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The volume brings together the papers read at the international conference on Romance Objects organized by the Linguistics Department of the Roma Tre University. It is characterized by a striking uniformity of approach, which is functional, and of methodology. The various case studies regarding the object focus on the syntax/semantics and syntax/pragmatics interfaces. The common denominator of the ten enquiries is the identification of the object category, the DO in particular, in Romance languages; at the same time some of the contributors relate the specific topic to more general questions of linguistic typology. Some of the essays are based on the analysis of data from a corpus and present a diachronic picture of the evolution of the specific topic investigated. Thus this volume is addressed not only to scholars interested in the Romance languages but also all those who study the object category in a cross-linguistic perspective. Michela Cennamo: (In)transitivity and object marking: some current issues.
What makes a romance novel a romance? How do you write a kissing book?Writing a well-structured romance isn't the same as writing any other genre-something the popular novel and screenwriting guides don't address. The romance arc is made up of its own story beats, and the external plot and theme need to be braided to the romance arc-not the other way around.Told in conversational (and often irreverent) prose, Romancing the Beat can be read like you are sitting down to coffee with romance editor and author Gwen Hayes while she explains story structure. The way she does with her clients. Some of whom are regular inhabitants of the New York Times and USA Today bestseller lists.Romancing the Beat is a recipe, not a rigid system. The beats don't care if you plot or outline before you write, or if you pants your way through the drafts and do a "beat check" when you're revising. Pantsers and plotters are both welcome. So sit down, grab a cuppa, and let's talk about kissing books.
Love Objects is the first anthology on the concept of 'love' to interrogate across a range of contexts its design and other material manifestations.
How are love and emotion embodied in material form? Love Objects explores the emotional potency of things, addressing how objects can function as fetishes, symbols and representations, active participants in and mediators of our relationships, as well as tokens of affection, symbols of virility, triggers of nostalgia, replacements for lost loved ones, and symbols of lost places and times. Addressing both designed 'things with attitude' and the 'wild things' of material culture, Love Objects explores a wide range of objects, from 19th-century American portraits displaying men's passionate friendships to the devotional and political meanings of religious statues in 1920s Ireland.
Differential marking as applied to direct objects has long been discussed as one of the characterizing traits of many Romance languages. There is, however, wide consensus that a detailed investigation into the nature of this phenomenon raises numerous challenges both at the empirical and theoretical level. Many questions are still being raised regarding which precise morpho-syntactic strategies count as differential object marking, whether the data can be unified, and, subsequently, how they are to be unified formally and theoretically. Additionally, a thorough investigation of this phenomenon is still needed for many Romance languages and especially at the micro-variation level. This volume brings together original papers addressing various aspects of differential object marking in Romance languages, focusing on micro-variation, from both a descriptive and formal perspective, touching on diachrony, language contact, synchrony, and using a large set of methodologies.
Die im Jahre 1905 von Gustav Gröber ins Leben gerufene Reihe der Beihefte zur Zeitschrift für romanische Philologie zählt zu den renommiertesten Fachpublikationen der Romanistik. Die Beihefte pflegen ein gesamtromanisches Profil, das neben den Nationalsprachen auch die weniger im Fokus stehenden romanischen Sprachen mit einschließt. Zur Begutachtung können eingereicht werden: Monographien und Sammelbände zur Sprachwissenschaft in ihrer ganzen Breite, zur mediävistischen Literaturwissenschaft und zur Editionsphilologie. Mögliche Publikationssprachen sind Französisch, Spanisch, Portugiesisch, Italienisch und Rumänisch sowie Deutsch und Englisch. Sammelbände sollten thematisch und sprachlich in sich möglichst einheitlich gehalten sein.
Get the Knowledge Without the College! You are a writer. You dream of sharing your words with the world, and you're willing to put in the hard work to achieve success. You may have even considered earning your MFA, but for whatever reason--tuition costs, the time commitment, or other responsibilities--you've never been able to do it. Or maybe you've been looking for a self-guided approach so you don't have to go back to school. This book is for you. DIY MFA is the do-it-yourself alternative to a Master of Fine Arts in creative writing. By combining the three main components of a traditional MFA--writing, reading, and community--it teaches you how to craft compelling stories, engage your readers, and publish your work. Inside you'll learn how to: • Set customized goals for writing and learning. • Generate ideas on demand. • Outline your book from beginning to end. • Breathe life into your characters. • Master point of view, voice, dialogue, and more. • Read with a "writer's eye" to emulate the techniques of others. • Network like a pro, get the most out of writing workshops, and submit your work successfully. Writing belongs to everyone--not only those who earn a degree. With DIY MFA, you can take charge of your writing, produce high-quality work, get published, and build a writing career.
In this important book, a well-known psychoanalyst and feminist makes a case for what she calls "gender heterodoxy"-a highly original view of the similarities and differences between the sexes-and, in the process, illuminates aspects of love, sexuality, aggression, and pornography.
A stunning novel of great compassion and insight, from the author of the Stella Prize-shortlisted An Isolated Incident. 'Bold, furious, unapologetic and deeply insightful.' Sofie Laguna, author of Infinite Splendours 'A stunning, immersive novel that will change the conversation about class and about what possessions mean. It's important and funny and sad and beautiful and I absolutely adored it.' Kathryn Heyman, author of Storm and Grace and Fury 'One of the most big-hearted novels I've ever read. Each person fully formed, each scene and new catastrophe rooted in truth.' Bri Lee, author of Eggshell Skull Nic is a forty-three-year-old trivia buff, amateur nail artist and fairy godmother to the neighbourhood's stray cats. She's also the owner of a decade's worth of daily newspapers, enough clothes and shoes to fill Big W three times over and a pen collection which, if laid end-to-end, would probably circle her house twice. The person she's closest to in the world is her beloved niece Lena, who she meets for lunch every Sunday. One day Nic fails to show up. When Lena travels to her aunt's house to see if Nic's all right, she gets the shock of her life, and sets in train a series of events that will prove cataclysmic for them both. By the acclaimed author of An Isolated Incident, Love Objects is a clear-eyed, heart-wrenching and deeply compassionate novel about love and family, betrayal and forgiveness, and the things we do to fill our empty spaces.
Weisser (English, Adelphi U.) writes that her anthology is "for anyone who is interested in understanding the conflicted but powerful female urge to experience the pleasure and endure the pain of romantic love." In particular, she explores the collision of pervasive media images of romance with feminist values of independence and self-assertion. Several dozen historic and contemporary works of criticism, personal essays, and letters, by feminist and anti-feminist thinkers, consider changing images of romantic love and whether romance, fundamentally, weakens or empowers women. Contributors include Jean-Jacques Rousseau, Charlotte Bronte, Karen Horney, Simone de Beauvoir, Rita Mae Brown, bell hooks, Vivian Gornick, and Carolyn Heilbrun. c. Book News Inc.