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Profiling individual, legendary authors, best-selling author Jerry Hopkins combines his research and his own experiences as a longtime expatriate with an intimate knowledge of Asia and offers us a unique perspective on the impact of Eastern culture in Western literature. From the time of Marco Polo's trek across the Central Asian desert to the empire of the mighty Kahn, no other place on earth, not the languid South Pacific or even deepest, darkest Africa has so challenged and enchanted the Western imagination as have the fabled lands of the East! However soaked in blood its history and no matter how unsettling its social conditions and poverty, Asia has never lost its irresistible attraction or mystic. It has long been an inspiration for Western novelists, so much so that more than 5000 novels have been set in Asia in the English language alone. Storied names like Rudyard Kipling, Joseph Conrad, Pearl S. Buck, George Orwell, Graham Greene, E.M. Forster and many more have used their experiences in Asia as a vibrant backdrop for some of the world's most famous works of literature.
This electronic version has been made available under a Creative Commons (BY-NC-ND) open access license. Pulp Fictions of Medieval England demonstrates that popular romance not only merits and rewards serious critical attention, but that we ignore it to the detriment of our understanding of the complex and conflicted world of medieval England.
A curious figure stalks the pages of a distinct subset of mass-market romance novels, aptly called “desert romances.” Animalistic yet sensitive, dark and attractive, the desert prince or sheikh emanates manliness and raw, sexual power. In the years since September 11, 2001, the sheikh character has steadily risen in popularity in romance novels, even while depictions of Arab masculinity as backward and violent in nature have dominated the cultural landscape. An Imperialist Love Story contributes to the broader conversation about the legacy of orientalist representations of Arabs in Western popular culture. Combining close readings of novels, discursive analysis of blogs and forums, and interviews with authors, Jarmakani explores popular investments in the war on terror by examining the collisions between fantasy and reality in desert romances. Focusing on issues of security, freedom, and liberal multiculturalism, she foregrounds the role that desire plays in contemporary formations of U.S. imperialism. Drawing on transnational feminist theory and cultural studies, An Imperialist Love Story offers a radical reinterpretation of the war on terror, demonstrating romance to be a powerful framework for understanding how it works, and how it perseveres.
The first interdisciplinary enquiry into a key figure in medieval and early modern culture. Guy of Warwick is England's other Arthur. Elevated to the status of national hero, his legend occupied a central place in the nation's cultural heritage from the Middle Ages to the modern period. Guy of Warwick: Icon and Ancestor spans the Guy tradition from its beginnings in Anglo-Norman and Middle English romance right through to the plays and prints of the early modern period and Spenser's Faerie Queene, including the visual tradition in manuscript illustration and material culture as well as the intersection of the legend with local and national history. This volume addresses important questions regarding the continuities and remaking of romance material, and therelation between life and literature. Topics discussed are sensitive to current critical concerns and include translation, reception, magnate ambition, East-West relations, the construction of "Englishness" and national identity, and the literary value of "popular" romance. ALISON WIGGINS is Lecturer in English Language at the University of Glasgow; ROSALIND FIELD is Reader in Medieval Literature at Royal Holloway, University of London. Note on ebook images: Due to limited rights we are unable to make all images in this book available in the ebook version. If you'd like to purchase the ebook regardless, please email us on [email protected] to obtain a PDF of the images. We apologise for the inconvenience caused. CONTRIBUTORS: JUDITH WEISS, MARIANNE AILES, IVANA DJORDJEVIC, ROSALIND FIELD, ALISON WIGGINS, A.S.G. EDWARDS, ROBERT ALLEN ROUSE, DAVID GRIFFITH, MARTHA W. DRIVER, SIAN ECHARD, ANDREW KING, HELEN COOPER
This new Companion introduces the most important medieval vernacular literary genre in Britain and continental Europe.
This book, the first full-length cross-period comparison of medieval and modern literature, offers cutting edge research into the textual and cultural legacy of the Middle Ages: a significant and growing area of scholarship. At the juncture of literary, cultural and gender studies, and capitalizing on a renewed interest in popular western representations of the Islamic east, this book proffers innovative case studies on representations of cross-religious and cross-cultural romantic relationships in a selection of late medieval and twenty-first century Orientalist popular romances. Comparing the tropes, characterization and settings of these literary phenomena, and focusing on gender, religion, and ethnicity, the study exposes the historical roots of current romance representations of the east, advancing research in Orientalism, (neo)medievalism and medieval cultural studies. Fundamentally, Representing Difference invites a closer look at medieval and modern popular attitudes towards the east, as represented in romance, and the kinds of solutions proposed for its apparent problems.
Challenges the view that this fiction is conservative, uniform and unchanging. It examines the 'Australianness' of Australian romance writing and considers the attitudes of several authors in relation to gender and race issues. Juliet Flesch is with the University of Melbourne.
Harness the ancient power and wisdom of Classical Feng Shui to enhance all of your relationships, from romantic pursuits to day-to-day interactions with friends, family, and coworkers. Explore real-life stories of men and women's struggles with love and relationships and how Feng Shui enabled them to overcome their obstacles. Whether you are a beginner or advanced student, Master Denise Liotta Dennis provides you with step-by-step instructions on: The two most popular Feng Shui systems: Eight Mansions and Flying Stars How to heal your house of detrimental formations that will repel romance and cause negative relationships Never-before-seen insights on the Life-Gua Zodiac, which helps you assess personality matches Other closely held secrets used by Feng Shui masters, including a variety of period charts Classical Feng Shui for Romance, Sex & Relationships is filled with effective methods for attracting love, prosperity, and even your soul mate. Use this comprehensive guide to improve not just the energy of your living space today, but also your happiness for many years to come.
In the first critical study wholly devoted to Joseph Conrad's use of techniques associated with the literary tradition of romance, Katherine Isobel Baxter argues that Conrad's engagement with the genre invigorated his work throughout his career. Exploring the ways in which Conrad borrows from, alludes to, and subverts the tropes of romance, Baxter suggests that Conrad's ambivalent relationship with popular forms like the adventure novel is revealed in the way he uses romance conventions to disrupt narrative expectations and make visible ethical problems with Europe's colonial project. Baxter examines not only familiar novels like Lord Jim but also less-studied works such as Romance and The Rover, using Robert Miles's model of the 'philosophical romance' to show that for Conrad, romance is also philosophically engaged with issues of ideology. Her study enables a new appreciation of the ways in which Conrad continued to experiment, even in his later fiction, and of the ethical import of that aesthetic experimentation.
Take three exciting medieval romances, translate them - two for the first time - into modern English verse, and you'll have only part of Marijane Osborn's Romancing the Goddess. Osborn introduces and translates the three tales, all dealing with women cast adrift upon the northern and Mediterranean seas, then shows how the stories forge a hitherto missing link with worship of a savior goddess in the distant past.