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This set of six pieces is based on folk song melodies and dance forms from Transylvania which was annexed to Romania in 1920. The contrasting melodies were originally for violin or shepherd's flute, but the unusual harmonies are original with Bartók. The performance time for the complete set of dances is approximately 4 minutes, 15 seconds.
This edited volume examines manele (sing. manea), an urban Romanian song-dance ethnopop genre that combines local traditional and popular music with Balkan and Middle Eastern elements. The genre is performed primarily by male Romani musicians at weddings and clubs and appeals especially to Romanian and Romani youth. It became immensely popular after the collapse of communism, representing for many the newly liberated social conditions of the post-1989 world. But manele have also engendered much controversy among the educated and professional elite, who view the genre as vulgar and even “alien” to the Romanian national character. The essays collected here examine the “manea phenomenon” as a vibrant form of cultural expression that engages in several levels of social meaning, all informed by historical conditions, politics, aesthetics, tradition, ethnicity, gender, class, and geography.
Bartok originally set this series of folk tunes for piano in 1915. Two years later, he scored them for small orchestra. This is a newly engraved and corrected edition of the deservedly popular orchestral showpiece, available for the first time at a reasonable price for musicians, students and fans of Bartok's highly individual style.
First published in 1994 in one volume. An A-Z of the music, musicians and discs. 2006 edition available as an e-book.
Le CD d'acc. comprend 182 mélodies et 33 variantes enregistrées par Bartók lors de ses collectes sur le terrain.
Romanian crafts are celebrated around the world: fine textiles, carved wooden furniture, ceramics, hammered copper utensils, painted eggs, delicate glasswork, hand-worked leather -- these are among the items traditional Romanian craftsmen have brought to an amazing level of artistry. A directory is included providing a list of the best Romanian artisans, museums, and craft destinations; recommendations on hotel accommodations and restaurants for the traveler; and detailed information for collectors about buying and exporting Romanian crafts.
Please note - these are not "politically correct" tales. . In the Queen of Fairies (in the original, The Fairy of Fairies) as also in The Enchanted Prince, the plain-spoken expression has in several places been somewhat toned down. In all these cases the translator has cravenly yielded to the fear of bruising the delicate susceptibilities of civilized folks, who, while not exactly more moral, are certainly more squeamish than the artless old-world peasant. The book contains 7 original Romanian tales, as published in 1870s by Petre Ispirescu, as well as their English translation.
This massive four-volume work is an overview of the development of the art song in Romania. Interviews were conducted with composers or their surviving family members. Includes songs of each composer. It will be a valuable resource for professional singers, voice teachers, students, pianists, musicologists interested in art song, and scholars of Eastern European cultures.