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To this day, no comprehensive academic study of the development of guidebooks to Rome over time has been performed. This book treats the history of guidebooks to Rome from the Middle Ages up to the early twentieth century. It is based on the results of the interdisciplinary research project Topos and Topography, led by Anna Blennow and Stefano Fogelberg Rota. From the case studies performed within the project, it becomes evident that the guidebook as a phenomenon was formed in Rome during the later Middle Ages and early Renaissance. The elements and rhetorical strategies of guidebooks over time have shown to be surprisingly uniform, with three important points of development: a turn towards a more user-friendly structure from the seventeenth century and onward; the so-called ’Baedeker effect’ in the mid-nineteenth century; and the introduction of a personalized guiding voice in the first half of the twentieth century. Thus, the ‘guidebook tradition’ is an unusually consistent literary oeuvre, which also forms a warranty for the authority of every new guidebook. In this respect, the guidebook tradition is intimately associated with the city of Rome, with which it shares a constantly renovating yet eternally fixed nature.
This warm anecdotal guide gives legends and traditions of both the popular sites of Rome as well as little-known places of historical significance. Written by an internationally known expert and veteran of fifty visits to the Eternal City. Color illustrations, photos and maps are included.
The legacy of ancient Greece and Rome has been imitated, resisted, misunderstood, and reworked by every culture that followed. In this volume, some five hundred articles by a wide range of scholars investigate the afterlife of this rich heritage in the fields of literature, philosophy, art, architecture, history, politics, religion, and science.
Experience Rome like a local with this easy-to-navigate handbook. Newly updated for 2020, it's filled with tips, tricks, and local secrets to exploring the Eternal City. Written by Amanda Ruggeri, BBC editor, travel journalist and the blogger behind www.revealedrome.com, this book is not your average guidebook. Instead, it's full of advice to help you enjoy every aspect of your trip, including tips like:-how to pick an authentic Roman restaurant at a glance-budget accommodation options beyond AirBnB-how to avoid the tourist traps -- and where to go instead-the place where you should never, ever take a taxi-how to skip the lines at the Colosseum, the Vatican and more-how to eat gluten-free or vegetarian in Italy-whether you should invest in a Roma Pass-one thing to never use Tripadvisor for -key tips for trains and public transport-where to go for authentic, well-priced, independent shops and boutiques-how to protect yourself from pickpockets...and much, much more.Whether you're coming to Rome for the first time or the fifth, take it from previous readers and their reviews: You'll find this book one of the most useful tools to not only plan your trip, but to have the most rewarding, fun time possible.
In this book, Paul Jacobs traces the history of a neighborhood situated in the heart of Rome over twenty-five centuries. Here, he considers how topography and location influenced its long urban development. During antiquity, the forty-plus acre, flood-prone site on the Tiber's edge was transformed from a meadow near a crossroads into the imperial Circus Flaminius, with its temples, colonnades, and a massive theater. Later, it evolved into a bustling medieval and early modern residential and commercial district known as the Sant'Angelo rione. Subsequently, the neighborhood enclosed Rome's Ghetto. Today, it features an archaeological park and tourist venues, and it is still the heart of Rome's Jewish community. Jacobs' study explores the impact of physical alterations on the memory of lost topographical features. He also posits how earlier development may be imprinted upon the landscape, or preserved to influence future changes.
The mysteries and legends of the Eternal City are unveiled through the interactive pages of the WhaiWhai guidebook: an unconventional guide for tourists and travelers who are looking for an out-of-the-ordinary experience. In the WhaiWhai guidebook series, readers will experience an interactive treasure hunt through six cities, unlocking their mysteries and discovering their most charming corners. To play, all you need is the WhaiWhai guide and a mobile phone. Send a text message to WhaiWhai that includes a special code and immediately receive your first clue. As you travel to each new location throughout the city, a new clue is revealed. Each city has a different treasure, and finding it will be an exciting experience. WhaiWhai combines history and fantasy, allowing readers to step into a story that plays out inside the city, sparking their curiosity and making them the hero of an adventure. In Rome: The Ruyi, discover what’s hiding behind the history of the Eternal City. The story of the magical sword Marco Polo stole from China continues in another city, a city at least as exceptional as Venice. It appears that over the centuries, the Ruyi changed hands many times, from popes to artists, from necromancers to prostitutes, from lords to commoners; each learned the history of this magical object and each hid it in a different place for a different reason. The Ruyi reached Rome centuries ago; the city now bears so many signs of its passage that traditional Roman legends can be read in light of this incredible story. Carlo Dolfin, the old professor who learned of the affair in Venice, believes that the scepter came to Rome, but can no longer be recognized in its original form. That's not all. Some documents he hastily recovered suggest that even the Roman Empire was rooted in the power of a magical object and that the strength of the Caesars declined when they lost track of it. He therefore suspects that the Chinese Ruyi could be a variation of that magical object from ancient Rome.
Fergus Millar is one of the most influential contemporary historians of the ancient world. His essays and books, including The Emperor in the Roman World and The Roman Near East, have enriched our understanding of the Greco-Roman world in fundamental ways. In his writings Millar has made the inhabitants of the Roman Empire central to our conception of how the empire functioned. He also has shown how and why Rabbinic Judaism, Christianity, and Islam evolved from within the wider cultural context of the Greco-Roman world. Opening this collection of sixteen essays is a new contribution by Millar in which he defends the continuing significance of the study of Classics and argues for expanding the definition of what constitutes that field. In this volume he also questions the dominant scholarly interpretation of politics in the Roman Republic, arguing that the Roman people, not the Senate, were the sovereign power in Republican Rome. In so doing he sheds new light on the establishment of a new regime by the first Roman emperor, Caesar Augustus.
Food Wine Rome is a tightly focused guidebook and traveler’s companion to the culinary delights of Rome. For each neighborhood, listings are in three categories: 1) dining: restaurants, trattorie, osterie; 2) gourmet shopping: bakeries, markets, salami makers, cheesemongers, and more; 3) wine: shops and wine bars. A dozen or more sidebars add entertaining and informative bits of city lore, culture, customs, quotes, and anecdotes to bring alive the city’s historic culinary richness: the Roman love affair with artichokes; the watermelon festival held for years on August 24, when giant, ripe watermelons would be released into the river upstream and Roman kids would dive into the river to grab them; Lucullus’ Kitchen Garden; the Cacio e Pepe Family of Pastas; the cult of the strawberries of Nemi (one of whose devotees was Caligula); Papal cuisine; the Renaissance of Rome’s wines; Holy Water and the Aqueducts; Spring Fever (lamb, favas, artichokes, zucchini flowers); and dozens more. A glossary of essential Roman/Italian food terms helps make shopping, marketing, and eating fun and rewarding. It is illustrated with scores of atmospheric photographs and an overall map of central Rome, plus detailed maps for each of Rome’s nine central neighborhoods, so that readers can find addresses immediately.
This study explores the phenomenon of the cults of Raphael and Michelangelo in relation to their death, burial, and posthumous fame—or second life—from their own times through the nineteenth century. These two artists inspired fervent followings like no other artists before them. The affective response of those touched by the potency of the physical presence of their art- works, personal effects, and remains—or even touched by the power of their creative legacy—opened up new avenues for artistic fame, divination, and commemoration. Within this cultural framework, this study charts the elevation of the status of dozens of other artists in Italy through funerals and tomb memorialization, many of which were held and made in response to those of Raphael and Michelangelo. By bringing together disparate sources and engaging material as well as a variety of types of artworks and objects, this book will be of great interest to anyone who studies early modern Italy, art history, cultural history, and Italian studies.
A synthesis of recent work in archaeology and social history, drawing on physical, literary, and documentary sources.