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Published to accompany a traveling exhibition organized by the American Federation of Arts and the Musee du Louvre, this publication features an extraordinary selection of these works dating from the first century B.C. to the early fourth century A.D.-from the most famous to some with new significance resulting from new information. Themes such as religion, urbanism, war, imperial expansion, funerary practices, intellectual life, and family are vividly represented in mosaics, frescoes, bronze and terracotta statuettes, monumental sculptures, sarcophagi, reliefs, and glass and metal vessels. The catalogue also covers the careful procedures of cleaning and repair that took place during the collection's restoration. The resulting reincarnation of the Louvre's pieces transforms the contemporary view of early Roman public and private life, conveying a novel perspective and understanding of these ancient masterpieces. With comprehensive essays by a team of scholars on emperorship, citizenship, architecture, decorative arts, and religion, this title presents a complete picture of life in ancient Rome. AUTHOR: Daniel Roger and Cecile Giroire are curators in the Greek, Etruscan and Roman Antiquities Department of the Musee du Louvre. 185 colour plates
This second edition examines all aspects of Roman history, and contains a new introduction, three new chapters and updated bibliographies.
The Louvre Museum is the largest of the world's art museums by its exhibition surface. These represent the Western art of the Middle Ages in 1848, those of the ancient civilizations that preceded and influenced it (Oriental, Egyptian, Greek, Etruscan and Roman), and the arts of early Christians and Islam. At the origin of the Louvre existed a castle, built by King Philip Augustus in 1190, and occupying the southwest quarter of the current Cour Carrée. In 1594, Henri IV decided to unite the palace of the Louvre with the palace of the Tuileries built by Catherine de Medicis. The Cour Carrée was built by the architects Lemercier and then Le Vau, under the reign of Louis XIII and Louis XIV. The Department of Paintings currently has about 7,500 paintings (of which 3,400 are exposed), covering a period that goes from the Middle Ages to 1848 (date of the beginning of the Second Republic). By including the deposits, the collection is, with 12,660 works, the largest collection of ancient paintings in the world. With rare exceptions, the works after 1848 were transferred to the Musée d'Orsay when it was created in 1986.
Examines the Louvre's role in the rise of professional archaeology in the nineteenth century.
A color guide to four hundred works of art housed in the Louvre Museum in Paris, including paintings, prints and drawings, sculptures, decorative arts, and works from Africa, Asia, Oceania, and the Americas.
The centuries-long history of the Louvre, from humble fortress to Royal palace to the world’s greatest art museum—with photos and building maps. Some ten million people from all over the world flock to the Louvre each year to enjoy its incomparable art collection. Yet few of them are aware of the remarkable history of the site and buildings themselves—a fascinating story that historian James Gardner elegantly chronicles in this authoritative history. More than seven thousand years ago, men and women camped on a spot called le Louvre for reasons unknown. Centuries later, King Philippe Auguste of France constructed a fortress there, just outside the walls of a nascent Paris. Intended to protect the capital against English soldiers stationed in Normandy, the fortress became a royal residence under Charles V two centuries later, and then the monarchy’s principal residence under the great Renaissance king François I. In 1682, when Louis XIV moved his court to Versailles, the Louvre languished until the French Revolution when, during the Reign of Terror in 1793, it first opened its doors to display the nation’s treasures. Ever since—through the Napoleonic era, the Commune, two World Wars, to the present—the Louvre has been a witness to French history, and expanded to become home to a legendary art collection that includes the Mona Lisa and Venus de Milo. Includes sixteen pages of full-color photos illustrating the history of the Louvre, a full-color map detailing its evolution from fortress to museum, and black-and-white images throughout the narrative.
From Mona Lisa's smile to Napoleon's plundered treasures and I. M. Pei's controversial glass pyramid, this book presents the world's greatest museum, not as the sum of its masterpieces, but as a living, changing institution that throws a high beam on the artistic, political, and social history of the Western World. 650 full-color photos.
Selection from the Louve of over fifty precious jewelry pieces, pictured in paintings and photographs.
Throughout the ages, artists have frequently depicted dogs as symbols of positive values such as courage, loyalty, and vigilance. Whether serving as guards, guides, companions, or hunters, dogs have a very strong presence in the great artworks at the Louvre. They appear in the form of Mesopotamian statuettes of the third millennium BC; they flank peasants in Le Nain’s paintings, or sit loyally at the queen’s side in Rubens’s The Coronation. They may be portrayed as active, accompanying Diana the Huntress, or pampered, as cherished lap dogs nestled on cushions.This beautiful volume is packed with works from all of the Louvre’s many departments. Each painting or sculpture is shown in its entirety and in detail, to highlight the canine presence, and is accompanied by short, illuminating commentary. The book opens with a preface in which the prize-winning author draws upon his own personal experiences with man’s most loyal companions. Dogs in the Louvre provides a delightfully unusual tour of the most visited gallery in the world, and invites the reader to engage in a fresh way with some of its perennially inspiring themes. It is a fitting tribute to man’s best friend.