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Romancing Death sheds the light of God on the popularity of vampirism in today’s pop culture. This fascinating exposé of the dark realities behind romanticizing the occult in our current culture reveals the naked truth about how the church has not addressed the needs of people young and old who fill the holes in their souls and spirits with evil rather than good. Weaving his personal history—including involvement in Wicca, Freemasonry, and vampirism—the author lays out the literary and cultural history of vampirism and closely analyzes the romanticized presentation of the occult in the Twilight saga. Romancing Death is a clarion call for the Church to take responsibility to be true salt and light in the world.
A groundbreaking and “wonderful” (Library Journal, starred review) anthology of fantasy, science fiction, and romance from New York Times bestselling and award-winning authors, edited by the acclaimed George R.R. Martin and Gardner Dozois. From epic fantasy, post-apocalyptic America, to faerie-haunted rural fields in 18th-century England, to an intergalactic empire, join star-crossed lovers as they struggle against the forces of magic and fate. A star-studded cross-genre anthology Songs of Love and Death features all-original tales from seventeen of the most prestigious names in romance, fantasy, and science fiction. Contributors include: -Neil Gaiman -Diana Gabaldon -Jim Butcher -Robin Hobb -Marjorie M. Liu -Jo Beverley -Mary Jo Putney -Peter S. Beagle -Jacqueline Carey -Carrie Vaughn -Yasmine Galenorn -MLN Hanover -Kristine Kathryn Rusch -Linnea Sinclair -Cecelia Holland -Tanith Lee -Melinda Snodgrass -Lisa Tuttle
Georgie and Darcy are finally on their honeymoon in Kenya's Happy Valley, but murder crashes the party in this all-new installment in the New York Times bestselling series. I was so excited when Darcy announced out of the blue that we were flying to Kenya for our extended honeymoon. Now that we are here, I suspect he has actually been sent to fulfill another secret mission. I am trying very hard not to pick a fight about it, because after all, we are in paradise! Darcy finally confides that there have been robberies in London and Paris. It seems the thief was a member of the aristocracy and may have fled to Kenya. Since we are staying in the Happy Valley—the center of upper-class English life—we are well positioned to hunt for clues and ferret out possible suspects. Now that I am a sophisticated married woman, I am doing my best to sound like one. But crikey! These aristocrats are a thoroughly loathsome sort enjoying a completely decadent lifestyle filled with wild parties and rampant infidelity. And one of the leading lights in the community, Lord Cheriton, has the nerve to make a play for me. While I am on my honeymoon! Of course, I put an end to that right off. When he is found bloodied and lifeless along a lonely stretch of road, it appears he fell victim to a lion. But it seems that the Happy Valley community wants to close the case a bit too quickly. Darcy and I soon discover that there is much more than a simple robbery and an animal attack to contend with here in Kenya. Nearly everyone has a motive to want Lord Cheriton dead and some will go to great lengths to silence anyone who asks too many questions. The hunt is on! I just hope I can survive my honeymoon long enough to catch a killer. . . .
The past comes back to haunt a high-profile defense attorney in the newest book in the Baltimore series from the New York Times bestselling author of Edge of Darkness and Monster in the Closet. In his work as a defense attorney in Baltimore, Thorne has always been noble to a fault--specializing in helping young people in trouble just as someone did for him when he was younger. He plays the part of the bachelor well, but he secretly holds a flame for his best friend and business partner, Gwyn Weaver, a woman struggling to overcome her own demons. After four years, he thinks he might finally be ready to confess his feelings, come what may. But his plans are derailed when he wakes up in bed with a dead woman--her blood on his hands and no recollection of how he got there. Whoever is trying to frame Thorne is about to lead him down the rabbit hole of his past, something he thought he had outran long ago. Thorne must figure out who has been digging into his secrets, how much they know, and how far they will go to bring him down . . .
NEW YORK TIMES BESTSELLER • A powerful memoir of a love that leads two people to find a courageous way to part—and a woman’s struggle to go forward in the face of loss—that “enriches the reader’s life with urgency and gratitude” (The Washington Post) “A pleasure to read . . . Rarely has a memoir about death been so full of life. . . . Bloom has a talent for mixing the prosaic and profound, the slapstick and the serious.”—USA Today ONE OF THE BEST BOOKS OF THE YEAR: NPR Amy Bloom began to notice changes in her husband, Brian: He retired early from a new job he loved; he withdrew from close friendships; he talked mostly about the past. Suddenly, it seemed there was a glass wall between them, and their long walks and talks stopped. Their world was altered forever when an MRI confirmed what they could no longer ignore: Brian had Alzheimer’s disease. Forced to confront the truth of the diagnosis and its impact on the future he had envisioned, Brian was determined to die on his feet, not live on his knees. Supporting each other in their last journey together, Brian and Amy made the unimaginably difficult and painful decision to go to Dignitas, an organization based in Switzerland that empowers a person to end their own life with dignity and peace. In this heartbreaking and surprising memoir, Bloom sheds light on a part of life we so often shy away from discussing—its ending. Written in Bloom’s captivating, insightful voice and with her trademark wit and candor, In Love is an unforgettable portrait of a beautiful marriage, and a boundary-defying love.
Death is the inevitable fate of every single person on earth. How do we accept the inevitability of our own death? How do we live our lives with meaning? Will money lead us to happiness? Satish Modi examines these questions is a moving, powerful, thought-provoking work based on his own reflections as well as the experiences of people from all walks of life. The result is a fascinating book that teaches us that whoever we are and whatever our aspirations in this life, it is important for each and every one of us to accept our own passing. In doing so we can free ourselves to live as well and fully as possible, guided by the principles of goodness, love and compassion.
This book examines two aspects of the abbreviated reign of King Ananda Mahidol (1935-1946), or King Rama VIII, of the current Chakri dynasty of Thailand. First, it discusses the royal family’s plot to thwart a romantic relationship between the young king, Ananda, and his Swiss girlfriend, Marileine Ferrari, a daughter of a famous pastor of Lausanne, Switzerland. Interracial marriage, particularly with Westerners, has been strictly forbidden for Thai kings or heirs apparent. The restriction stems from the interwoven connection between sexual relationship and the security of the throne. The second part investigates the mysterious death of King Ananda, a long-held taboo topic in Thailand. Although the two events were not specially related, both in their own way served to unavoidably shake the position of the monarchy and hence threaten its existence. The palace’s reactions to these events demonstrated its continuous search to maintain its power and ultimately to warrant its survival.
This book studies the various narrative shades of love in twentieth-century Latin American fiction. It examines writings by Isabel Allende, Roberto Arlt, García Márquez, and Mario Vargas Llosa. The author provides a close textual reading of each novel and discusses how humans make sense of their lives through love. He shifts the focus of these writings from political violence and historical disillusionment to the illusion of love. An important contribution to Latin American literary criticism, this book will be of interest to students and scholars of literature, history, Latin American literature, philosophy, ethics, aesthetics, comparative literature, and sociology.
Gratuitous sex. Graphic violence. Lies, revenge, and murder. Before there was digital cable or reality television, there was Renaissance Italy and the courts in which Italian magistrates meted out justice to the vicious and the villainous, the scabrous and the scandalous. Love and Death in Renaissance Italy retells six piquant episodes from the Italian court just after 1550, as the Renaissance gave way to an era of Catholic reformation. Each of the chapters in this history chronicles a domestic drama around which the lives of ordinary Romans are suddenly and violently altered. You might read the gruesome murder that opens the book—when an Italian noble takes revenge on his wife and her bastard lover as he catches them in delicto flagrante—as straight from the pages of Boccaccio. But this tale, like the other stories Cohen recalls here, is true, and its recounting in this scintillating work is based on assiduous research in court proceedings kept in the state archives in Rome. Love and Death in Renaissance Italy contains stories of a forbidden love for an orphan nun, of brothers who cruelly exact a will from their dying teenage sister, and of a malicious papal prosecutor who not only rapes a band of sisters, but turns their shambling father into a pimp! Cohen retells each cruel episode with a blend of sly wit and warm sympathy and then wraps his tales in ruminations on their lessons, both for the history of their own time and for historians writing today. What results is a book at once poignant and painfully human as well as deliciously entertaining.