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2018 Christian Book Award® This Journey Is as Perennial as the Seasons GraceLaced is about more than pretty florals and fanciful brushwork—it's about flourishing. With carefully crafted intention, this beautiful volume of 32 seasonal devotions from artist and author Ruth Chou Simons encourages readers in any circumstance to become deeply rooted in God's faithful promises. GraceLaced extends a soul-stirring invitation to draw close to God while... resting in who He is rehearsing the truth He says about you responding in faith to those truths remembering His provision to sustain you, time and time again More than 800 individual pieces of art came together in the crafting of this book, including dozens of new, hand-painted Scripture vignettes that Ruth is known for. Who we are and who God is never changes, even though everything else rarely stays the same. Let this book point you to truth as you journey through the changing seasons of your heart.
Faux Rose Gold Foil Chevron Notebook The notebook features a rose gold chevron pattern on a white background. Interior contains 170 pages or 85 sheets. Perfect to take notes, jot down ideas or to keep as a journal. It is an absolute must to if you want to add a chic touch to your everyday accessories. It is 8*10 inch making it perfect for carrying it anywhere in your handbag, or keeping it at your desk in your office or at home. Dimensions: 8*10" Interior: 170 pages lined pages, 85 sheets. Cover Design: Faux Rose Gold Foil Chevron Pattern
160 lined pages 6-1/4 wide x 8-1/4 high (15.9 cm wide x 21 cm high), unless otherwise noted Bookbound hardcover Elastic band place holder Inside back cover pocket Archival/acid-free paper. Gold foil, embossed.
Choosing and co-ordinating the many elements of a wedding so that they add up to a harmonious whole is the opportunity of a lifetime, and should be fun. However, the task of planning such an important event, and getting the look just right, can be as daunting as it is exciting. Wedding Inspirations starts with the planning stage, explaining how inspiration can be drawn from many sources. Different themes are showcased, with moods ranging from romantic to modern, from formal to relaxed. There follow hundreds of ideas for table settings, flowers, boutonnieres, favors, cakes, and candles, bringing beautiful styling within the reach of every bride and groom. * Lavishly illustrated and packed with invaluable information, this exquisite book is ideal for anyone planning a wedding. * Ideas to suit every venue and every pocket. * Dozens of creative suggestions for flowers, cakes, stationery, table settings, and favours, all photographed by Polly Wreford. * 35,000 copies sold in hardcover edition.
Higinio V. Gonzales (1842–1921) was more than a gifted metalworker. A man of varied talents whose poems and songs complement his work in punched tin, Gonzales transcends categorization. In The Artistic Odyssey of Higinio V. Gonzales, Maurice M. Dixon, Jr., who has spent more than thirty years studying New Mexico tinwork, describes the artist’s signature techniques. Featuring translations of Gonzales’s poetry, this book restores a long-forgotten New Mexican innovator to the prominence he deserves. Recounting the scholarly detective work that revealed the full scope of Gonzales’s art and career, Dixon tells the story of a craftsman who was also a poet. He begins with Gonzales’s first signed literary work, a handwritten birthday poem decorated with beautifully drawn flowers and birds, dated 1889, and then pieces together the artist’s life and career. Through meticulous research into manuscripts and the dates of tin cans that Gonzales repurposed into elegant, fanciful frames, niches, sconces, and religious decorations, Dixon identifies as Gonzales’s numerous pieces of poetry and tinwork once attributed to anonymous poets and artists. His most important discovery served as a Rosetta stone: an ink wash and watercolor drawing in an ornamental tin frame (housed at the Millicent Rogers Museum in Taos), whose documented provenance helped Dixon to identify Gonzales’s other artwork. More than 100 color photographs of Gonzales’s tinwork and more than a dozen translations of the artist’s poetic and musical works punctuate the narrative. Both a catalogue raisonné of a hitherto little-known artist and an anthology of his writings, this book reconstructs the creative life of a long-overlooked talent, one whose quest for beauty resulted in a prolific body of art and literature.
The definitive work on papercuts, a long-overlooked aspect of Jewish folk art.
In this book, Brenda M. King challenges the notion that Britain always exploited its empire. Creativity, innovation and entrepreneurship were all part of the Anglo-Indian silk trade and were nurtured in the era of empire through mutually beneficial collaboration. The trade operated within and without the empire, according to its own dictates and prospered in the face of increasing competition from China and Japan. King presents a new picture of the trade, where the strong links between Indian designs, the English silk industry and prominent members of the English the arts and crafts movement led to the production of beautiful and luxurious textiles. Lavishly illustrated, this book will be of interest to those interested in the relationship between the British Empire and the Indian subcontinent, as well as by historians of textiles and fashion.