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"Roman Signer is an artist like no other. Although he identifies himself as a sculptor, he is best known for actions in which simple materials (rockets, balloons, rushing water) react with natural forces to yield surprisingly lyrical results. Part mad scientist, part sorcerer's apprentice, part Buster Keaton, Signer often appears in these actions, sometimes at considerable risk to himself. The real star of his works, however, is time. In works such as Sandbag with Timed Detonator (1988), an auto-destructive device featuring a plastic alarm clock that releases a heavy sandbag hanging above it, two periods of tranquil rest are bridged by an instant of sudden violence. In others the change is more gradual, as in Action with a Fuse (1989), a twenty kilometre, thirty-five day 'time sculpture' in which two hundred lengths of fuse burned a path to Signer's current hometown from the village of his youth" "In the Interview, Paula Van Den Bosch speaks to the artist about the origins of his interest in art and explosives. Gerhard Mack's Survey traces the key themes in a career that spans four decades, from the artist's early experiments with elemental materials to his large-scale explosive actions. In the Focus, Jeremy Millar visits the artist in Switzerland to retrace the path of the epic 1989 Action with a Fuse."--BOOK JACKET.
Roman Signer is one of the most important and influential contemporary Swiss artists. Over many decades, in a great variety of ways, he has single-mindedly researched the aspect of time with regard to the meaning of sculpture. His spectacular explosions made him famous, and his reputation as an innovative and unique artist was secured, at the very latest, by his participation in Skulpturen Projekte, Münster 1997, and the Venice Biennial in 1999 representing Switzerland. In this book Brian Butler and Leonhard Emmerling develop a new interpretation of Signer's work by concentrating on the video pieces and by attempting to shed light on the temporal aspect of his work using literature and philosophy as points of reference. Published on the occasion of the exhibition Roman Signer: Sculpting in Time, March - May 2008 at ST PAUL Street Gallery and ARTSPACE, Auckland.
Projektionen brings together frames from all of the Super-8 and video films made by the Swiss artist Roman Signer. As fractions of time, the stills mark key moments in Signers precisely choreographed work: moments of collapse, of extreme acceleration and of temporary or prolonged hiatus, of transformation, of consolidation and dispersion. The images convey Signers handling of time and space, movement and process, energy and energy conversion, chemistry and physics, experimental play and nomological consequence, reality and potential, natural science and existential philosophy. This book presents a cross-section of Signers work and contains a catalog raisonné of all his Super- 8 films and videos.
This book follows Swiss artist Roman Signer and Icelandic artist Tumi Magnússon during their travels in Iceland. The book mixes personal snapshots with anecdotes, reminiscences, and humorous observations about travel, the natural world, the differences between Switzerland and Iceland, and, as with any conversation between artists, the difficulties of making art, no matter where one calls home.
A demagogue is a tyrant who owes his initial rise to the democratic support of the masses. Huey Long, Hugo Chavez, and Moqtada al-Sadr are all clear examples of this dangerous byproduct of democracy. Demagogue takes a long view of the fight to defend democracy from within, from the brutal general Cleon in ancient Athens, the demagogues who plagued the bloody French Revolution, George W. Bush's naïve democratic experiment in Iraq, and beyond. This compelling narrative weaves stories about some of history's most fascinating figures, including Adolf Hitler, Senator Joe McCarthy, and General Douglas Macarthur, and explains how humanity's urge for liberty can give rise to dark forces that threaten that very freedom. To find the solution to democracy's demagogue problem, the book delves into the stories of four great thinkers who all personally struggled with democracy--Plato, Alexis de Tocqueville, Leo Strauss, and Hannah Arendt.
An intriguing and vibrant study of an innovative and lesser-known facet of contemporart art. Identifies significant strategies exploited by European artists to extend their aesthetic vision within the mediums of prints, books and multiples. Exploring commercial techniques, confrontational approaches and language and the expressionist impulse. Showcases the creativity being channelled into printed art by todays generation.
In August 1946, Marcel Duchamp spent 5 weeks in Switzerland, including 5 days at the Hotel Bellevue near Chexbres, on Lake Geneva, discovering the Forestay waterfall. A multidisciplinary event took place in May 2010 to attempt to understand why the artist chose this waterfall for his final masterpiece 'Étant Donnés'.