Download Free Romance In New England Book in PDF and EPUB Free Download. You can read online Romance In New England and write the review.

Love blooms along the picturesque New England coastline in these seven romantic tales. From small-town sweetness to fast-paced action, this value-priced digital bundle offers swoon-worthy seductions for every reader. Always My Hero: Ryan Pettridge left Scallop Shores, Maine, a hometown hero with a full scholarship to UCLA and an NFL destiny. But a freak accident stole his dreams, and the all-star athlete returned home to take over the family hardware store. When he comes face to face with his former flame, Bree Adams, it’s clear they still can’t resist each other. But will their difficult past be too much to overcome, or can Bree prove to Ryan once and for all that he has always been a hero in her eyes? One Day’s Loving: Mae Alden likes her quiet life—she’s certainly not cut out to defy convention like her sisters. But everything changes when Boston attorney James Collins reads her father’s will and Mae must choose between who she is and the marriage everyone expects. Could James himself offer the answer to both? The White Carnation: The last person disgraced Boston Examiner reporter Faye Lewis wants back in her life is Detective Rob Halliday, the man she blames for ruining her career and breaking her heart. But when an old friend is murdered, he’s assigned the case. Can they set their troubled past aside and work together, or will the Harvester serial killer and his cult followers reap another prize? The Way You Love Me: When self-confident surgeon Melanie Sweet volunteers her skills in war-torn Kazakhstan, ex-Navy SEAL and security expert Jake McCabe is secretly assigned to protect her. Their attraction is intense as they team up to rescue an orphaned child and escape back to Boston. But Melanie has her own past that’s about to threaten their relationship, too. Will secrets and lies prove stronger than their chance at love? Love Is in the Air: When Royal Canadian Mounted Police Sergeant Jim Cromwell and airline pilot Captain Sophie Berg are hurt in a drive-by shooting, their bond is palpable, even though he suspects she’s the head of the Maine drug smuggling ring he’s sworn to bring down. Then she’s kidnapped, and Jim must decide whether to believe his head or his heart. The Bride’s Curse: In Bar Harbor, Maine, three brides in a row return a gorgeous vintage wedding dress to Kelly Andrews’s Wedding Bliss store, claiming it’s cursed. Kelly thinks it’s nonsense, but these returns are bad for business, so she’d better get to the bottom of the problem. Researching the gown, she meets Brett Atwell, the handsome nephew of the dress’s original owner, and a mischievous spirit sends the two of them on a goose chase for a groom who went missing decades ago. Will love get its due at long last? The Rebel’s Own: In high school, a cruel prank left shy Kennedy Bailey pregnant and alone. Now grown-up and gorgeous, she won’t let anything stop her from saving her five-year-old son’s life when he’s diagnosed with leukemia. Even if it means confronting his father, Boston Rebels quarterback Ryan Carville, who just wants a second chance to show he’s a man worth loving. Sensuality Level: Sensual
Three major conventional figures dominated Hawthorne's romances: the noble Founding Father, the "narrow Puritan," and the rebellious daughter. Daniel Bell examines the ways in which Hawthorne used these and other conventional characters to formulate his own sense of New England history. Originally published in 1971. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
DigiCat Publishing presents to you this special edition of "The Romance of Old New England Rooftrees" by Mary Caroline Crawford. DigiCat Publishing considers every written word to be a legacy of humankind. Every DigiCat book has been carefully reproduced for republishing in a new modern format. The books are available in print, as well as ebooks. DigiCat hopes you will treat this work with the acknowledgment and passion it deserves as a classic of world literature.
Certainly Miles Standish was not of the demigods, if he was of the heroes. No Puritan ascetic he, by nature or belief. One might imagine him some soul that failed to find incarnation among the captains and pirates of the great Elizabeth’s time, the Raleighs and Drakes and Frobishers, and who, coming along a hundred years too late, did his best to repair the mistake. A choleric fellow, who had quarrelled with his kin, and held himself wronged by them of his patrimony; of a quarrelsome race, indeed, that had long divided itself into the Catholic Standishes of Standish and the Protestant Standishes of Duxbury; a soldier who served the Queen in a foreign garrison, and of habits and tastes the more emphasized because he was a little man; supposed never to have been of the same communion as those with whom he cast in his lot,—it is not easy to see the reason of his attraction to the Pilgrims in Holland. Perhaps he chose his wife, Rose, from among them, and so united himself to them; if not that, then possibly she herself may have been inclined to their faith, and have drawn him with her; or it may have been that his doughty spirit could not brook to see oppression, and must needs espouse and champion the side crushed by authority. For the rest, at the age of thirty-five the love of adventure was still an active passion with him. That he was of quick, but not deep affections is plain from the swiftness with which he would fain have consoled himself after the death of Rose, his wife; and, that effort failing, by his sending to England for his wife’s sister Barbara, as it is supposed, and marrying her out of hand. That he was behind the spirit of the movement with which he was connected may be judged by his bringing home and setting up the gory head of his conquered foe; for although he was not alone in that retrograde act, since he only did what he had been ordered to do by the elders, yet the holy John Robinson, the inspirer and conscience of them all, cried out at that, “Oh that he had converted some before he killed any!” Nevertheless, that and other bloody deeds seem to have been thoroughly informed with his own satisfaction in them. His armor, his sword, his inconceivable courage, his rough piety, that “swore a prayer or two,”—all give a flavor of even earlier times to the story of his day, and bring into the life when certain dainties were forbidden, as smacking of Papistry, a goodly flavor of wassail-bowls, and a certain powerful reminiscence of the troops in Flanders. That such a nature as the fiery Captain’s could not exist without the soothing touch of love, could not brook loneliness, and could not endure grief, but must needs arm himself with forgetfulness and a new love when sorrow came to him in the loss of the old, is of course to be expected. If he were a little precipitate in asking for Priscilla’s affection before Rose had been in her unnamed grave three months, something of the blame is due to the condition of the colony, which made sentimental considerations of less value than practical ones,—an evident fact, when Mr. Winslow almost immediately on the death of his wife married the mother of Peregrine White, not two months a widow, hardly more a mother.
In the first half of the nineteenth century, rural New England society underwent a radical transformation as the traditional household economy gave way to an encroaching market culture. Drawing on a wide array of diaries, letters, and published writings by women in this society, Catherine E. Kelly describes their attempts to make sense of the changes in their world by elaborating values connected to rural life. In her hands, the narratives reveal the dramatic ways female lives were reshaped during the antebellum period and the women's own contribution to those developments. Equally important, she demonstrates how these writings afford a fuller understanding of the capitalist transformation of the countryside and the origins of the Northern middle class.Provincial women exalted rural life for its republican simplicity while condemning that of the city for its aristocratic pretension. The idyllic nature of the former was ascribed to the financial independence that the household economy had long provided those in the farming community. Kelly examines how the juxtaposition of rural virtue to urban vice served as a cautionary defense against the new realities of the capitalist market society. She finds that women responded to the transition to capitalism by upholding a set of values which point toward the creation of a provincial bourgeoisie.
Throughout the era of the Cold War a consensus reigned as to what constituted the great works of American literature. Yet as scholars have increasingly shown, and as this volume unmistakably demonstrates, that consensus was built upon the repression of the voices and historical contexts of subordinated social groups as well as literary works themselves, works both outside and within the traditional canon. This book is an effort to recover those lost voices. Engaging New Historicist, neo-Marxist, poststructuralist, and other literary practices, this volume marks important shifts in the organizing principles and self-understanding of the field of American Studies. Originally published as a special issue of boundary 2, the essays gathered here discuss writers as diverse as Kate Chopin, Frederick Douglass, Emerson, Melville, W. D. Howells, Henry James, W. E. B. DuBois, and Mark Twain, plus the historical figure John Brown. Two major sections devoted to the theory of romance and to cultural-historical analyses emphasize the political perspective of "New Americanist" literary and cultural study. Contributors. William E. Cain, Wai-chee Dimock, Howard Horwitz, Gregory S. Jay, Steven Mailloux, John McWilliams, Susan Mizruchi, Donald E. Pease, Ivy Schweitzer, Priscilla Wald, Michael Warner, Robert Weimann
In New England today there are megalithic stones, stone chambers and structures, carvings and petroglyphs, even an unidentified skeleton in armor that defy easy explanation. From Maine to Massachusetts, this work examines various unexplained historical remains in New England, exploring not only the layout and dimensions of such sites--some reminiscent of Stonehenge with their huge stones, astronomical alignments and undiscovered purposes--but also the history and possible explanations for their existence. Theories regarding Norse, Phoenician, Irish, Celtic and Native American origins are presented here in an impartial and logical manner. Sites discussed include Dighton Rock in Berkley, Massachusetts; Newport Tower in Newport, Rhode Island; the Bellows Falls Petroglyphs in Bellows Falls, Vermont; and Mystery Hill in North Salem, New Hampshire (also known as America's Stonehenge), with expanded coverage new to this edition. An appendix provides information regarding sites open to the public.
The Gothic Literature and History of New England surveys the history, nature and future of the Gothic mode in the region, from the witch trials through the Black Lives Matter Movement. Texts include Cotton Mather and other Puritan divines who collected folklore of the supernatural; the Frontier Gothic of Indian captivity narratives; the canonical authors of the American Renaissance such as Melville and Hawthorne; the women's ghost story tradition and the Domestic Gothic from Harriet Beecher Stowe to Charlotte Perkins Gilman to Shirley Jackson; H. P. Lovecraft; Stephen King; and writers of the current generation who respond to racial and gender issues. The work brings to the surface the religious intolerance, racism and misogyny inherent in the New England Gothic, and how these nightmares continue to haunt literature and popular culture—films, television and more.
NEW ENGLAND BEYOND CRITICISM “Elisa New’s book is a remarkable achievement. It is very rare that a critic manages to ask what seem exactly the right questions, then to answer them in a lively, brilliant, evocative, and supremely intelligent prose.” Charles F. Altieri, University of California “Elisa New is a refreshing voice among critics and historians of literature. She has a keen sense of the nature of New England and its deep spiritual resources, reaching back to the Puritans, moving through the great nineteenth-century expressions of interior landscapes and visions. This is a book I welcome and celebrate.” Jay Parini, Middlebury College Literary criticism of the past thirty years has undercut what the canonizers of the nineteenth and early twentieth centuries saw as the fundamental role of early New England in the development of American literary culture. And yet, a determination in literary circles to topple perceived Ivy League elitism and Protestant cultural creationism overlooks the continuing value, beauty, and even practical utility of a canon still cherished by lay readers around the world. This Manifesto raises questions about how academic specialization and the academic study of New England have affected enthusiasm for reading. Using a range of interpretive practices, including those most often deployed by contemporary academic critics, Elisa New cuts across firmly established subfields, mixing literary exegesis with autobiographical reflection, close reading with cultural history, archival and antiquarian inquiry with experiments in style, and lays bare editorial orthodoxies, raising to question the whole hierarchy of values now governing the study of American and other literatures. Taking New England as a test case for a wider, more accessible set of critical practices, New England Beyond Criticism demands that the domain of literary study be opened further to the tastes of the general reader.
"This monograph presents a new history of early American literature that traces the diverse forms of fiction circulating in the early United States (1789-1861) and how they shaped the way Americans thought and argued about political and cultural issues of their age"--