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Rosa, who recently moved with her family to the United States from El Salvador, meets a new friend.
A biography about Rosa Parks, the Alabama black seamstress who refused to give up her seat on a bus and helped establish the civil rights movement.
Rosa searches for things that will fill her room in her new home, but it feels empty until she discovers exactly what is missing.
Let's find out which toys Rosa and her friends are playing with today! An important series that celebrates inclusivity, promotes gender equality and embraces the uniqueness of every child. 6x6 edition.
Looking like a Language, Sounding like a Race examines the emergence of linguistic and ethnoracial categories in the context of Latinidad. The book draws from more than twenty-four months of ethnographic and sociolinguistic fieldwork in a Chicago public school, whose student body is more than 90% Mexican and Puerto Rican, to analyze the racialization of language and its relationship to issues of power and national identity. It focuses specifically on youth socialization to U.S. Latinidad as a contemporary site of political anxiety, raciolinguistic transformation, and urban inequity. Jonathan Rosa's account studies the fashioning of Latinidad in Chicago's highly segregated Near Northwest Side; he links public discourse concerning the rising prominence of U.S. Latinidad to the institutional management and experience of raciolinguistic identities there. Anxieties surrounding Latinx identities push administrators to transform "at risk" Mexican and Puerto Rican students into "young Latino professionals." This institutional effort, which requires students to learn to be and, importantly, sound like themselves in highly studied ways, reveals administrators' attempts to navigate a precarious urban terrain in a city grappling with some of the nation's highest youth homicide, dropout, and teen pregnancy rates. Rosa explores the ingenuity of his research participants' responses to these forms of marginalization through the contestation of political, ethnoracial, and linguistic borders.
November 1918. A socialist revolution is sweeping across Germany, wreaking havoc on war-torn Berlin. Amid the ruin of the city's slums, four women are found dead—all with identical scars on their backs. Detective Inspector Nikolai Hoffner and his assistant, Hans Fichte, are baffled by the killings, and when another body is discovered, the case takes an ominous and unexpected turn. The fifth victim is none other than Rosa Luxemburg—a leader of the suppressed socialist uprising. Now, the Polpo, political police, are interested in the murders, and the mystery of Rosa's death leads Hoffner into the heart of Weimar's political turmoil, where ideas can be fatal. A spellbinding historical thriller from the author of The Second Son and Shadow and Light, Rosa is "a ghostly noir that could have been conspired at by Raymond Chandler and André Malraux . . . astonishing" (John Leonard, Harper's Magazine).
'I promise,' said Rosa. 'I won't kill and I won't make anyone else kill.' I can't see the loophole. Since the guinea pig there's been nothing. Months now without Rosa killing as much as a mosquito. As far as I know. Che Taylor has four items on his list: 1. He wants to spar, not just train in the boxing gym. 2. He wants a girlfriend. 3. He wants to go home. 4. He wants to keep Rosa under control. Che's little sister Rosa is smart, talented, pretty, and so good at deception that Che's convinced she must be a psychopath. She hasn't hurt anyone yet, but he's certain it's just a matter of time. And when their parents move them to New York City, Che longs to return to Sydney and his three best friends. But his first duty is to his sister Rosa, who is playing increasingly complex and disturbing games. Can he protect Rosa from the world - and the world from Rosa? My Sister Rosa will have you on the edge of your seat from the very first page to the last.