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An editor at one of the United States' most prestigious publishing companies has persued rejection letters through the ages and selected his favorite howlers. Illustrations.
Three highly acclaimed volumes are gathered together for the first time with many new nasty reviews and ridiculous rejections of great authors and classic books, including Melville's "Moby Dick" ("tragic-comic bubble and squeak") and John Le Carre's "The Spy Who Came in from the Cold" ("You're welcome to Le Carre--he hasn't got any future".) Illustrations.
This extraordinary collection of rejection letters sent by publishers to writers - many delivered to now famous authors of books considered classics - is sure to entertain and delight readers and give more than a little comfort to struggling authors. Among the gems of editorial misjudgement included in the book are: 'You are welcome to Le Carre - he hasn't got any future.' (The Spy Who Came in from the Cold, 1963); 'It is impossible to sell animal stories...' (Animal Farm, George Orwell, 1945); and 'We are not interested in science fiction which deals with negative utopias.' (Carrie, Stephen King, early 1970s). In the company of such hallowed names as Thomas Wolfe, Gertrude Stein, Henry James, Joseph Heller and many others, Rotten Rejections makes encouraging reading for all would-be authors.
In this revolutionary book, psychologist and novelist Karen E. Peterson presents an easy, effective way to beat writer's block in only ten days. Based on new brain research and sound psychological principles, this innovative program shows writers how to conquer writer's block using such methods as: exercises to conquer the "write-or-flight" response; techniques to create that elusive "writing mood"; parallel monologue and interior dialogue to jump-start the writing process; checklists to see which side of the brain is blocking you; a template for establishing writing as a part of your daily life; motivation "to-go"--so that writers can write anywhere, any time; and more! With case examples and a healthy dollop of humor, Write. will help both seasoned and neophyte writers to enjoy the process of sending their creativity--and productivity--soaring to new heights.
What publishing experts have to say: "You can die with the book inside you or you can discover how to leave your legacy with Get Between the Covers. Many people in the world need to know what you've learned and experienced." -Dan Poynter, author of The Self-Publishing Manual, http: //ParaPublishing.com "Shulman and Spencer have put together an incredible book...it's a must read if you feel that you have 'a book in you' and would like to write it in your lifetime." -Rick Frishman, President of Planned TV Arts, co-author AUTHOR 101 book series, WWW.AUTHOR101.COM "Get Between the Covers is chock-full of sound advice from all the notables in the field, plus inspiring success stories. It's concise. Readable. Motivational. Every aspiring author needs this book! What an impressive contribution to the existing body of literature on book writing and publishing." -Marilyn Ross, co-author of The Complete Guide to Self-Publishing, The Complete Guide to Self-Publishing Companion, Jump Start Your Book Sales, and founder of SelfPublishingResources.com From the Authors: Get Between the Covers is a user-friendly and motivational tool designed to inspire the masses to write at least one book in their lifetime. Unlike others, we believe that everyone CAN write their own book, and the book takes you through the process from day 1 all the way to your publication options and even what to do once the book is out...with plenty of author success stories (coming from authors of all levels of readership), anecdotes, and humor along the way. It is completely updated for 2007 and builds on the groundwork of the 100+ books that have been written in this market over the past 20 years by packaging it into aninteresting read that is highly informative and concise for the millions who would like to write a book.
Peggy Graham has succeeded as an author - not among the few millionaires whose names feature in the top selling list but at a level to which most writers can aspire.
In 1889, the editor of the San Francisco Examiner, having accepted an article from Rudyard Kipling, informed the author that he should not bother to submit any more. "This isn't a kindergarten for amateur writers," the editor wrote. "I'm sorry, Mr. Kipling, but you just don't know how to use the English language." A century later, John Grisham was turned down by sixteen agents before he found representation-and it was only after Hollywood showed an interest in The Firm that publishers began to take him seriously. The anxiety of rejection is an inevitable part of any writer's development. In this book, Ralph Keyes turns his attention from the difficulty of putting pen to paper-the subject of his acclaimed The Courage to Write -to the frustration of getting the product to the public. Inspiration isn't nearly as important to the successful writer, he argues, as tenacity, and he offers concrete ways to manage the struggle to publish. Drawing on his long experience as a writer and teacher of writing, Keyes provides new insight into the mind-set of publishers, the value of an agent, and the importance of encouragement and hope to the act of authorial creation.
This 380-page devotional book offers daily lessons containing two Bible readings and a thought for the day for meditation.
"Gabriel Zaid's defense of books is genuinely exhilarating. It is not pious, it is wise; and its wisdom is delivered with extraordinary lucidity and charm. This is how Montaigne would have written about the dizzy and increasingly dolorous age of the Internet. May So Many Books fall into so many hands."—Leon Wieseltier "Reading liberates the reader and transports him from his book to a reading of himself and all of life. It leads him to participate in conversations, and in some cases to arrange them…It could even be said that to publish a book is to insert it into the middle of a conversation."—from So Many Books Join the conversation! In So Many Books, Gabriel Zaid offers his observations on the literary condition: a highly original analysis of the predicament that readers, authors, publishers, booksellers, librarians, and teachers find themselves in today—when there are simply more books than any of us can contemplate. "With cascades of books pouring down on him from every direction, how can the twenty-first-century reader keep his head above water? Gabriel Zaid answers that question in a variety of surprising ways, many of them witty, all of them provocative."—Anne Fadiman, Author of Ex-Libris "A truly original book about books. Destined to be a classic!"—Enrique Krauze, Author of Mexico: Biography of Power, Editor of Letras Libres "Gabriel Zaid's small gem of a book manages to be both delectable and useful, like chocolate fortified with vitamins. His rare blend of wisdom and savvy practical sense should make essential and heartening reading for anyone who cares about the future of books and the life of the mind."—Lynne Sharon Schwartz, Author of Ruined by Reading: A Life in Books "Gabriel Zaid is a marvelously elegant and playful writer—a cosmopolitan critic with sound judgment and a light touch. He is a jewel of Latin American letters, which is no small thing to be. Read him—you'll see."—Paul Berman "'So many books,' a phrase usually muttered with despair, is transformed into an expression of awe and joy by Gabriel Zaid. Arguing that books are the essential part of the great conversation we call culture and civilization, So Many Books reminds us that reading (and, by extension, writing and publishing) is a business, a vanity, a vocation, an avocation, a moral and political act, a hedonistic pursuit, all of the aforementioned, none of the aforementioned, and is often a miracle."—Doug Dutton "Zaid traces the preoccupation with reading back through Dr. Johnson, Seneca, and even the Bible ('Of making many books there is no end'). He emerges as a playful celebrant of literary proliferation, noting that there is a new book published every thirty seconds, and optimistically points out that publishers who moan about low sales 'see as a failure what is actually a blessing: The book business, unlike newspapers, films, or television, is viable on a small scale.' Zaid, who claims to own more than ten thousand books, says he has sometimes thought that 'a chastity glove for authors who can't contain themselves' would be a good idea. Nonetheless, he cheerfully opines that 'the truly cultured are capable of owning thousands of unread books without losing their composure or their desire for more.'"—New Yorker
Erin Barrett and Jack Mingo are the Queen and King of trivia, relied upon by game shows including Who Wants to be a Millionaire? and game manufacturers. Millions of people read their daily newspaper column and together they've written twenty books. The sixth book in the Totally Riveting Utterly Entertaining (TRUE) Trivia Series puts a magnifying lens on the wacky world of writers. It Takes a Certain Type to Be a Writer will tell you everything you could possibly want, or were afraid, to know about writers, publishing, and the writing life. Bite-sized facts are organized into chapters including "Everyone's a Critic," "Stranger than Fiction," "From Bad to Verse," "Kiddie Lit," "A Word's Worth," and many more. You'll learn things like: Where Proust wrote (in bed with gloves on) What Voltaire drank (70 cups of coffee a day) And how James Cain prepared himself for yet another publisher's rejection. (The title The Postman Always Rings Twice had nothing to do with the plot of the best-selling novel. It was a private joke of author James Cain. His postman would ring his doorbell twice whenever the many-times-rejected manuscript came back from a publisher.)