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Offers an insider's view of hip hop music, the evolution of Death Row Records, and the turbulent history of the genre, from the sex-and-violence drenched culture of the industry to the feud between East Coast and West Coast music.
"Raw, authoritative, and unflinching ... An elaborately detailed, darkly surprising, definitive history of the LA gangsta rap era." -- Kirkus, starred review A monumental, revealing narrative history about the legendary group of artists at the forefront of West Coast hip-hop: Eazy-E, Dr. Dre, Ice Cube, Snoop Dogg, and Tupac Shakur. Amid rising gang violence, the crack epidemic, and police brutality, a group of unlikely voices cut through the chaos of late 1980s Los Angeles: N.W.A. Led by a drug dealer, a glammed-up producer, and a high school kid, N.W.A gave voice to disenfranchised African Americans across the country. And they quickly redefined pop culture across the world. Their names remain as popular as ever -- Eazy-E, Dr. Dre, and Ice Cube. Dre soon joined forces with Suge Knight to create the combustible Death Row Records, which in turn transformed Snoop Dogg and Tupac Shakur into superstars. Ben Westhoff explores how this group of artists shifted the balance of hip-hop from New York to Los Angeles. He shows how N.W.A.'s shocking success lead to rivalries between members, record labels, and eventually a war between East Coast and West Coast factions. In the process, hip-hop burst into mainstream America at a time of immense social change, and became the most dominant musical movement of the last thirty years. At gangsta rap's peak, two of its biggest names -- Tupac and Biggie Smalls -- were murdered, leaving the surviving artists to forge peace before the genre annihilated itself. Featuring extensive investigative reporting, interviews with the principal players, and dozens of never-before-told stories, Original Gangstas is a groundbreaking addition to the history of popular music.
Tracing the careers of hip-hop's three most dynamic stars, this deeply reported history brilliantly examines the entrepreneurial genius of the first musician tycoons: Diddy, Dr. Dre, and Jay-Z. Being successful musicians was simply never enough for the three kings of hip-hop. Diddy, Dr. Dre, and Jay-Z lifted themselves from childhood adversity into tycoon territory, amassing levels of fame and wealth that not only outshone all other contemporary hip-hop artists, but with a combined net worth of well over $2 billion made them the three richest American musicians, period. Yet their fortunes have little to do with selling their own albums: between Diddy's Ciroc vodka, Dre's $3 billion sale of his Beats headphones to Apple, and Jay-Z's Tidal streaming service and other assets, these artists have transcended pop music fame to become lifestyle icons and moguls. Hip-hop is no longer just a musical genre; it's become a way of life that encompasses fashion, film, food, drink, sports, electronics and more -- one that has opened new paths to profit and to critical and commercial acclaim. Thanks in large part to the Three Kings -- who all started their own record labels and released classic albums before moving on to become multifaceted businessmen -- hip-hop has been transformed from a genre spawned in poverty into a truly global multibillion-dollar industry. These men are the modern embodiment of the American Dream, but their stories as great thinkers and entrepreneurs have yet to be told in full. Based on a decade of reporting, and interviews with more than 100 sources including hip-hop pioneers Russell Simmons and Fab 5 Freddy; new-breed executives like former Def Jam chief Kevin Liles and venture capitalist Troy Carter; and stars from Swizz Beatz to Shaquille O'Neal, 3 Kings tells the fascinating story of the rise and rise of the three most influential musicians in America.
Rabaka explores funk as a distinct multiform of music, aesthetics, politics, social vision, and cultural rebellion that has been remixed and continues to influence contemporary Black popular music and Black popular culture, especially rap music and the Hip Hop Movement. The Funk Movement was a sub-movement within the larger Black Power Movement and its artistic arm, the Black Arts Movement. Moreover, the Funk Movement was also a sub-movement within the Black Women’s Liberation Movement between the late 1960s and late 1970s, where women’s funk, especially Chaka Khan and Betty Davis’s funk, was understood to be a form of “Black musical feminism” that was as integral to the movement as the Black political feminism of Angela Davis or the Combahee River Collective and the Black literary feminism of Toni Morrison or Alice Walker. This book also demonstrates that more than any other post-war Black popular music genre, the funk music of the 1960s and 1970s laid the foundation for the mercurial rise of rap music and the Hip Hop Movement in the 1980s and 1990s. This book is primarily aimed at scholars and students working in popular music studies, popular culture studies, American studies, African American studies, cultural studies, ethnic studies, critical race studies, women’s studies, gender studies, and sexuality studies.
Audriana Escobar, aka Audi, is the 18-year-old leader of the Gucci Girlz−a crew made up of her closest friends. Growing up in poverty, their only current goal is to find a way out of the poor town of Aetna and achieve a life of happiness, love, and luxury. When they cross paths with another crew named the Tru Aetna Boyz, all of their wants and desires seem to be coming true. DeAndre, aka Dre, leads the team that includes his friends Raheem, Devonte and Lyrical and, together, they make up one of the most dangerous gangs in their hometown. With their intentions set on gaining money, status, women and fame, meeting a group of women with the same goals in mind seems like the best kind of luck. Sparks fly almost immediately and, together, they quickly become a force that totally dominates the street game without competition or resistance... until they catch the eye of police sergeant, Naomi Mills. Pursuing money and love always comes with its own set of troubles, which the Gucci Girlz and Tru Aetna Boyz eventually realize on their own. As they begin to step into the lives that they always envisioned for themselves, everything is turned upside down when they become the trophy for a sergeant with a chip on her shoulder. Will they be able to step into their dream of luxury and true love?
Brown details Dr. Dre's life, times, and history, in a way no other work has, brilliantly capturing the history of this music legend.
Illustrates the ways that the “war on crime” became conjoined—aesthetically, politically, and rhetorically—with the emergence of gangsta rap as a lucrative and deeply controversial subgenre of hip-hop In The Mark of Criminality: Rhetoric, Race, and Gangsta Rap in the War-on-Crime Era, Bryan J. McCann argues that gangsta rap should be viewed as more than a damaging reinforcement of an era’s worst racial stereotypes. Rather, he positions the works of key gangsta rap artists, as well as the controversies their work produced, squarely within the law-and-order politics and popular culture of the 1980s and 1990s to reveal a profoundly complex period in American history when the meanings of crime and criminality were incredibly unstable. At the center of this era—when politicians sought to prove their “tough-on-crime” credentials—was the mark of criminality, a set of discourses that labeled members of predominantly poor, urban, and minority communities as threats to the social order. Through their use of the mark of criminality, public figures implemented extremely harsh penal polices that have helped make the United States the world’s leading jailer of its adult population. At the same time when politicians like Ronald Reagan, George H. W. Bush, and Bill Clinton and television shows such as COPS and America’s Most Wanted perpetuated images of gang and drug-filled ghettos, gangsta rap burst out of the hip-hop nation, emanating mainly from the predominantly black neighborhoods of South Central Los Angeles. Groups like NWA and solo artists (including Dr. Dre, Snoop Dogg, and Tupac Shakur) became millionaires by marketing the very discourses political and cultural leaders used to justify their war on crime. For these artists, the mark of criminality was a source of power, credibility, and revenue. By understanding gangsta rap as a potent, if deeply imperfect, enactment of the mark of criminality, we can better understand how crime is always a site of struggle over meaning. Furthermore, by underscoring the nimble rhetorical character of criminality, we can learn lessons that may inform efforts to challenge our nation’s failed policies of mass incarceration.
A passionate, critically incisive cultural biography of hip-hop icon Tupac Shakur and an examination of the forces that shaped him. In 1996 Tupac Shakur, one of the most talented artists of his time, was murdered by an unknown gunman. Fred L. Johnson and Tayannah Lee McQuillar examine the theories surrounding his death and the story of Tupac's lost legacy in this definitive biography. For millions, Shakur gave voice to their stories, but there was also another side to him, revealed as his life spun out of control, as the whispered warnings from friends went unheeded and the denunciations of critics grew louder. Disturbingly, he sang and wrote about his impending death. When it came, it brought the music industry to its knees and ended an era when American rappers were leaders in using their art to speak the truth to corporate, government, and judicial power.
DeAndre Harris aka Dre is an 18-year-old black male and the leader of the Tru Aetna Boyz−which includes Raheem, Devonte and Lyrical. Dre and his friends are just ordinary teenagers growing up on the streets of one of the most dangerous neighborhoods in the city of Gary, Indiana: Aetna, a poverty-stricken area where drugs, shootouts, police corruption, gang activity and murder run rampant on a daily basis. The Tru Aetna Boyz are determined to gain money, status, women, and fame in order to achieve the rare lifestyle of ghetto fabulousness. Even if it means selling drugs...or committing murder to do so. Audriana Escobar aka Audi is an 18-year-old Mexican/Armenian female and the leader of the Gucci Girlz−which includes twins Coco and Makita, and Cherish. Audi and her friends also live in the Aetna area, and their only goal is to find a way out of the poor town and to achieve a life of happiness, love, and luxury, and Audi believes that the first step to her fulfilling that dream is by finishing school and working part-time at the local grocery store. Naomi Mills, a police sergeant out of the Gary Police Department, is emotionally conflicted when it comes to protecting and cleaning up the streets of G.I. When she and her team of detectives run across a murderous group of masked assailants known only as the Death Dealers and whose sole purpose is to terrorize the streets of G.I., Naomi is determined to bring the killers to justice, but when the Death Dealers suddenly target her and her loved ones, she suspects police corruption in her own department and realizes that the elusive killers may be much closer to her than she’d like, putting her at a crossroads; arrest the masked assailants...or kill them all? When the Tru Aetna Boyz and the Gucci Girlz cross paths, all of their wants and desires seem to be coming true. But when Sergeant Naomi Mills and team of detectives are thrown into the mix, emotions run high, rivalries explode, loyalties are tested, and distrust is sown. Will the Tru Aetna Boyz achieve their goal of becoming “ballers” or will they fall to the usual woes that accompany street life? Will the Gucci Girlz’ search for happiness, love and luxury become attainable, or will their dreams turn out to be nothing more than that of a teenage girl’s false hope? And can Sergeant Mills and her team catch the merciless Death Dealers and protect the streets of G.I. from murder and mayhem? Or will all their efforts prove futile and they, too, realize that it’s too late to save a dying city from a lifetime of Hustle & Heartache?