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In Roots of the Revival: American and British Folk Music in the 1950s, Ronald D. Cohen and Rachel Clare Donaldson present a transatlantic history of folk's midcentury resurgence that juxtaposes the related but distinct revivals that took place in the United States and Great Britain. After setting the stage with the work of music collectors in the nineteenth century, the authors explore the so-called recovery of folk music practices and performers by Alan Lomax and others, including journeys to and within the British Isles that allowed artists and folk music advocates to absorb native forms and facilitate the music's transatlantic exchange. Cohen and Donaldson place the musical and cultural connections of the twin revivals within the decade's social and musical milieu and grapple with the performers' leftist political agendas and artistic challenges, including the fierce debates over "authenticity" in practice and repertoire that erupted when artists like Harry Belafonte and the Kingston Trio carried folk into the popular music mainstream. From work songs to skiffle, from the Weavers in Greenwich Village to Burl Ives on the BBC, Roots of the Revival offers a frank and wide-ranging consideration of a time, a movement, and a transformative period in American and British pop culture.
In the 1950s, America was seen as a vast melting pot in which white ethnic affiliations were on the wane and a common American identity was the norm. Yet by the 1970s, these white ethnics mobilized around a new version of the epic tale of plucky immigrants making their way in the New World through the sweat of their brow. Although this turn to ethnicity was for many an individual search for familial and psychological identity, Roots Too establishes a broader white social and political consensus arising in response to the political language of the Civil Rights and Black Power movements. In the wake of the Civil Rights movement, whites sought renewed status in the romance of Old World travails and New World fortunes. Ellis Island replaced Plymouth Rock as the touchstone of American nationalism. The entire culture embraced the myth of the indomitable white ethnics—who they were and where they had come from—in literature, film, theater, art, music, and scholarship. The language and symbols of hardworking, self-reliant, and ultimately triumphant European immigrants have exerted tremendous force on political movements and public policy debates from affirmative action to contemporary immigration. In order to understand how white primacy in American life survived the withering heat of the Civil Rights movement and multiculturalism, Matthew Frye Jacobson argues for a full exploration of the meaning of the white ethnic revival and the uneasy relationship between inclusion and exclusion that it has engendered in our conceptions of national belonging.
Focusing on American folk music and roots music since the 1950s, The Never-Ending Revival: Rounder Records and the Folk Alliance analyzes the intrinsic contradictions of a commercialized folk culture. In recent years, both Rounder Records and the North American Folk Music and Dance Alliance have sought to make folk music widely available, while simultaneously respecting its defining traditions and unique community atmosphere. Tracing the histories of these organizations, Michael F. Scully explores the lively debates about the difficulty of making commercially accessible music, honoring tradition, and remaining artistically relevant, all without "selling out." He combines rich interviews of music executives and practicing folk musicians with valuable personal experience to reveal how this American subculture remains in a "never-ending revival" based on fluid definitions of folk and folk music.
From Washington Square Park and Café Society to WNYC Radio and Folkways Records, New York City's cultural, artistic, and commercial assets helped to shape a distinctively urban breeding ground for the famous folk music revival of the 1950s and '60s. Folk City, by Stephen Petrus and Ronald Cohen, explores New York's central role in fueling the nationwide craze for folk music in postwar America.
From the 1930s the East African Revival influenced Christian expression in East Central Africa and around the globe. This book analyses influences upon the movement and changes wrought by it in Uganda, Rwanda, Burundi, Kenya, Tanzania and Congo, highlighting its impact on spirituality, political discourse and culture. A variety of scholarly approaches to a complex and changing phenomenon are juxtaposed with the narration of personal stories of testimony, vital to spirituality and expression of the revival, which give a sense of the dynamism of the movement. Those yet unacquainted with the revival will find a helpful introduction to its history. Those more familiar with the movement will discover new perspectives on its influence.
In every era the church needs revival—certainly today as much as ever. And in the heart of every committed Christian there is the longing for personal revival—to know the quality and depths of spiritual reality, and the presence of God in one's personal life. This was the deepest desire of Dr. Martyn Lloyd-Jones, one of the great 20th-century Bible expositors. It was also the purpose behind this series of messages which were first given on the 100th anniversary of the Great Revival which started in Wales, and swept across England and throughout the United States and to the far corners of the world. As Dr. Lloyd-Jones recognized, it is a rare time in the history of the church when there is a great outpouring of the Holy Spirit— and a time of special interest of every Christian who longs for revival today. As Dr. J. I. Packer writes in his foreword, Dr. Lloyd-Jones believed in "the necessity of revival—that is, a quickening divine visitation—as the only vent that can avert ultimate spiritual disaster. The thrustful urgency of the sermons in this book testifies to the depth of his conviction that without revival in the church there is really no hope for the Western world at all." Dr. Lloyd-Jones deftly draws principles from the lives of Old and New Testament characters as well as expounding some of the great prayers of the Bible. Clearly and forcefully, he presents a masterful exposition of the circumstances accompanying revival in the past, why each generation needs it, and how it will come about today. We must come to the sovereign God, forsake our sin, and wait upon Him for this special, essential outpouring. God, bring us revival!
...dispels many of the myths associated with Gerald Gardner and the development of modern Wicca. Heselton s research is excellent and his findings are well presented. This book is essential reading for anyone interested in, or practising, Wicca today. Graham King, The Museum of Witchcraft For those interested in the origin of Wicca this is a must-read book Wiccan Rede This book reveals a remarkable picture of the revival of witchcraft in England during the 1930s and 40s. Through years of research, the author has pieced together the story of how retired civil servant, Gerald Gardner, became involved in the worlds of naturism and folklore, which led him to discover a strange theatre run by an esoteric magical group known as the Crotona Fellowship. Here he made contact with a family of hereditary witches, whom the author has been able to identify, whose lineage dates back to Napoleonic times. The personalities of two key figures in the story, 'Old Dorothy' Clutterbuck, in whose house Gardner was initiated, and Dafo, his High Priestess, are brought to life, and photographs appear for the first time. Whatever the truth about Dorothy's involvement with witchcraft, extracts from her diaries, never before made public, reveal her as a pagan at heart. New light is shed on the momentous ritual the witches carried out in 1940 when invasion threatened, including the probable identity of those who gave their lives in the cause. Few witches, pagans or other students of modern religious movements will fail to be fascinated by the carefully researched revelations in this important book.
Gone to the Country chronicles the life and music of the New Lost City Ramblers, a trio of city-bred musicians who helped pioneer the resurgence of southern roots music during the folk revival of the late 1950s and 1960s. Formed in 1958 by Mike Seeger, John Cohen, and Tom Paley, the Ramblers introduced the regional styles of southern ballads, blues, string bands, and bluegrass to northerners yearning for a sound and an experience not found in mainstream music. Ray Allen interweaves biography, history, and music criticism to follow the band from its New York roots to their involvement with the commercial folk music boom. Allen details their struggle to establish themselves amid critical debates about traditionalism brought on by their brand of folk revivalism. He explores how the Ramblers ascribed notions of cultural authenticity to certain musical practices and performers and how the trio served as a link between southern folk music and northern urban audiences who had little previous exposure to rural roots styles. Highlighting the role of tradition in the social upheaval of mid-century America, Gone to the Country draws on extensive interviews and personal correspondence with band members and digs deep into the Ramblers' rich trove of recordings.
Why is music from the past significant today and how has it been transformed to suit new values and agendas? This volume examines the globally recurrent cultural processes of revival, resurgence, restoration, and renewal. Interdisciplinary perspectives shed new light on authenticity, recontextualization, transmission, institutionalization, globalization, and post-revival legacies.