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These are a collection of short stories revealing the little intimate glimpses of the romances and tragedies that have surrounded the lives of people who have owned land and who have left the record of their joys and sorrows written into the land title papers. Behind most land titles, there is a unique story behind it and these stories are intertwined with principles of real estate law. Through each story, we see the demonstration of how the lives of people and the history of the land are the things that make our title to that property. You will discover through these delightful short stories how land was transferred through various deeds of titles, identifying the necessity for wills; the development of Houston, Texas, and an appreciation for peoples' values as well as for the past.
The 'Historical Romances Boxed Set' stands as a monumental collection, amalgamating an exquisite variety of literary styles that traverse the vast landscapes of classical and modern romances. This anthology encapsulates the thematic depths of love, societal norms, and the evolution of the romance genre over centuries. The diversity within embraces works that range from the passionate moors of England to the aristocratic salons of France, highlighting the remarkable versatility and depth of narratives from different periods. Notable for its inclusion of seminal pieces from several literary movements, the collection offers readers a comprehensive view of the historical evolution of romance literature, underpinned by a diverse range of narrative voices and settings. The anthology's broad span, encompassing both the celebrated Brontë sisters' intense narratives and the sophisticated social explorations of Jane Austen, alongside the poignant realism of Guy de Maupassant and the dramatic complexities of Alexandre Dumas, renders it a compelling compendium. The editors' meticulous selection ensures that each story stands out for its unique contribution to the genre, while collectively offering a sweeping overview of the romantic literary tradition. The contributing authors represent a who's who of literary genius spanning several centuries, bringing together the pioneering women writers of the 18th and 19th centuries, such as Mary Wollstonecraft and Fanny Burney, with the nuanced, often critical examination of societal norms found in the works of Henry James and Edith Wharton. United by the common theme of romance, these authors collectively contribute to the canon from within their respective historical, cultural, and intellectual contexts. The collection draws from the Romantic, Victorian, and even the early Modernist periods, illustrating the evolving expressions of romantic themes against the backdrop of changing societal norms and reflections on human nature. Their works, revered for historical depth and narrative innovation, come together to form a rich tapestry that enriches the readers understanding of the global romance narrative. Recommended for literary scholars, enthusiasts of historical fiction, and readers seeking to immerse themselves in the romance genre's rich diversity, this boxed set offers a unique opportunity to explore the evolution of romantic literature. Beyond entertainment, it serves as an invaluable educational resource, providing insights into the nuances of cultural and historical contexts across diverse geographical landscapes and time periods. The collection fosters a meaningful dialogue between the works of various authors, inviting readers to compare and contrast styles, themes, and the portrayal of the enduring human quest for love and connection. Engaging with this anthology promises not only a journey through loves myriad forms but also a deeper appreciation for the art of storytelling across the ages.
The 'Greatest Historical Romances of All Time' stands as a monumental anthology, capturing the riveting essence and breadth of historical romance through time. Within its pages, the collection showcases an exceptional variety of literary styles, from the sweeping, gothic emotional landscapes painted by the Brontë sisters to the intricate societal commentaries of Jane Austen and the intense passion of Leo Tolstoy's masterpieces. The anthology triumphs in bringing together standout pieces known for their deep exploration of love and society, adventure and self-discovery, all while embodying the historical and cultural nuances of their respective periods. It adeptly highlights the diversity and significance of the works included, showcasing a rich tapestry of human experience and emotion through the ages. The contributing authors, ranging from pioneers like Mary Wollstonecraft and Henry James to visionaries like F. Scott Fitzgerald and Edith Wharton, bring varied backgrounds and monumental contributions to the table. Their collective works, each aligning with notable historical, cultural, or literary movements, weave a cohesive narrative that transcends time and geography. This array of voices, including both heralded classics and lesser-known gems, enriches the reader's understanding of historical romance, providing insights into the evolving nature of love, constraints, and freedom through centuries. This anthology invites readers into a world where each page turn offers a portal to the past, enveloping them in the trials and triumphs of timeless love stories. Delve into 'The Greatest Historical Romances of All Time' not merely for its educational value but for the unique experience of witnessing a dialogue between different epochs. It is an indispensable collection for those passionate about the rich intersection of history and romance, offering a multifaceted perspective on the human heart that is as enlightening as it is entertaining. Explore this curated selection of literary jewels and embark on a breathtaking journey through the very essence of historical romance.
The failure to include gender in the economic history of rural development has severely limited our understanding of privatizing, collectivist and colonial economic policies that disrupted and transformed the lives of rural women and men in the modern world. This book is unique in its focus on female economic agency, and in its exploration of the latter virtue in comparative historical perspective. It presents the apparently disparate cases of 17th-century England, 20th-century Russia and the Soviet Union, and 20th-century Kenya, as their top-down modernization projects were implemented in similar fashion --particularly in the case of women. The female half of the population was largely absent from contemporary economic databases, but nevertheless stereotyped as obstacles to rational economic decision-making. Introducing rural women and their innovations into male-centered narratives of economic history lays the foundation for a more demographically balanced and realistic understanding of rural behavior and rural development. In this study, women’s labor and land claims are the lens through which both female agency and the delegitimizing of women’s land claims become more visible. Both policy-makers and their leading critics deployed virtually identical language to describe backward, unruly and invariably “unsightly” peasant women.
Romantic Visualities offers a culturally informed understanding of the literary significance of landscape in the Romantic period. Labbe argues that the Romantic period associated the prospect view with the masculine ideal, simultaneously fashioning the detailed point of view as feminised. An interdisciplinary study, it discusses the cultural construction of gender as defined through landscape viewing, and investigates property law, aesthetic tracts, conduct books, travel narratives, artistic theory, and the work of Wordsworth, Keats, Coleridge, Charlotte Smith, Ann Francis, Dorothy Wordsworth and others.
In a series of articles published in Tait's Magazine in 1834, Thomas DeQuincey catalogued four potential instances of plagiarism in the work of his friend and literary competitor Samuel Taylor Coleridge. DeQuincey's charges and the controversy they ignited have shaped readers' responses to the work of such writers as Coleridge, Lord Byron, William Wordsworth, and John Clare ever since. But what did plagiarism mean some two hundred years ago in Britain? What was at stake when early nineteenth-century authors levied such charges against each other? How would matters change if we were to evaluate these writers by the standards of their own national moment? And what does our moral investment in plagiarism tell us about ourselves and about our relationship to the Romantic myth of authorship? In Plagiarism and Literary Property in the Romantic Period, Tilar Mazzeo historicizes the discussion of late eighteenth- and early nineteenth-century plagiarism and demonstrates that it had little in common with our current understanding of the term. The book offers a major reassessment of the role of borrowing, textual appropriation, and narrative mastery in British Romantic literature and provides a new picture of the period and its central aesthetic contests. Above all, Mazzeo challenges the almost exclusive modern association of Romanticism with originality and takes a fresh look at some of the most familiar writings of the period and the controversies surrounding them.
I'm your protagonist-Reshma Kapoor-and if you have the free time to read this book, then you're probably nothing like me. Reshma is a college counselor's dream. She's the top-ranked senior at her ultra-competitive Silicon Valley high school, with a spotless academic record and a long roster of extracurriculars. But there are plenty of perfect students in the country, and if Reshma wants to get into Stanford, and into med school after that, she needs the hook to beat them all. What's a habitual over-achiever to do? Land herself a literary agent, of course. Which is exactly what Reshma does after agent Linda Montrose spots an article she wrote for Huffington Post. Linda wants to represent Reshma, and, with her new agent's help scoring a book deal, Reshma knows she'll finally have the key to Stanford. But she's convinced no one would want to read a novel about a study machine like her. To make herself a more relatable protagonist, she must start doing all the regular American girl stuff she normally ignores. For starters, she has to make a friend, then get a boyfriend. And she's already planned the perfect ending: after struggling for three hundred pages with her own perfectionism, Reshma will learn that meaningful relationships can be more important than success-a character arc librarians and critics alike will enjoy. Of course, even with a mastermind like Reshma in charge, things can't always go as planned. And when the valedictorian spot begins to slip from her grasp, she'll have to decide just how far she'll go for that satisfying ending. (Note: It's pretty far.) In this wholly unique, wickedly funny debut novel, Naomi Kanakia consciously uses the rules of storytelling-and then breaks them to pieces.