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Volume 4, Part 2 of Mommsen's monumental 1850s History of Rome, first published in English in 1863.
A lo largo de diez capítulos se tratan a modo de ensayo diversos aspectos de la sociedad romana, referida a los tiempos de su República, pero con especial hincapié en las fases primitivas de la historia de aquella Ciudad, previas a ese modelo de gobierno, cuando la tradición literaria situaba el gobierno de los últimos reyes, aquellos que ocuparon el siglo VI a, de C. Llegamos a los convulsos y agitados tiempos finales del sistema, el último siglo antes de C., colofón de los errores y defectos que se fueron gestando desde siglos anteriores, sin que aquel modelo de estado que tantos defendieron con la espada y la pluma fuera capaz superar sus carencias e ir adaptándose a la tarea inmensa que emprendió, que fue la de dominar el mundo y extender sobre él su forma de vida. Se abordan cuestiones bien debatidas por la investigación, pero desde ángulos y prismas que pretenden ser distintos a los habituales, puntos de vista que son los que los autores clásicos, con todas sus vacíos y silencios, nos ofrecen en sus escritos y comentarios.
Discover the runaway #1 international bestseller that has captured readers the world over―and reminds us all why we remember the name Julius Caesar. “Posteguillo shows just how thrilling a historical novel can be.”―El País Every legend has a beginning . . . Rome, 77 B.C. The corrupt Senator Dolabella is about to go on trial for his crimes. But Dolabella owns the jury. He’s hired the best lawyers in the city. And he’s very willing to use violence against those who oppose him. In all of Rome, no man dares accept the role of prosecutor—until, against all odds, an unknown twenty-three-year-old steps out to lead the case, defend the people of the city, and defy the power of the ruling elite. That lawyer’s name is Gaius Julius Caesar. So begins Santiago Posteguillo’s acclaimed masterpiece of historical fiction―a tale as epic as Caesar’s life itself. An irresistible page-turning novel of politics and betrayal, grand battles and impossible odds, shocking villainy and even greater acts of courage, I Am Rome brilliantly animates the moments that shaped this extraordinary young man’s fate—and in so doing, changed the course of history itself.
The history of the Roman Republic was a military success story. Texts, monuments and rituals commemorated Rome's victories, and this emphasis on its own triumphs formed a basis for the Roman nobility's claim to leadership. However, the Romans also suffered numerous heavy defeats during the Republic. This study is the first to comprehensively examine how Rome's defeats at the hands of the Celts, Samnites, and Carthaginians were explained and interpreted in the historical culture of the Republic and early imperial period. What emerges is a specifically Roman culture of dealing with defeats, which helped the Romans to find meaning in the stories of their failures and to assign them a place in their own past.
A synthesis of recent work in archaeology and social history, drawing on physical, literary, and documentary sources.
At once a historical essay and a self-conscious meditation on the writing of history, The Foundation of Rome takes as its starting point a series of accounts of Rome's origins offered over the course of centuries. Alexandre Grandazzi places these accounts in their contemporary contexts and shows how the growing sophistication in methodology gradually changed the accepted views of the city's origins. He looks, for example, at the hypercritical philology of the nineteenth century which cast aside everything that could not be verified. He then explains how the increase in archaeological discoveries and changing archaeological techniques influenced the story of Rome's birth. Grandazzi produces a depiction of Rome's origins that is both up-to-date and provocative. His use of scientific parallels in describing changes in the ways texts were analyzed and his broad familiarity with comparative material make his synthesis particularly illuminating, and he writes with clarity, verve, and wit.
Rome's most important and controversial archaeologist shows why the myth of the city's founding isn't all myth Andrea Carandini's archaeological discoveries and controversial theories about ancient Rome have made international headlines over the past few decades. In this book, he presents his most important findings and ideas, including the argument that there really was a Romulus--a first king of Rome--who founded the city in the mid-eighth century BC, making it the world's first city-state, as well as its most influential. Rome: Day One makes a powerful and provocative case that Rome was established in a one-day ceremony, and that Rome's first day was also Western civilization's. Historians tell us that there is no more reason to believe that Rome was actually established by Romulus than there is to believe that he was suckled by a she-wolf. But Carandini, drawing on his own excavations as well as historical and literary sources, argues that the core of Rome's founding myth is not purely mythical. In this illustrated account, he makes the case that a king whose name might have been Romulus founded Rome one April 21st in the mid-eighth century BC, most likely in a ceremony in which a white bull and cow pulled a plow to trace the position of a wall marking the blessed soil of the new city. This ceremony establishing the Palatine Wall, which Carandini discovered, inaugurated the political life of a city that, through its later empire, would influence much of the world. Uncovering the birth of a city that gave birth to a world, Rome: Day One reveals as never before a truly epochal event.