective knowledge, lottery propositions, knowledge of logical truth, and the question why knowledge is power in the Baconian sense.Ideally, evidence indicates a hypothesis and discriminates it from other possible hypotheses. This is the idea behind a tracking view of evidence, and Sherrilyn Roush provides a defence of a confirmation theory based on the Likelihood Ratio. The accounts of knowledge and evidence she offers provide a deep and seamless explanation of why having better evidence makes one more likely to have knowledge. Roush approaches the question of epistemological realism about scientific theories through thequestion what is required for evidence, and rejects both traditional realist and traditional anti-realist positions in favour of a new position which evaluates realist claims in a piecemeal fashion according to a general standard of evidence. The results show that while anti-realists were immodest indeclaring a priori what science could not do, realists were excessively sanguine about how far our actual evidence has so far taken us.
Twelve visions of the future—by turns hilarious, frightening, and relevant—from new and established voices in science fiction. In this book, new and established voices in science fiction come together to offer original stories of the future. Ken Liu writes about a virtual currency that hijacks our empathy; Elizabeth Bear shows us a smart home tricked into kidnapping its owner; Clifford V. Johnson presents, in a graphic novella, the story of a computer scientist seeing a new side of the AIs she has invented; and J. M. Ledgard describes a 28,000-year-old AI who meditates on the nature of loneliness. We encounter metal-melting viruses, vegetable-based heart transplants, search-and-rescue drones, and semi-automated sailing ships. Sometimes hilarious, sometimes frightening, and always relevant, Twelve Tomorrows offers compelling visions of potential futures. Originally launched in 2011 by MIT Technology Review, the Twelve Tomorrows series explores the future implications of emerging technologies through the lens of fiction. Featuring a diverse collection of authors, characters, and stories rooted in contemporary real-world science, each volume in the series offers conceivable and inclusive stories of the future, celebrating and continuing the genre of “hard” science fiction pioneered by authors such as Isaac Asimov, Arthur C. Clarke, and Robert Heinlein. Twelve Tomorrows is the first volume of the series to be published in partnership with the MIT Press. Contributors Elizabeth Bear, SL Huang, Clifford V. Johnson, J. M. Ledgard, Liu Cixin, Ken Liu, Paul McAuley, Nnedi Okorafor, Malka Older, Sarah Pinsker, Alastair Reynolds