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Published to accompany a traveling exhibition organized by the American Federation of Arts and the Musee du Louvre, this publication features an extraordinary selection of these works dating from the first century B.C. to the early fourth century A.D.-from the most famous to some with new significance resulting from new information. Themes such as religion, urbanism, war, imperial expansion, funerary practices, intellectual life, and family are vividly represented in mosaics, frescoes, bronze and terracotta statuettes, monumental sculptures, sarcophagi, reliefs, and glass and metal vessels. The catalogue also covers the careful procedures of cleaning and repair that took place during the collection's restoration. The resulting reincarnation of the Louvre's pieces transforms the contemporary view of early Roman public and private life, conveying a novel perspective and understanding of these ancient masterpieces. With comprehensive essays by a team of scholars on emperorship, citizenship, architecture, decorative arts, and religion, this title presents a complete picture of life in ancient Rome. AUTHOR: Daniel Roger and Cecile Giroire are curators in the Greek, Etruscan and Roman Antiquities Department of the Musee du Louvre. 185 colour plates
This second edition examines all aspects of Roman history, and contains a new introduction, three new chapters and updated bibliographies.
Examines the Louvre's role in the rise of professional archaeology in the nineteenth century.
A color guide to four hundred works of art housed in the Louvre Museum in Paris, including paintings, prints and drawings, sculptures, decorative arts, and works from Africa, Asia, Oceania, and the Americas.
The Louvre Museum is the largest of the world's art museums by its exhibition surface. These represent the Western art of the Middle Ages in 1848, those of the ancient civilizations that preceded and influenced it (Oriental, Egyptian, Greek, Etruscan and Roman), and the arts of early Christians and Islam. At the origin of the Louvre existed a castle, built by King Philip Augustus in 1190, and occupying the southwest quarter of the current Cour Carrée. In 1594, Henri IV decided to unite the palace of the Louvre with the palace of the Tuileries built by Catherine de Medicis. The Cour Carrée was built by the architects Lemercier and then Le Vau, under the reign of Louis XIII and Louis XIV. The Department of Paintings currently has about 7,500 paintings (of which 3,400 are exposed), covering a period that goes from the Middle Ages to 1848 (date of the beginning of the Second Republic). By including the deposits, the collection is, with 12,660 works, the largest collection of ancient paintings in the world. With rare exceptions, the works after 1848 were transferred to the Musée d'Orsay when it was created in 1986.
The centuries-long history of the Louvre, from humble fortress to Royal palace to the world’s greatest art museum—with photos and building maps. Some ten million people from all over the world flock to the Louvre each year to enjoy its incomparable art collection. Yet few of them are aware of the remarkable history of the site and buildings themselves—a fascinating story that historian James Gardner elegantly chronicles in this authoritative history. More than seven thousand years ago, men and women camped on a spot called le Louvre for reasons unknown. Centuries later, King Philippe Auguste of France constructed a fortress there, just outside the walls of a nascent Paris. Intended to protect the capital against English soldiers stationed in Normandy, the fortress became a royal residence under Charles V two centuries later, and then the monarchy’s principal residence under the great Renaissance king François I. In 1682, when Louis XIV moved his court to Versailles, the Louvre languished until the French Revolution when, during the Reign of Terror in 1793, it first opened its doors to display the nation’s treasures. Ever since—through the Napoleonic era, the Commune, two World Wars, to the present—the Louvre has been a witness to French history, and expanded to become home to a legendary art collection that includes the Mona Lisa and Venus de Milo. Includes sixteen pages of full-color photos illustrating the history of the Louvre, a full-color map detailing its evolution from fortress to museum, and black-and-white images throughout the narrative.
A wildly entertaining and surprisingly educational dive into art history as you've never seen it before, from the host of the beloved ArtCurious podcast We're all familiar with the works of Claude Monet, thanks in no small part to the ubiquitous reproductions of his water lilies on umbrellas, handbags, scarves, and dorm-room posters. But did you also know that Monet and his cohort were trailblazing rebels whose works were originally deemed unbelievably ugly and vulgar? And while you probably know the tale of Vincent van Gogh's suicide, you may not be aware that there's pretty compelling evidence that the artist didn't die by his own hand but was accidentally killed--or even murdered. Or how about the fact that one of Andy Warhol's most enduring legacies involves Caroline Kennedy's moldy birthday cake and a collection of toenail clippings? ArtCurious is a colorful look at the world of art history, revealing some of the strangest, funniest, and most fascinating stories behind the world's great artists and masterpieces. Through these and other incredible, weird, and wonderful tales, ArtCurious presents an engaging look at why art history is, and continues to be, a riveting and relevant world to explore.
A narrative history of the founding of the Louvre that also explores the ideological underpinnings, pedagogical aims, and aesthetic criteria of this, the first great national art museum.
Selection from the Louve of over fifty precious jewelry pieces, pictured in paintings and photographs.
Throughout the ages, artists have frequently depicted dogs as symbols of positive values such as courage, loyalty, and vigilance. Whether serving as guards, guides, companions, or hunters, dogs have a very strong presence in the great artworks at the Louvre. They appear in the form of Mesopotamian statuettes of the third millennium BC; they flank peasants in Le Nain’s paintings, or sit loyally at the queen’s side in Rubens’s The Coronation. They may be portrayed as active, accompanying Diana the Huntress, or pampered, as cherished lap dogs nestled on cushions.This beautiful volume is packed with works from all of the Louvre’s many departments. Each painting or sculpture is shown in its entirety and in detail, to highlight the canine presence, and is accompanied by short, illuminating commentary. The book opens with a preface in which the prize-winning author draws upon his own personal experiences with man’s most loyal companions. Dogs in the Louvre provides a delightfully unusual tour of the most visited gallery in the world, and invites the reader to engage in a fresh way with some of its perennially inspiring themes. It is a fitting tribute to man’s best friend.