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The Place Of The Raga In Indian Classical Music Is Indeed Unique.The Romance Of The Raga Is An Attempt To Outline The Evolution And Perspective, As Also The Sheer Variety And Distinct Styles, Of This Powerful And Enthralling Medium Of Spiritual And Aesthetic Form Of Musical Expressions.Based On The Belief That Sound Is God And Nada Brahma Or Intelligle Sound Is The Fusion Of The Physical Breath With The Fire Of The Intellect, The Book Proceeds To Unravel The Priceless Historical Traditions Of Indian Classical Music.It Provides A Glimpse Into The Variety Of Techniques And Styles That Are Employed For Presentation Of The Raga And Highlights The Significant Contribution Made By Some Of The Shapers Of India'S Musical Destiny Towards The Enrichment Of Both The Systems : Hindustani And Karnatak.The Work Also Portrays The Predominant Characteristics Of Inner Dynamism And Resilience, As Also The Unlimited Potential, Amazing Elasticity And The Power Of Assimilation Of The Raga, As A Medium Of Creative Musical Expression. Further, The Variety And Range Of Musical Instruments And Confluence Of Indian Classical Music And Miniature Painting Have Been Illustrated With A View To Enunciating The Raga.
Takes us to the Nayika in the Indian tradition, one who is paradigm of mankind's perennial quest for a divine and transcendental love.
Winner of the James Tait Black Prize for Biography An autobiographical exploration of the role and meaning of music in our world by one of India's greatest living authors, himself a vocalist and performer. Amit Chaudhuri, novelist, critic, and essayist, is also a musician, trained in the Indian classical vocal tradition but equally fluent as a guitarist and singer in the American folk music style, who has recorded his experimental compositions extensively and performed around the world. A turning point in his life took place when, as a lonely teenager living in a high-rise in Bombay, far from his family’s native Calcutta, he began, contrary to all his prior inclinations, to study Indian classical music. Finding the Raga chronicles that transformation and how it has continued to affect and transform not only how Chaudhuri listens to and makes music but how he listens to and thinks about the world at large. Offering a highly personal introduction to Indian music, the book is also a meditation on the differences between Indian and Western music and art-making as well as the ways they converge in a modernism that Chaudhuri reframes not as a twentieth-century Western art movement but as a fundamental mode of aesthetic response, at once immemorial and extraterritorial. Finding the Raga combines memoir, practical and cultural criticism, and philosophical reflection with the same individuality and flair that Chaudhuri demonstrates throughout a uniquely wide-ranging, challenging, and enthralling body of work.
‘Sex underlies human existence, and if human life is sacred, how can sex not be?’ As squeamish as India is today about sex, this is also the land where queens once copulated with head horses at religious ceremonies, where the art of love-making was declared the revelation of the gods and recorded in elaborate detail in the kama sutras and prostitution was a form of sacred offering at temples adorned with erotic sculptures. Using India as a paradigm, Rita Banerji illustrates that sexual morality is not an absolute but a facet of living that undergoes periodic upheavals. She delineates four major periods in Indian history when there were significant shifts in the collective social perception of sex and sexuality, and the associated customs and beliefs. What causes this revision in sexual ethos? To explain this, Sex and Power proposes a modified version of Nietzsche’s slave versus master morality theory. The theory, which is tested against the dynamics of each of the four defined periods, establishes that the moral overview of any given period is determined not by a set of pre-existing ethics but by the existent power structure of the period in question. The accepted moral code actually serves the party in power. How would this theory play out in the context of India today? Banerji examines this question at length as one of extreme urgency, and concludes that the three most burning issues facing the country today—population explosion, AIDS and female genocide—are the manifestations of a collective sexual malfunctioning of society and need to be redressed in the context of an existent social and economic power hierarchy.

P-Z

Library of Congress. Office for Subject Cataloging Policy

Published: 1990

Total Pages: 1644


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This book is a comprehensive examination of the conception, perception, performance, and composition of time in music across time and culture. It surveys the literature of time in mathematics, philosophy, psychology, music theory, and somatic studies (medicine and disability studies) and looks ahead through original research in performance, composition, psychology, and education. It is the first monograph solely devoted to the theory of construction of musical time since Kramer in 1988, with new insights, mathematical precision, and an expansive global and historical context. The mathematical methods applied for the construction of musical time are totally new. They relate to category theory (projective limits) and the mathematical theory of gestures. These methods and results extend the music theory of time but also apply to the applied performative understanding of making music. In addition, it is the very first approach to a constructive theory of time, deduced from the recent theory of musical gestures and their categories. Making Musical Time is intended for a wide audience of scholars with interest in music. These include mathematicians, music theorists, (ethno)musicologists, music psychologists / educators / therapists, music performers, philosophers of music, audiologists, and acousticians.
Sound waves propagate through various media, and allow communication or entertainment for us, humans. Music we hear or create can be perceived in such aspects as rhythm, melody, harmony, timbre, or mood. All these elements of music can be of interest for users of music information retrieval systems. Since vast music repositories are available for everyone in everyday use (both in private collections, and in the Internet), it is desirable and becomes necessary to browse music collections by contents. Therefore, music information retrieval can be potentially of interest for every user of computers and the Internet. There is a lot of research performed in music information retrieval domain, and the outcomes, as well as trends in this research, are certainly worth popularizing. This idea motivated us to prepare the book on Advances in Music Information Retrieval. It is divided into four sections: MIR Methods and Platforms, Harmony, Music Similarity, and Content Based Identification and Retrieval. Glossary of basic terms is given at the end of the book, to familiarize readers with vocabulary referring to music information retrieval.
In this volume, sixty-eight of the world's leading authorities explore and describe the wide range of musics of India, Pakistan, Bangladesh, Sri Lanka, Kashmir, Nepal and Afghanistan. Important information about history, religion, dance, theater, the visual arts and philosophy as well as their relationship to music is highlighted in seventy-six in-depth articles.
Five years after her last romance novel, Meera Shivashankar returns with an anthology of raga-based short stories. A young woman named Nandini who is enamoured by a selfless man devoted to his only son; Nilakshi, a middle-aged woman who rediscovers her passion for dance; Anantha, who finds out some disturbing truths about her domineering mother; Raghuvir, a renowned classical musician who is shocked by the reviews of a music blogger; a famous celebrity who tried to take her own life - These are just some of the tales in this fascinating new anthology of short stories. Read all these and more in ‘Ragamalika’ -- an anthology of music-themed short stories by popular romance novelist Meera Shivashankar. Twelve skilfully crafted stories that examine the human heart and mind and the emotions ranging from love and jealousy to anger and revenge that govern the actions of people, giving us a poignant insight into people, each beautifully laced with a raga. Come lose yourself in the beauty of ‘Ragamalika’ and find a story and a raga that touch your soul. A must-read for lovers of contemporary fiction and Indian classical music.