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Rooh-e-alfaz was an Urdu sentence which means Soul Words. The authors have presented their heart words in this book. This book wants to entice the reader with its beautiful compositions. All the writers have written their hearts' words in their own style. Everyone has tried their best to present their favourite composition in the best possible way.
An Unsent message can be a powerful expression of love, full of emotion and vulnerability. When we’re in love, it is natural to want to share our feelings with the person we care about, and writing an unsent message can be a way to explore and articulate those feelings. Whether it’s a love letter, a poem or a simple message, an unsent message can be a powerful expression of love that can be shared with someone special. This book contains the feelings which may make it difficult to send or message sent but it is lost in the way where the message is expression of full of love and emotions. Sometimes the uncertainty of the other person’s feelings can make it difficult to send an unsent message, but it can also be a cathartic and healing process to write down our thoughts and feelings, even if we never send them or we send but it lost in the way and never get that person. Under this book authors have written their feelings which they wanna to say someone but they can't which becomes "UNSENT MESSAGE". This is collectively the work of compiler and her 18 authors who have written their feelings in this anthology from their core of heart.
An excellent work detailing with notes the thoughts of Allama Iqbal in his famous work. The text features extensive notes and gives an introduction to each poem.
We often hear the quote, “Home isn’t a place, it’s a feeling.” “Reminiscence” is all about remembering that person, that place or that moment which made you feel like you were at home. The book encourages the readers to hold on to the people, places, moments that give them the comfort of a home because our memories, good or bad, are the reason why we are the people we are today. Reminiscing those memories can guide us through dark times. Hence, this anthology brings to you the stories and poems of extremely talented writers from all over the world and I hope that we make you smile.
This book offers a representative selection of humorous and satirical Urdu poetry, drawn from the works of seventeen major poets, including the classics like Mohammed Rafi Sauda and Akbar Allahabadi, besides the famous practitioners of this art in the 20th century. The poems are chosen on the basis of their artistic and thematic quality. These are then translated, verse by verse, into English, and transliterated in the Roman script for the benefit of the non-Urdu-knowing reader. This is probably the first book of its kind in Urdu-English translated literature.
A Brilliant Biography Of Nineteenth Century India S Greatest Poet Mirza Mohammad Asadullah Khan Ghalib Began Writing Poetry In Persian At The Age Of Nine And The Pre-Eminent Poet Of The Time, Mir, Predicted A Great Future For The Precocious Genius When He Was Shown His Verse. But Success And Material Rewards Did Not Come To Ghalib Easily For The Times Were Against Him, And He Did Not Suffer Fools Gladly Even If They Occupied Positions Of Importance. Ghalib Was At The Height Of His Powers When Events Took A Turn For The Worse. First Came The Decline Of The Mughal Court, Then The Rise Of The British Empire And, Finally, The Revolt Of 1857. Though Ghalib Lived Through The Upheavals And Purges Of The Revolt, In Which Many Of His Contemporaries And Friends Died And His Beloved Delhi Was Irrevocably Changed, He Was A Broken Man And Longed For Death. When He Died, On 15 February 1869, He Left Behind Some Of The Most Vivid Accounts Of The Events Of The Period Ever Written. In This Illuminating Biography Pavan K. Varma Evocatively Captures The Spirit Of The Man And The Essence Of The Times He Lived In.
Faiz Ahmen Faiz is looked on as the most important Urdu poet in both India and Pakistan. This collection of his poems is representative of the best in contemporary Urdu writing. The Urdu text is presented with English translations.
This book traces the Islamic healing tradition's interaction with Indian society and politics as they evolved in tandem from 1600 to 1900, and demonstrates how an in-house struggle for hegemony can be as potent as external power in defining medical, social and national modernity. This is a pioneering work on the social and medical history of Indian Islam.