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The Romance of the Rothschilds by Ignatius Balla, first published in 1913, is a rare manuscript, the original residing in one of the great libraries of the world. This book is a reproduction of that original, which has been scanned and cleaned by state-of-the-art publishing tools for better readability and enhanced appreciation. Restoration Editors' mission is to bring long out of print manuscripts back to life. Some smudges, annotations or unclear text may still exist, due to permanent damage to the original work. We believe the literary significance of the text justifies offering this reproduction, allowing a new generation to appreciate it.
Excerpt from The Book of Romance IT is to be supposed that children do not read Prefaces these are Bluebeard's rooms, which they are not curious to unlock. A few words may therefore be said about the Romances contained in this book. In the editor's Opinion, romances are only fairy tales grown up. The whole mass of the plot and incident of romance was invented by nobody knows who, nobody knows when, nobody knows where. Almost every people has the Cinderella story, with all sorts Of variations a boy hero in place Of a girl heroine, a beast in place of a fairy godmother, and so on. The Zunis, an agricultural tribe of New Mexico, have a version in which the moral turns out to be against poor Cinderella, who comes to an ill end. The Red Indians have the tale of Orpheus and Eurydice, told in a very touching shape, but without the music. On the other hand, the negroes in the States have the Orpheus tale, adapted to plantation life, in a form which is certainly borrowed from Europeans. This version was sent to me some years ago, by Mr. Barnet Phillips, Brooklyn, New York, and I give it here for its curiosity. If the proper names, Jim Orpus and Dicey, had not been given, we might not feel absolutely certain that the story was borrowed. It is a good example of adaptation from the heroic age of Greece to the servile age Of Africans. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
Biretta Books is proud to present this masterwork of the great Archbishop Fulton J. Sheen! In The Divine Romance, Archbishop Fulton J. Sheen delves into love and life with all its pain, sorrow, loneliness and human failures from the perspective of our human quest for God, the inner life of the Trinity, the outpouring of the Spirit and most of all the Lord of Calvary and Easter. The Divine Romance touches on perennial themes and is a classic that has a power to heal, help and inspire the reader. In his crisp pastoral style, Sheen describes the believer's spiritual journey back to the Father with all of its ecclesial dimensions. Christ guides our mystical journey and forms us into his very Body on Earth.
Excerpt from Napoleon's Love Story: A Historical Romance HE last day Of 1806 was an agreeable surprise to Warsaw during the night the sky shook Off the lead-like clouds and rainy veils, which for a whole week had covered it, and appeared in a shining snowy mantle with the smile of the sun and the calm of the frosty cold. Warsaw was awaiting the long-desired guest, and welcomed him heartily as a foreboding of the new year, as a presage of brighter times, as an augury of the fulfilment of overgrown hope. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works.
This book has been considered by academicians and scholars of great significance and value to literature. This forms a part of the knowledge base for future generations. So that the book is never forgotten we have represented this book in a print format as the same form as it was originally first published. Hence any marks or annotations seen are left intentionally to preserve its true nature.