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This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work was reproduced from the original artifact, and remains as true to the original work as possible. Therefore, you will see the original copyright references, library stamps (as most of these works have been housed in our most important libraries around the world), and other notations in the work.This work is in the public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work.As a reproduction of a historical artifact, this work may contain missing or blurred pages, poor pictures, errant marks, etc. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Excerpt from Rosmersholm; The Lady From the Sea; Hedda Gabler I know of nothing that need be said in the way of preface to Hedda Gaeler - of nothing, indeed, that can be said with out trenching upon criticism. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works."
William Archer's classic translations of Henrik Ibsen's Rosmersholm and The Lady from the Sea are essential reading for anyone interested in the history of European drama. With insightful notes and commentary, Archer provides a valuable context for understanding Ibsen's groundbreaking plays, which explore themes of morality, identity, and social change. Rosmersholm, which examines the psychological torment of a grieving widower in a repressive society, and The Lady from the Sea, which examines the conflict between personal desire and social obligation, are two of Ibsen's most enduring works, brought to life in Archer's elegant and lucid translations. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Excerpt from Rosmersholm: The Lady From the Sea Ibsen's exile has often been misrepresented. He left Norway not only of his own free will, but with every intention of returning after a year or so. This design he abandoned, because he found the solitude-in-society of a great foreign city more suited to his temperament than the eternal publicity of life in a comparatively small N orwegian town such as Christiania. He pitched his tent first in Rome; then (1868) in Dresden; then in Munich; then again in Rome; then once more in Munich. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.