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‘An addictive mix of suspense, romance, and the supernatural.’ Janey Fraser, Guilty. ‘A triumph of storytelling.’ Eric Delve, To Boldly Go In the third installment of The Secret of the Journal series, Christmas approaches and the relationship between British historian, Emma D'Eresby and American surgeon, Matthew Lynes deepens as she readies herself to meet his family in rural Maine. But tensions are simmering beneath the surface. What does sinister Maggie have against her, and what might she be prepared to do to keep Matthew and Emma apart? Emma has discovered Matthew's origins, but that is only the beginning; in order to prepare for the future, she must also understand his past.
The Lake of Menteith is Scotland's only lake. Its environs include a wealth of historical and mythical evidence. When William Graham, Earl of Menteith, opens an old, red, leather book which he finds in the grounds of Inchtalla Castle, he has no idea of what he is about to unleash. Zander and his crew of goblins are desperate to work for the Earl but will their natural gift for mischief prevent them from retaining their freedom?
During the twenty years before the American Revolution, thirty-seven men acted as paid agent or lobbyists for the American colonies in England. The most famous among them were Benjamin Franklin, who represented four different colonies and served for seventeen years as agenet for Pennsylvania, and Edmund Burke, who accepted the position to further his own career. Yet the other thirty-five were also a colorful and heterogenous group. This detailed study, by a Pulitzer-prize-winning historian, of their activities and of the gradual breakdown of communications between the colonies and the mother country, until the link between the two become only "a rope of sand," is, in the words of the Richmond News Leader, "a new and invigorating approach to the American fight for independence." "Soundly documented, well organized and highly readable." - The New York Historical Society Quarterly "A challenging book about an important historical institution." - The Historian "A substantial contribution to our understanding of Anglo-American history during the eighteenth century." - The New England Quarterly "Both in concept and execution, A Rope of Sand is impressive." - The Journal of American History
p.B. J. Whiting savors proverbial expressions and has devoted much of his lifetime to studying and collecting them; no one knows more about British and American proverbs than he. The present volume, based upon writings in British North America from the earliest settlements to approximately 1820, complements his and Archer Taylor's Dictionary of American Proverbs and Proverbial Phrases, 1820-1880. It differs from that work and from other standard collections, however, in that its sources are primarily not "literary" but instead workaday writings - letters, diaries, histories, travel books, political pamphlets, and the like. The authors represent a wide cross-section of the populace, from scholars and statesmen to farmers, shopkeepers, sailors, and hunters. Mr. Whiting has combed all the obvious sources and hundreds of out-of-the-way publications of local journals and historical societies. This body of material, "because it covers territory that has not been extracted and compiled in a scholarly way before, can justly be said to be the most valuable of all those that Whiting has brought together," according to Albert B. Friedman. "What makes the work important is Whiting's authority: a proverb or proverbial phrase is what BJW thinks is a proverb or proverbial phrase. There is no objective operative definition of any value, no divining rod; his tact, 'feel, ' experience, determine what's the real thing and what is spurious."
"Ariadne's Thread is a mini-encyclopedia of more than a hundred such international oral tales, all present in the literature of ancient Greece and Rome. It takes into account writings, including early Jewish and Christian literature, recorded in or translated into Greek or Latin by writers of any nationality. As a result, this book will be invaluable not only to classicists and folklorists but also to a wide range of other readers who are interested in stories and storytelling."--BOOK JACKET.
Thirteen new stories by the celebrated writer, including two which he considers his greatest achievements to date, artfully blend elements from many literary geares.
Often typecast as a menacing figure, Peter Lorre achieved Hollywood fame first as a featured player and later as a character actor, trademarking his screen performances with a delicately strung balance between good and evil. His portrayal of the child murderer in Fritz Lang’s masterpiece M (1931) catapulted him to international fame. Lang said of Lorre: “He gave one of the best performances in film history and certainly the best in his life.” Today, the Hungarian-born actor is also recognized for his riveting performances in The Man Who Knew Too Much (1934), The Maltese Falcon (1941), and Casablanca (1942). Lorre arrived in America in 1934 expecting to shed his screen image as a villain. He even tried to lose his signature accent, but Hollywood repeatedly cast him as an outsider who hinted at things better left unknown. Seeking greater control over his career, Lorre established his own production company. His unofficial “graylisting” by the House Committee on Un-American Activities, however, left him with little work. He returned to Germany, where he co-authored, directed, and starred in the film Der Verlorene (The Lost One) in 1951. German audiences rejected Lorre’s dark vision of their recent past, and the actor returned to America, wearily accepting roles that parodied his sinister movie personality.The first biography of this major actor, The Lost One: A Life of Peter Lorre draws upon more than three hundred interviews, including conversations with directors Fritz Lang, Alfred Hitchcock, Billy Wilder, John Huston, Frank Capra, and Rouben Mamoulian, who speak candidly about Lorre, both the man and the actor. Author Stephen D. Youngkin examines for the first time Lorre’s pivotal relationship with German dramatist Bertolt Brecht, his experience as an émigré from Hitler’s Germany, his battle with drug addiction, and his struggle with the choice between celebrity and intellectual respectability.Separating the enigmatic person from the persona long associated with one of classic Hollywood’s most recognizable faces, The Lost One is the definitive account of a life triumphant and yet tragically riddled with many failed possibilities.
Includes the stories The Congress, Undr, The Mirror and the Mask, August 25, 1983, Blue Tigers, The Rose of Paracelsus and Shakespeare's Memory.