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Roth Revisited offers an intimate and insightful look at the life and work of literary giant Philip Roth, one of the most influential American novelists of the 20th century. This captivating biography goes beyond the standard literary analysis, offering a nuanced and engaging exploration of Roth's personal life, his formative experiences, and the evolution of his unique literary voice. Explore the complexities of his Jewish identity, his exploration of power and desire in American society, and his masterful handling of the intricacies of human relationships. Discover the behind-the-scenes stories of his literary triumphs and controversies, his enduring legacy as a cultural commentator, and his impact on American literature. With in-depth interviews, a revealing analysis of his personal letters, and insightful commentary from prominent critics, Roth Revisited brings you closer to the man and the myth, offering a fresh perspective on one of America's most important and provocative writers. This is a must-read for anyone interested in Roth's work, the history of American literature, and the power of storytelling to illuminate the human condition.
Charles Jackson’s novel The Lost Weekend—the story of five disastrous days in the life of an alcoholic—was published in 1944 to triumphant success. Although he tried to escape its legacy, Jackson is often remembered only as the author of this thinly veiled autobiography. In Farther & Wilder, the award-winning biographer of Richard Yates and John Cheever goes deeper, exploring Jackson’s life—from growing up in the scandal-plagued village of Newark, New York, to a career in Hollywood and friendships with everyone from Judy Garland and Billy Wilder to Thomas Mann and Mary McCarthy. This is the fascinating biography of a writer whose life and work encapsulated what it meant to be an addict and a closeted homosexual in mid-century America, and who was far ahead of his time in bringing these forbidden subjects into the popular discourse.
This groundbreaking study explores the later lives and late-life writings of more than two dozen British women authors active during the long eighteenth century. Drawing on biographical materials, literary texts, and reception histories, Devoney Looser finds that far from fading into moribund old age, female literary greats such as Anna Letitia Barbauld, Frances Burney, Maria Edgeworth, Catharine Macaulay, Hester Lynch Piozzi, and Jane Porter toiled for decades after they achieved acclaim -- despite seemingly concerted attempts by literary gatekeepers to marginalize their later contributions. Though these remarkable women wrote and published well into old age, Looser sees in their late careers the necessity of choosing among several different paths. These included receding into the background as authors of "classics," adapting to grandmotherly standards of behavior, attempting to reshape masculinized conceptions of aged wisdom, or trying to create entirely new categories for older women writers. In assessing how these writers affected and were affected by the culture in which they lived, and in examining their varied reactions to the prospect of aging, Looser constructs careful portraits of each of her Subjects and explains why many turned toward retrospection in their later works. In illuminating the powerful and often poorly recognized legacy of the British women writers who spurred a marketplace revolution in their earlier years only to find unanticipated barriers to acceptance in later life, Looser opens up new scholarly territory in the burgeoning field of feminist age studies.
“Masters of the Universe have a new mistress—a protagonist who learns to wield power in the excessive, fascinating cultures of Wall Street and BDSM-for-hire. BOW DOWN.” —WEDNESDAY MARTIN, #1 New York Times Bestselling Author of Primates of Park Avenue and Untrue EDGE PLAY by Jane Boon National Leather Association's Pauline Reage Novel Award, Finalist CORRECTION: Amy Lefevre’s second language is risk. A gorgeous young investment banker, she navigates Wall Street’s toxic culture with ease—until the stock market collapses. CRISIS: Amy starts investigating the failed deals her boss engineered. Drawn to a treacherous ride on the edge, will her efforts to expose him cause her to lose it all? CONSENT: Amy’s best friend is a dominatrix with an offer: take over her elite S&M dungeon, catering to the pervy needs of millionaires and billionaires and learn the true nature of power. EDGE PLAY is a universe beyond Fifty Shades of Grey and The Big Short, set in the most elite, twisted circles of Wall Street mega-power and S&M. Amy Lefevre dives into an underground realm of Big Swinging Dicks only to find that, in this arena, the women wield the whips and the men submit. “Edge Play explores obsession and ambition with a fetishist's eye for detail. From the sleek Syren latex to the sexy Louboutins, to power moves found in both the dazzling hustle of high finance and the darkness of the dungeon, this book delivers.” —LILY BURANA, Author of Strip City “This is such a fun book! Smart, sexy, and full of surprises. It's also full of stingingly authentic details of Wall Street and the BDSM culture simmering just below it. It's a New York where everyone wants to come out on top, and power is a skill that can be learned.” —JO WELDON, Author of Fierce: The History of Leopard Print and The Burlesque Handbook
This stunning collection of stories demonstrates once again why Alice Munro is celebrated as a pre-eminent master of the short story. While some of the stories are traditional, set in “Alice Munro Country” in Ontario or in B.C., dealing with ordinary women’s lives, others have a new, sharper edge. They involve child murders, strange sex, and a terrifying home invasion. By way of astonishing variety, the title story, set in Victorian Europe, follows the last journey from France to Sweden of a famous Russian mathematician. This daring, superb collection proves that Alice Munro will always surprise you.
One of the greatest challenges for English language arts teachers today is the call to engage students in more complex texts. Tim Gillespie, who has taught in public schools for almost four decades, has found the lenses of literary criticism a powerful tool for helping students tackle challenging literary texts. Tim breaks down the dense language of critical theory into clear, lively, and thorough explanations of many schools of critical thought---reader response, biographical, historical, psychological, archetypal, genre based, moral, philosophical, feminist, political, formalist, and postmodern. Doing Literary Criticism gives each theory its own chapter with a brief, teacher-friendly overview and a history of the approach, along with an in-depth discussion of its benefits and limitations. Each chapter also includes ideas for classroom practices and activities. Using stories from his own English classes--from alternative programs to advance placement and everything in between--Tim provides a wealth of specific classroom-tested suggestions for discussion, essay and research paper topics, recommended texts, exam questions, and more. The accompanying CD offers abbreviated overviews of each theory (designed to be used as classroom handouts, examples of student work, collections of quotes to stimulate discussion and writing, an extended history of women writers, and much more. Ultimately, Doing Literary Criticism offers teachers a rich set of materials and tools to help their students become more confident and able readers, writers, and critical thinkers.
Widely acknowledged as a contemporary classic that has introduced thousands of readers to American literature, From Puritanism to Postmodernism: A History of American Literature brilliantly charts the fascinating story of American literature from the Puritan legacy to the advent of postmodernism. From realism and romanticism to modernism and postmodernism it examines and reflects on the work of a rich panoply of writers, including Poe, Melville, Fitzgerald, Pound, Wallace Stevens, Gwendolyn Brooks and Thomas Pynchon. Characterised throughout by a vibrant and engaging style it is a superb introduction to American literature, placing it thoughtfully in its rich social, ideological and historical context. A tour de force of both literary and historical writing, this Routledge Classics edition includes a new preface by co-author Richard Ruland, a new foreword by Linda Wagner-Martin and a fascinating interview with Richard Ruland, in which he reflects on the nature of American fiction and his collaboration with Malclolm Bradbury. It is published here for the first time.
"A work of art as rich and subtle and unnerving as anything its author has ever done" (New Yorker), The Loved One is Evelyn Waugh's cutting satire of 1940s California and the Anglo-American cultural divide. Following the death of a friend, the poet and pets' mortician Dennis Barlow finds himself entering the artificial Hollywood paradise of the Whispering Glades Memorial Park. Within its golden gates, death, American-style, is wrapped up and sold like a package holiday--and Dennis gets drawn into a bizarre love triangle with Aimée Thanatogenos, a naïve Californian corpse beautician, and Mr. Joyboy, a master of the embalmer's art. Waugh's dark and savage satire depicts a world where reputation, love, and death cost a very great deal.
Few themes have been as central to sociology as 'class' and yet class remains a perpetually contested idea. Sociologists disagree not only on how best to define the concept of class but on its general role in social theory and indeed on its continued relevance to the sociological analysis of contemporary society. Some people believe that classes have largely dissolved in contemporary societies; others believe class remains one of the fundamental forms of social inequality and social power. Some see class as a narrow economic phenomenon whilst others adopt an expansive conception that includes cultural dimensions as well as economic conditions. This 2005 book explores the theoretical foundations of six major perspectives of class with each chapter written by an expert in the field. It concludes with a conceptual map of these alternative approaches by posing the question: 'If class is the answer, what is the question?'
The cofounder of the Stanford d.school introduces the power of design thinking to help you achieve goals you never thought possible. Achievement can be learned. It’s a muscle, and once you learn how to flex it, you’ll be able to meet life’s challenges and fulfill your goals, Bernard Roth, Academic Director at the Stanford d.school contends. In The Achievement Habit, Roth applies the remarkable insights that stem from design thinking—previously used to solve large scale projects—to help us realize the power for positive change we all have within us. Roth leads us through a series of discussions, stories, recommendations, and exercises designed to help us create a different experience in our lives. He shares invaluable insights we can use to gain confidence to do what we’ve always wanted and overcome obstacles that hamper us from reaching our potential, including: Don’t try—DO; Excuses are self-defeating; Believe you are a doer and achiever and you’ll become one; Build resiliency by reinforcing what you do rather than what you accomplish; Learn to ignore distractions that prevent you from achieving your goals; Become open to learning from your own experience and from those around you; And more. The brain is complex and is always working with our egos to sabotage our best intentions. But we can be mindful; we can create habits that make our lives better. Thoughtful and powerful The Achievement Habit shows you how. “The Achievement Habit is a masterpiece in describing how to think creatively and fulfill your life’s ambitions.” —Paul Hait, entrepreneur and Olympic gold medalist