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From the time of the Bronze Age, the warriors of all tribes and nations sought to emblazon their arms and armour with items and images to impress upon the enemy the wealth and power of the wearer. Magnificently decorated shields were as much a defensive necessity as a symbol of social status. Equally, decorative symbols on shields and armour defined the collective ideals and the self-conceived important of the village or city-state its warriors represented.Such items were therefore of great significance to the wearers, and the authors of this astounding detailed and extensively research book, have brought together years of research and the latest archaeological discoveries, to produce a work of undeniable importance.Shining Under the Eagles is richly decorated throughout, and as well as battlefield armour, details the tournament and parade armour from Rome's the earliest days.Dr Andrey Negin is candidate of historical sciences (Russian PhD), member of the department of history of the Ancient World and Classical Languages of Nizhny Novgorod State University named after N.I. Lobachevsky (Russian Federation). He has carried out fieldwork on ancient Roman armour and has published books and numerous articles on Roman military equipment.Dr Raffaele D'Amato is an experienced Turin-based researcher of the ancient and medieval military worlds. After achieving his first PhD in Romano-Byzantine Law, and having collaborated with the University of Athens, he gained a second doctorate in Roman military archaeology. He spent the last year in Turkey as visiting professor at the Fatih University of Istanbul, teaching there and working on a project about the army of Byzantium. He currently work as part-time researcher at the Laboratory of the Danubian Provinces at the University of Ferrara, under Professor Livio Zerbini.
Fully illustrated, this book investigates the articulated plate armour worn by Roman legionaries. First named by Renaissance historians studying the reliefs on Trajan's Column, lorica segmentata evaded successful attempts to reconstruct it until a series of important archaeological finds in the 20th century revealed how it worked and the truth of its extended chronology. The earliest finds date from the late 1st century BC, and its discovery at Kalkriese in Germany shows how rapidly it was adopted. At the same time, discoveries in Spain and Britain showed that, despite its apparent fragility, it continued in use into the 4th century AD. The spectacular find of six halves of cuirasses in a chest at Corbridge in 1964 has now been matched by the rare discovery of a complete set of this armour at Kalkriese. The Corbridge find provided the context to interpret and reconstruct earlier finds. There is now years of experience gleaned from reenactors over the practical strengths and weaknesses of this form of armour. At the same time, scientific analysis has provided insights into the technology behind this revolutionary form of armour so characteristic of the Roman Army. Featuring specially commissioned artwork and drawing upon the latest findings, this study lifts the veil on the formidable plate armour used by the legionaries of Imperial Rome.
Fully illustrated, this book investigates the articulated plate armour worn by Roman legionaries. First named by Renaissance historians studying the reliefs on Trajan's Column, lorica segmentata evaded successful attempts to reconstruct it until a series of important archaeological finds in the 20th century revealed how it worked and the truth of its extended chronology. The earliest finds date from the late 1st century BC, and its discovery at Kalkriese in Germany shows how rapidly it was adopted. At the same time, discoveries in Spain and Britain showed that, despite its apparent fragility, it continued in use into the 4th century AD. The spectacular find of six halves of cuirasses in a chest at Corbridge in 1964 has now been matched by the rare discovery of a complete set of this armour at Kalkriese. The Corbridge find provided the context to interpret and reconstruct earlier finds. There is now years of experience gleaned from reenactors over the practical strengths and weaknesses of this form of armour. At the same time, scientific analysis has provided insights into the technology behind this revolutionary form of armour so characteristic of the Roman Army. Featuring specially commissioned artwork and drawing upon the latest findings, this study lifts the veil on the formidable plate armour used by the legionaries of Imperial Rome.
The suit of armour distinguishes the European Middle Ages & Renaissance. This book tells its story from the 14th to the 17th century, and the making of its steel. The metallurgy of 600 armours has been analysed, and their probable effectiveness in battle assessed.
A reassessment and reconstruction of Roman Body armour.
The purpose of this book is to provide in one volume a comprehensive study of Roman armour--a study which, until now, has been confined to short articles and papers dealing with a single object or a small group of pieces of similar type. -- Introduction.
In the twilight of the Western Roman Empire in the 5th–6th centuries, the elite of the field armies was the heavy armoured cavalry – the cataphracts, clad in lamellar, scale, mail and padded fabric armour. After the fall of the West, the Greek-speaking Eastern or Byzantine Empire survived for nearly a thousand years, and cavalry remained predominant in its armies, with the heaviest armoured regiments continuing to provide the ultimate shock-force in battle. Accounts from Muslim chroniclers show that the ironclad cataphract on his armoured horse was an awe-inspiring enemy: '...they advanced against you, iron-covered – one would have said that they advanced on horses which seemed to have no legs'. This new study, replete with stunning full-colour illustrations of the various units, offers an engaging insight into the fearsome heavy cavalry units that battled against the enemies of Rome's Eastern Empire.
The introduction of the scutum in the 4th century BC revolutionized the way the Romans fought. Instead of being purely defensive, the shield became a weapon in its own right. Using the top edge or boss to punch an opponent, or the lower rim to smash down on their feet, it served to unbalance an enemy and allow the sword to do its work. The versatility of the scutum was characterized by the testudo, a formation the Romans used offensively like a pedestrian tank. Meanwhile, other shield types equipped the auxiliaries who fought alongside the legionaries. The curved, rectangular scutum survived into the 3rd century AD, only to be replaced by an oval, slightly domed shield derived from the oval shields of Early Imperial auxiliaries. Drawing together historical accounts, excavated artefacts and the results of the latest scientific analyses of the boards and fittings, renowned authority M.C. Bishop reveals the development, technology, training and use of the scutum and other Roman shield types.
The Late Roman Empire was a period of significant change in the designs of standards and in the costumes of standard-bearers. During the middle decades of the chaotic 3rd century, evidence confirms the continued use of the old legionary eagle and the signa of the old cohorts and centuries, alongside flags and Imperial images. The two major trends over the later generations were the adoption of Christian symbols on standards (e.g. Constantine the Great's Chi-Rho), and the proliferation of different types of flags. This had begun in the late 2nd century with the adoption of the 'barbarian' dragon standard, the windsock-shaped draco, which continued to be displayed alongside various other flags in the Greek-speaking Eastern Empire, whose influence increased greatly. Meanwhile, the growing employment of foreign units was such that by the 5th century we have evidence of the use of Hunnic symbolism among a Roman general's suite of standards. The costumes of standard-bearers also evolved as 'Persian' styles spread from Constantinople. This title explores all these changes in depth, charting the development of various costumes and designs and the waxing and waning influence of various cultures and religious considerations. The text is supported by specially commissioned illustrations and artist's reconstructions of the standards and their bearers.
This is the story of the production of the armour used by the soldiers of the Roman Empire. The book presents an examination of the metals the armour was made from, of how the ores containing those metals were extracted from the earth and transformed into workable metal and of how that raw product was made into the armour.