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Protecting her secret and hunting demons is a matter of survival for possessed-practitioner Mira Fuentes. She's spent years learning to work with the snarky demon housed in her body, and it hasn't always gone smoothly. Nor has her recent partnership with an agent of the Paranatural Task Force. Ty Williams—uncomfortably-attractive and overly-protective—may never fully accept that his partner has a literal inner demon. But work-life-demon balance is the least of Mira's problems when a figure from her past drags her back to the hometown she's avoided for nearly a decade to investigate a string of potentially-magical disappearances. Someone or something is snatching teens from the local high school. Emotionally off-balance in a city full of old ghosts and new dangers, Mira will have to confront her past to discover what is hunting the innocent. Praise for L. R. Braden: "My new 'auto-buy' author. I love everything this woman writes."—J.D. Brown, award-winning author of the Ema Marx Series "A fast-paced, engrossing, unexpected, and tension-filled magical work…A great read for every female lead Urban Fantasy enthusiast."—The Queen of Swords, NetGalley reviewer on Demon Riding Shotgun "I LOVED this book. It's got fun. It's got depth. It's definitely going to stick with me."—Lydia R, NetGalley reviewer on Demon Riding Shotgun About the Author: L.R. Braden is the bestselling, multi-award-winning author of the Magicsmith and Rifter urban fantasy series as well as several works of short fiction. When not writing, she spends her time playing games with her family, enjoying Colorado's great outdoors, and weaving metal into intricate chain mail jewelry.
Bookish introvert Morgen Keller never thought she would have a midlife crisis. That was before her husband divorced her, her boss let her go, and her grandmother died. Forty wasn’t supposed to look like this. When Morgen inherits Grandma’s old farmhouse in the small town of Bellrock, Washington, it could be a chance for a fresh start. There are just a few problems… A fearsome werewolf has claimed the property for himself, Grandma didn’t die of natural causes, and, oh, she was a witch. Embroiled in a mystery, and heir to powers she knew nothing about, Morgen must turn to the only person who might be able to help: the werewolf who threatened to rip her throat out for trespassing. This isn’t the fresh start on life that Morgen had in mind. ~ A Witch in Wolf Wood is perfect for fans of mystery, magic, slow-burn romance, and second chances. Pick up your copy of the complete series bundle today!
Morgen Keller’s life has been chaotic since she inherited her grandmother’s old house—and her legacy as a witch. Werewolves regularly attack her, familiars spy on her, and enemies she didn’t ask for keep lighting her property on fire. Through everything, she’s been fortunate to have one steadfast ally: Amar. The lone werewolf is a fearsome fighter, a loyal protector, and he’s sexy in nothing but a magical talisman. Just as Morgen and Amar overcome most of her problems and officially start dating, trouble from his past arrives in town. The powerful enemy who long ago slew his parents has come to finish off the family. As strong as Amar is, he may not be able to handle his old nemesis alone. But will he let Morgen help? And is it within her fledgling power as a witch to do so?
Includes: Dead Magic, Selkie Cove, and The Wolf Witch Dead Magic: Immanuel wants nothing more than a peaceful life as a scientist, but his happiness is short-lived when his past demons refuse to go quietly. As body-snatching spirits attack and creatures rise from the dead, he fears his sanity is slipping. Disillusioned with her life, Emmeline turns to a handsome suitor who offers her a world of magic. Something wicked is heading for London that threatens to destroy everything Emmeline and Immanuel hold dear. And it wants more than secrets. Selkie Cove: Immanuel never liked being the museum’s resident seal expert, until a strange specimen arrived: part human, part seal, and a murder victim. He knows the only people who will believe him are the supernatural agents of Her Majesty’s Interceptors. Upon arriving at Seolh-wiga Island, Adam and Immanuel quickly discover that what the island lacks in size, it makes up for in mysteries. At the heart of it all is a series of disappearances, murders, and devices connected to the island’s sordid history. The Wolf Witch: Since returning to England from abroad, Emmeline Jardine has managed to get a place of her own, maintain a tenuous truce with her guardians, and celebrate her new found freedom by attending as many parties as she can manage. When she receives a mysterious invitation to a country estate deep in the woods, Emmeline soon finds she is thrust into a world of werewolves, monsters, and secrets from her family’s past that threaten to bring the empire to its knees.
Jay Desmarteaux raised a whole lot of hell in New Jersey after he was released from prison after 25 years for the murder of a rapist bully at his school. Now he’s on the run in his home state of Louisiana, where he traces his roots to an evil family tree that’s grown large and lush, watered with the blood of the innocent. Jay’s hunt for his parents will take him to the doors of stately plantation homes built by the enslaved, through the deadly and gorgeous heart of the bayou, to his greatest nightmare—a cell in the infamous state prison, where his only escape is the wildest show in the South—the Angola Prison Rodeo. Scarred and shell-shocked, Jay Desmarteaux faces his deadliest adversaries yet: the demons within himself and the brutality wrought by his privileged ancestors. The Boy from County Hell is coming home... Praise for THE BOY FROM COUNTY HELL: “Thomas Pluck’s The Boy From County Hell is raucous and rollicking, just like The Pogues song it adapts its name from. There are echoes of James Lee Burke, Barry Gifford, and Joe R. Lansdale, but Pluck’s book burns hot and bright with its own indomitable punk spirit. Joyous, wild, dark fun.” —William Boyle, author of City of Margins, A Friend Is a Gift You Give Yourself, The Lonely Witness, and Gravesend “Blistering, violent, and written with Technicolor flourishes that are Pluck’s unmistakable signature. The Boy from County Hell is a hell of a book.” —Laird Barron, author of Swift to Chase “Pluck has crafted a hard-charging thriller that stomps the pedal from page one and never lets up. Crackling with exciting characters and language that pops off the page, The Boy From County Hell is a mad tale of rage, retribution, and no small helping of heart and soul. I loved it.” —Bill Loehfelm, author of the Maureen Coughlin series “Wow. The Boy from County Hell by Thomas Pluck is as wild as a night in a cage with an amorous monkey. So smart and tense and relentless. Pluck decides on his premise, and stays true to it until the rowdy end, but the real star here is his control of style, both hardboiled and poetic at the same time. Impressed.” —Joe R. Lansdale" “The Boy from County Hell is a harrowing and at times deeply philosophical journey through the heart of rage. Thomas Pluck is our trustworthy tour guide through that undiscovered country. With deft prose and an eye towards redemption and revelation Pluck accomplishes an amazing feat. We find ourselves feeling sympathy for the boy from county Hell” —SA. Cosby, New York Times bestselling author of Razorblade Tears
Being dead definitely has its disadvantages. Number one being that I have to wait until the full moon to kick Benny’s ass. What right did he have to kill me? None. Not only that, I was his thirteenth kill, so he’s alive instead. Not for long, if I have my way. With Lorena gone, the island has taken on a life of its own and it’s up to me to destroy it. But doing so will require massive sacrifices. Sacrifices I’m not sure I’m willing to give. But the fate of everyone on the island rests in my hands. Who will live and who will be gone forever? The choice is mine.
Six months after the events that changed our lives forever, Jackson and I are college-bound, and heading to Beaumont with the sole intent of starting our new adult lives. With promising futures ahead of us, it seems that nothing could go wrong. Until the fox runs out in front of our vehicle. Normally, this wouldn’t seem like an issue. But the fox—who is somehow able to communicate with me telepathically—comes to my window one rainy night, only to warn me that we are being watched by forces beyond our control. Forces that may alter our futures forever.
After discovering that the creatures from Cajun folklore actually exist, Feliciana is torn between hiding her Southern heritage and starting fresh at her new school—all while caring for an unexpected magical friend. Rachel M. Marsh’s debut novel is for fans of Tracey Baptiste’s The Jumbies and Katherine Applegate’s Crenshaw. Twelve-year-old Feliciana Fruge does not like Boston. If given the chance, she would gladly move herself and her mom from the freezing city right back to Grandma’s house in Louisiana. Feliciana dreams of escaping her stepfather’s corny jokes and bland food and the relentless bullying at school for “being poor” and having a Southern accent. So, when she transfers to a new school and has the chance to start fresh, Feliciana plans to be as un-Cajun as possible in order to blend in. But then Grandma sends Feliciana a mischievous and magical monster from Cajun folklore—Roux the rougarou. While Grandma might have meant for rambunctious Roux to keep Feliciana company, now Feliciana must juggle making new friends, outsmarting a bully, creating her best art to qualify for an upcoming competition—and hiding her mysterious, magical canine companion from everyone. Rougarou Magic is a magic-laced, tenderly drawn love letter to Cajun folklore, the bittersweetness of starting over when you least expect it, and the unlikely friends you make along the way. Rachel M. Marsh’s debut novel explores themes of friendship, family, self-identity, and change and will captivate animal lovers and fans of Ghost Squad.
"Don't worry about what you sees on de other side of the Möbius Window because it only gots one side." In 1914, fifty years after a forgotten cabal of wizards stalemated the Civil War and overthrew the incompetent Confederacy to establish the Southern Alliance Monarchy, twenty-two-year-old Lieutenant Maximillian Bontemps saves the newly crowned, teenaged King John from a sniper in Asheville by knocking the boy onto his royal ass. Angry that Max dared touch Him, the King dismisses Max from His Royal Guard. Dejected, Max returns home to New Orleans to start a private Security Service. New Orleans is the last bastion of wizardry in the south. For Max's first security job, a young woman hires him to guard her mother, a prominent witch. Claims about magic have never impressed Max because he's never seen it work, but he is broke, and the daughter has compelling blue eyes. Leave it to a beautiful woman to draw Max into a whirlwind of greed, corruption, and a plot to usurp the boy King. The View Through the Möbius Window is an alternate history of magic, intrigue, and romance.
In Folklore Figures of French and Creole Louisiana, Nathan J. Rabalais examines the impact of Louisiana’s remarkably diverse cultural and ethnic groups on folklore characters and motifs during the eighteenth and nineteenth centuries. Establishing connections between Louisiana and France, West Africa, Canada, and the Antilles, Rabalais explores how folk characters, motifs, and morals adapted to their new contexts in Louisiana. By viewing the state’s folklore in the light of its immigration history, he demonstrates how folktales can serve as indicators of sociocultural adaptation as well as contact among cultural communities. In particular, he examines the ways in which collective traumas experienced by Louisiana’s major ethnic groups—slavery, the grand dérangement, linguistic discrimination—resulted in fundamental changes in these folktales in relation to their European and African counterparts. Rabalais points to the development of an altered moral economy in Cajun and Creole folktales. Conventional heroic qualities, such as physical strength, are subverted in Louisiana folklore in favor of wit and cunning. Analyses of Black Creole animal tales like those of Bouki et Lapin and Tortie demonstrate the trickster hero’s ability to overcome both literal and symbolic entrapment through cleverness. Some elements of Louisiana’s folklore tradition, such as the rougarou and cauchemar, remain an integral presence in the state’s cultural landscape, apparent in humor, popular culture, regional branding, and children’s books. Through its adaptive use of folklore, French and Creole Louisiana will continue to retell old stories in innovative ways as well as create new stories for future generations.