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Rosemary is cherishing her last summer before she leaves for school. She is longing for a summer full of adventuring and relaxation. At a hospital she meets Ben, a cheerful English doctor who she quickly befriends. Rosemary soon hears of a haunted asylum nearby and travels there to explore in no time. What she discovers and who she meets will soon change her life for the worse.
A USA TODAY bestseller! Amy came to Rosemary Cottage to grieve and heal from her brother’s disappearance at sea. But there’s a deadly undertow of secrets around Hope Island . . . The charming Rosemary Cottage on the beach offers Amy Lange the respite she needs to mourn her brother, Ben. She’s even thinking of moving her midwife practice to the Outer Banks community, a place that has always been a refuge for her and her family. She also plans to investigate Ben’s disappearance at sea. Everyone blames a surfing accident, but Amy has reason to wonder. Coast Guard officer Curtis Ireland has lost a sibling too. His sister, Gina, was run down by a boat, leaving him to raise her infant daughter. If anyone knew who little Raine’s father was, Curtis could lose his beloved niece. Yet he can’t help being drawn to Hope Beach’s new midwife, Amy, and he agrees to help her investigate what happened to both Ben and Gina. Can two grieving people with secrets find healing on beautiful Hope Island? Or will their quest for truth set them at odds with each other . . . and with those who will go to any length to keep hidden things hidden? Full length romantic suspense Part of the Hope Beach series, but can be read as a standalone: Book 1: Tidewater Inn Book 2: Rosemary Cottage Book 3: Seagrass Pier Includes discussion questions for book clubs
Return to the dark and haunting world of Rosemary’s Baby in Ira Levin’s beguiling sequel, Son of Rosemary. Levin’s Rosemary’s Baby, one of the best-selling books of all time, is the iconic classic that ushered in the era of modern horror. This shocking and darkly comic sequel is set well after the harrowing events of the first book, and is just as compelling and suspenseful. It is now 1999, and Rosemary Woodhouse awakens from a decades-long coma to find herself in a drastically changed world. She soon discovers her son is already thirty-three years old, an a charismatic spiritual leader worshipped the world over, preaching a message of tolerance and peace. But is “Andy” the savior the troubled world so desperately needs, or is he his father’s son—the Antichrist? Master of suspense Ira Levin’s sardonic and thought-provoking exploration of good and evil, Son of Rosemary, finds Rosemary and her child reunited in a battle of wills that could determine not just the course of the new millennium—but the very fate of humankind.
In their playing you hear not only precision, color and balance, but thunder, lightning and the language of the heart. This is what the Boston Globe said about a performance by conductor Benjamin Zander with the Boston Philharmonic Orchestra, but it could apply equally to the Zanders' inspirational book, the product of a synthesis of the diverse worlds of the symphony orchestra and cutting-edge psychology. The Art of Possibility offers a set of breakthrough practices for creativity in all human enterprises. Infused with the energy of their dynamic partnership, the book joins together Ben's extraordinary talent as a mover and shaker, teacher, and communicator, with Rosamund Stone Zander's genius for creating innovative paradigms for personal and professional fulfillment. In lively counterpoint, the authors provide us with a deep sense of the powerful role that the notion of possibility can play in every aspect of our lives. The Zanders' deceptively simple practices are based on two premises: that life is composed as a story ("it's all invented") and that, with new definitions, much more is possible than people ordinarily think. The book shifts our perspective with uplifting stories, parables, and anecdotes from the authors' personal experiences as well as from famous and everyday heroes. From "Giving an A," to the mysterious "Rule Number 6," to "Leading from Any Chair"-the account of Ben's stunning realization that the conductor/leader's power is directly linked to how much greatness he is willing to grant to others-each practice offers an opportunity for personal and organizational transformation. The Art of Possibility provides a life-altering approach to fulfilling dreams large and small. The Zanders invite us all to become passionate communicators, leaders, and performers whose lives radiate possibility into the world. Rosamund Stone Zander is a family therapist and a landscape painter. Benjamin Zander is the conductor of the Boston Philharmonic Orchestra and a professor at the New England Conservatory of Music. Based on the principles developed through the authors' unique partnership, Mr. Zander gives presentations to managers and executives around the world and Ms. Zander conducts workshops for organizations on practicing the art of possibility.
'Every day, thousands of women enter acting classes where most of them will receive some variation on the Stanislavsky-based training that has now been taught in the U.S. for nearly ninety years. Yet relatively little feminist consideration has been given to the experience of the student actress: What happens to women in Method actor training?' An Actress Prepares is the first book to interrogate Method acting from a specifically feminist perspective. Rose Malague addresses "the Method" not only with much-needed critical distance, but also the crucial insider's view of a trained actor. Case studies examine the preeminent American teachers who popularized and transformed elements of Stanislavsky’s System within the U.S.—Strasberg, Adler, Meisner, and Hagen— by analyzing and comparing their related but distinctly different approaches. This book confronts the sexism that still exists in actor training and exposes the gender biases embedded within the Method itself. Its in-depth examination of these Stanislavskian techniques seeks to reclaim Method acting from its patriarchal practices and to empower women who act. 'I've been waiting for someone to write this book for years: a thorough-going analysis and reconsideration of American approaches to Stanislavsky from a feminist perspective ... lively, intelligent, and engaging.' – Phillip Zarrilli, University of Exeter 'Theatre people of any gender will be transformed by Rose Malague’s eye-opening study An Actress Prepares... This book will be useful to all scholars and practitioners determined to make gender equity central to how they hone their craft and their thinking.' – Jill Dolan, Princeton University
Amy Goodnight knows that the world isn't as simple as it seems. She also understands that "normal" doesn't mix with magic, and she's worked hard to build a wall between the two worlds. Not only to protect her family, who are all practicing witches, but to protect any hope of ever having a normal life herself. Ranch-sitting for her aunt in Texas should be exactly that: good old ordinary, uneventful hard work. Only, Amy and her sister, Phin, aren't alone. There's someone else in the house with them--and it's not the living, breathing, amazingly hot cowboy from the ranch next door. It's a ghost, and it's more powerful than the Goodnights and all their protective spells combined. It wants something from Amy, and none of her carefully built defenses can hold it back. This is the summer when the wall between Amy's worlds is going to come crashing down. A Kirkus Reviews Best Book of the Year An ALA-YALSA Best Book for Young Adults Praise for Texas Gothic: [Star] "You can't get much more Nancy Drew. . . . This engaging mystery has plenty of both paranormal and romance, spiced with loving families and satisfyingly packed with self-sufficient, competent girls."--Kirkus Reviews, Starred [Star] "Teens looking for a rollicking adventure filled with paranormal events, dastardly evildoers, and laugh-out-loud moments as Amy and Ben argue and snipe their way to love will adore this book."--School Library Journal, Starred "The author mixes suspense, humor, and lots of local flavor. . . . The enjoyable sum is a lively teen ghost story with sex appeal."--The Horn Book "A deeply affectionate rendering of Texas landscapes and legends combines with an appealing cast of well-developed characters to give texture to this well-plotted mystery; truly scary moments are balanced by the humorous bumbles of the awkwardly developing romance between Amy and Ben, as well as Phin's sublime cluelessness about the way her eccentricities appear to other people."--The Bulletin
A rabbit gets stranded on a deserted island with a trunk full of treasure and must find his way home.
When Lori discovers she's pregnant after a one night stand with a stranger she met in a bar, she decides to have an abortion to hide her infidelity from her husband. But when the abortion clinic is hit by several bolts of lightning, she takes it as a sign and decides to keep the baby and pass it off as her husband's. Meanwhile, Pazuzu, King of the Demons of the Wind, Bearer of Storms and Drought, is most displeased with Lori and her attempts to murder his Most Glorious Son. What is a demon to do with such a tedious and horrible woman? And what is to be done with the Tiny Little Man who dares to call himself a father to Pazuzu's Resplendant Seed? And what of his ex-girlfriend, the vengeful baby-killing demoness, Lamashtu? Perhaps the Great and Revered Dr. Phil would know what to do.... A tale about parenthood, and what it requires of us, and how it transforms us.
" ThE Willis house was very quiet. The comfortable screened porch was deserted, though a sweater in the hammock and a box of gay paper dolls on the floor showed that it had served as a play-space recently. Inside, not a door banged, not a footfall sounded. The late afternoon June sunshine streamed in through the hall window and made a broad band to the stairway which was in the shadow. The light touched the heads of three girls huddled closely together in the cushioned window-seat and turned the hair of one to gleaming, burnished golden red, another to a fairy web of spun yellow silk and searched out the faint copper tint in the dark locks of the third. The girls sat motionless, their faces turned toward the stairs, as silent as everything else in that silent house. "Rosemary!" whispered the dark-haired one suddenly, "Rosemary, you don't think—" The girl with the gold-red hair, who sat between the other two, started nervously. Her violet blue eyes transferred their anxious gaze from the shadowy staircase to her sister's face. "Oh, no!" she said passionately. "No! Do you hear me, Sarah? That couldn't happen to us. Why do you say such things?" "I didn't say anything," protested Sarah sullenly. "Did I, Shirley?" The little girl with the fairy-web of yellow hair did not answer. She started from her seat and ran toward the stairs. "Hugh's coming!" she cried. Quick, even steps sounded on the hardwood treads and a young man with dark hair, darker eyes behind eye-glasses and a keen, intelligent face, descended rapidly. He picked up the child and strode across the hall to the window-seat. "Poor children!" he said compassionately, sitting down beside Rosemary and holding the younger girl in his lap. "Has the time seemed long? I came as quickly as I could." Rosemary looked at him piteously."
Inheriting a beautiful old hotel on the Outer Banks could be a dream come for Libby.