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Offers encouragement and hope to older adults who are ready to date again, with advice and tips from relationship experts and the author’s own experiences. Romance Reduxlooks at finding love as an older adult who seeks connection, , love, and fulfillment in a romantic relationship.Including the author’s own experiences as well as those of other gray love seekers and finders, she uncovers both the obstacles and rewards of repartnering at this stage of live. As divorce rates remain high and as more widows and widowers have many productive and healthy years ahead of them, finding love again can feel daunting, but now more than ever can be easier to find, to establish, and to keep. Using personal stories and expert research, Laura Stassi takes readers on a tour through the many ways older adults can find companionship, romance, and a fulfilling sex life through a variety of methods, outlets, and resources. Learning how to love again, how to form and deepen a relationship with a new person can be challenging, but it can also be rewarding, exciting, and successful, if you just know how to do it. And, finally, here’s hope for how!
Continuing the noble pursuit of taking funny old pictures and putting funny words on top of them! We've asked some of the funniest writers in comics today to look at the romance comics of yesteryear and put in some new dialogue that'll make us laugh! Unfortunately, the funniest writers were busy, so we had to settle on these guys. Hey, you get what you pay for! Collects Marvel Romance Redux: But He Said He Loved Me!, I Should Have Been a Blonde, Love is a Four-Letter Word, Restraining Orders are for Other Girls and Guys & Dolls.
Jane and Salt--Four years of Happily Ever After Sir Antony Templestowe--Four years of Exile Lady Caroline--Four years of Heartache Diana St. John--Four years plotting Revenge The time has come... "Just when you feel safe to resurface Lucinda Brant returns with a chilling story mixing insanity with brilliance, a deadly combination. Extraordinary historical romance at its very best ★★★★★ Top Pick All Time Keeper Shelf --S. Wurman, Night Owl Reviews
Guides readers through the emotions and practical concerns of finding love after the death of a partner. Romantic love, in all its permutations, forms one of the most fascinating of human interactions. It also can be one of life’s thorniest challenges, especially in a world where relationships often unfold online and, recently, where a pandemic barred face-to-face contact with people outside one’s immediate household. Among those seeking romance in increasing numbers is a group that stands apart: the women who, slammed by the death of a spouse, bravely pursue new love. Finding Love After Loss: A Relationship Roadmap for Widows goes to the trenches to interview widows who have embarked, nervously but with hope, on this quest. Their frank and revealing interviews, along with wisdom from relationship experts, provide guidance to other women trying to navigate the relationship scene when their last date might have been decades ago. Where do widows find new partners? How much should they share in their online profile? What do they tell their friends and family? What about getting naked for the first time with a new man? Who pays when the bill appears at a restaurant? More than any time in U.S. history, the country’s widows are seeking another chance at romance. The sheer number of widows—11 million, with an average age in the fifties—makes them a formidable force. They are living longer and have broader views on sex and money. Yet it is difficult for them to find their footing. Many of them have been away from the courtship arena for decades. They may make their return to dating with children and in-laws in tow. They are confused by the new rules and unclear on the expectations but convinced that they are capable of loving again. This book, written by a widow and a co-author who dated a widower, details just how powerful, sometimes daunting, and exhilarating the journey to new love can be. It also unveils the extraordinary ways that widows are reshaping the romance landscape: by tossing traditional marriage vows by the roadside, by skipping marriage entirely, or even by committing to a new partner but living apart. This isn’t your grandmother’s widowhood scene, not by a long shot. Finding Love After Loss examines the crazy, sad, and even zany contributions that people left behind by the death of a partner bring to new relationships. At the same time, it reveals both the amazing resilience of women who have lived through great loss and the irresistible pull of human connection.
Being stuck in the godforsaken desert is Adrian Blake’s worst nightmare come true. Senior year is all about making fun memories. It’s not about starting over at a new school and navigating a new Brady Bunch family. It’s really not about living with a sexy, arrogant would-be stepbrother who knows how to push her buttons. Alex Montgomery is the very definition of a player. The only thing he commits to is a one night stand. He’s exactly the kind of guy she hates­. When she sleeps with him, it’s the biggest mistake of her life. Now she can’t stop thinking about him. Not at school. Not at home. Sometimes the best mistakes are the ones that you make over and over again…
Equally interested in the sensual and the serious, the erotic and the academic, this collection experiments with form, dialect, persona, and voice. Ultimately a hybrid document, Lucy Negro, Redux harnesses blues poetry, deconstructed sonnets, historical documents and lyric essays to tell the challenging, many-faceted story of the Dark Lady, her Shakespeare, and their real and imagined milieu.
Another delicious Georgian gem from Lucinda Brant: High drama, deep emotion, and witty prose, all deftly sprinkled with historical detail to keep you mesmerized from beginning to end. Immerse yourself in the romance and opulence of her eighteenth century aristocratic world. When the Earl of Salt Hendon marries squire's daughter Jane Despard, Society is aghast. But Jane and Salt share a secret past of heartache and mistrust. They are forced into a marriage neither wants; the Earl to honor a dying man's wish, Jane to save her stepbrother from financial ruin. Beautiful inside and out, the patient and ever optimistic Jane believes love conquers all; the Earl will take some convincing. Enter Diana St. John, who has been living in a fool's paradise believing she would be the next Countess of Salt Hendon. She will go to extreme lengths, even murder, to hold Salt's attention. Can the newlyweds overcome past prejudices and sinister opposition to fall in love all over again? As the plot develops and darkens you realize the imagery is spectacular. If you've never met true evil just wait 'till you meet Diana St. John; definitely made me a fan. --SWurman: 5 STAR TOP PICK Night Owl Reviews. A love story that fans of historical romance will relish. The rakish and raucous character of the period is contrasted superbly with the sophistication of the age. --Fiona Ingram: 5 STARS Readers' Favorite. Brant's talent is undeniable and dare I admit... I enjoyed Salt Bride more than many of Georgette Heyer's own beloved works and that is high praise indeed. --Courtney Webb: Stiletto Storytime. 2015 B.R.A.G. Medallion Honoree, 2011 Australian Romance Readers Awards Finalist. Full-length novel (117,000 words, about 460 standard pages). Parental Guidance Recommended (mild sensuality). Classic romance with a modern voice, similar to Regency noir.
Weisser (English, Adelphi U.) writes that her anthology is "for anyone who is interested in understanding the conflicted but powerful female urge to experience the pleasure and endure the pain of romantic love." In particular, she explores the collision of pervasive media images of romance with feminist values of independence and self-assertion. Several dozen historic and contemporary works of criticism, personal essays, and letters, by feminist and anti-feminist thinkers, consider changing images of romantic love and whether romance, fundamentally, weakens or empowers women. Contributors include Jean-Jacques Rousseau, Charlotte Bronte, Karen Horney, Simone de Beauvoir, Rita Mae Brown, bell hooks, Vivian Gornick, and Carolyn Heilbrun. c. Book News Inc.
Foreword by Francesca Lia Block For more than 20 years, Michael Cart’s column for Booklist has delighted YA literature enthusiasts and bibliophiles in general with an engaging mixture of wit, insight, and good old fashioned publishing industry gossip. Spotlighting Cart’s unique perspective as both devoted book reviewer and self-proclaimed book addict, this “Carte Blanche” compilation offers readers the chance to trace the blossoming of YA lit into a bona fide phenomenon that continues to grow in popularity. In the columns gathered here, he explores reading, writing, and book collections and collecting;the past, present and future of YA lit;a multitude of genres, including historical fiction, fantasy, science fiction, humor, and comics; andmemories of notable figures in the world of publishing through tributes and memorials. These pieces remain as engaging and fun to read as when they first appeared.
In this book, Emily Griffiths Jones examines the intersections of romance, religion, and politics in England between 1588 and 1688 to show how writers during this politically turbulent time used the genre of romance to construct diverse ideological communities for themselves. Right Romance argues for a recontextualized understanding of romance as a multigeneric narrative structure or strategy rather than a prose genre and rejects the common assumption that romance was a short-lived mode most commonly associated with royalist politics. Puritan republicans likewise found in romance strength, solace, and grounds for political resistance. Two key works that profoundly influenced seventeenth-century approaches to romance are Philip Sidney’s New Arcadia and Edmund Spenser’s The Faerie Queene, which grappled with romance’s civic potential and its limits for a newly Protestant state. Jones examines how these works influenced writings by royalists and republicans during and after the English Civil War. Remaining chapters pair writers from both sides of the war in order to illuminate the ongoing ideological struggles over romance. John Milton is analyzed alongside Margaret Cavendish and Percy Herbert, and Lucy Hutchinson alongside John Dryden. In the final chapter, Jones studies texts by John Bunyan and Aphra Behn that are known for their resistance to generic categorization in an attempt to rethink romance’s relationship to election, community, gender, and generic form. Original and persuasive, Right Romance advances theoretical discussion about romance, pushing beyond the limits of the genre to discover its impact on constructions of national, communal, and personal identity.