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Catalog of the exhibitions Princeton University Art Museum, May 24-October 5, 2014 and the Cummer Museum of Art & Gardens, January 31-April 26, 2015.
Tour of the exhibition: the Museum of Modern Art, New York, Feb. 14-May 21, 2002 and others.
Original edition published 2011 by Tate Publishing.
"From Caspar David Friedrich to Gerhard Richter brings together a select group of paintings from the Galerie Neue Meister in Dresden--one of the most significant collections of German art from 1800 to the present--and new work from the renowned contemporary artist Gerhard Richter."--Page 4 of cover.
An overview of the life and work of artist Mark Rothko, this volume exhibits his mythological content, simple flat shapes, and imagery inspired by primitive art.
By uniquely treating Gerhard Richter?s entire oeuvre as a single subject, Darryn Ansted combines research into Richter?s first art career as a socialist realist with study of his subsequent decisions as a significant contemporary artist. Analysis of Richter?s East German murals, early work, lesser known paintings, and destroyed and unfinished pieces buttress this major re-evaluation of Richter?s other well known but little understood paintings. By placing the reader in the artist?s studio and examining not only the paintings but the fraught and surprising decisions behind their production, Richter?s methodology is deftly revealed here as one of profound yet troubled reflection on the shifting identity, culture and ideology of his period. This rethinking of Richter?s oeuvre is informed by salient analyses of influential theorists, ranging from Theodor Adorno to Slavoj ?i?ek, as throughout, meticulous visual analysis of Richter?s changing aesthetic strategies shows how he persistently attempts to retrace the border between an objective reality structured by ideology and his subjective experience as a contemporary painter in the studio. Its innovative combination of historical accuracy, philosophical depth and astute visual analysis will make this an indispensible guide for both new audiences and established scholars of Richter?s painting.
This beautifully illustrated volume spans the years 1950 to 1990, one of the most fertile periods in the history of abstraction. These four decades witnessed intense debates about the ambitions and prerogatives of abstract painting. At the forefront of such conversations were the artists featured in Rothko to Richter. Associated with movements as diverse as Expressionism, Color Field, and Minimalism, each artist sought to expand the possibilities of abstraction, particularly at the level of technique. They experimented liberally with process, pioneering new ways to apply paint that alternately accentuated or suppressed traces of the artist's touch. Rothko to Richter features twenty-seven paintings selected from an extraordinary private collection. Created by artists as diverse as Karel Appel, Willem de Kooning, Helen Frankenthaler, Jack Goldstein, Hans Hofmann, Morris Louis, Joan Mitchell, Robert Motherwell, and Frank Stella, the works communicate the changing priorities of abstract art after World War II. Looking closely at innovations in mark-making, the catalogue explores the fate of the terms "abstraction" and "expressionism" as well as the impact of mass media, technology, and photomechanical reproduction on abstract painting. The book's critical analyses are complemented by a poetic meditation on color, sea, and sky that addresses abstraction as a mode of expression.
An encounter with Gerhard Richter, the German artist who widened horizons in the relationship between painting and reality. From early photographic paintings, along with his famous RAF cycle, to late abstract paintings, experiencing Richter's work always offers us the unexpected and unseen. Where he once set out to liberate the medium from ideological ballast, today, faced with the overwhelming presence of digital images, he shows us the unsurpassed impact and intensity of painting. A definitive introduction to one of the greatest artists of our time spanning not only his entire career, but also 50 years of cultural, economic, and political events.
Overzicht van het werk van de Amerikaanse schilder (1903-1970)
In 1988, Gerhard Richter created one of the most controversial and fascinating political painting-cycles of all time, with his Baader-Meinhof series. In 2002, he returned to the theme of media and political truth with his artist's book War Cut. For this project, Richter photographed 216 details of his abstract painting "No. 648-2" (1987), and, working on a long table over a period of several weeks, combined these 4 x 6-inch details with 165 texts on the Iraq war, published in the German Frankfurter Allgemeine Zeitung newspaper on the dates of the war's outbreak (March 20 and 21, 2003). "My method was to attach a number of texts to a number of images without having to think about whether something would be better positioned to the left or the right, above or below," Richter told an interviewer, for a New York Times feature on the publication. "I placed these images so that a connection develops in terms of colors, structures and other characteristics. . . . Some images match the cruelty and the madness described in the texts shockingly well. And others can even serve as illustrations when the texts speak of deserts and other landscapes." Originally published only in German in 2004, this long-awaited English version of this important artist's book presents Richter's powerful attempt to accommodate the extremity of war. For this edition, Richter applied the same process of text selection to The New York Times, using the same dates of the war's outbreak.