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This book synthesizes urban design and urban regeneration by examining the revitalization of a number of historic urban quarters. Its focus is on quarters or areas where there is a significant number of historic buildings concentrated in a small area; with places and area-based approaches. Many cities have such quarters that confer on them a sense of place and identity through their historic continuity and cultural associations. The quarters are often an integral element of the city's image and identity. The lessons and observations from the experience of the revitalization of such historic urban quarters forms the core of this book with a number of case study examples from North America and Europe showing a variety of approaches to and outcomes of revitalization.
This book provided for the students of architecture, interior design and civil engineering with an essential information needed to illustrate the technical drawings of any object or building. Therefore, this book developed a practical handbook for the first year students to be familiar with the alphabetic of technical drawings. İt describes the range of graphic tools, techniques, and conventions that are required in technical and architectural drawingsz. The collected information is the authors years experience of teaching in this field. Ali the required information have been collected and edited in a way to have a comprehensive handbook to be applicable in one academic semester. İn this regard, it might be a good textbook for the instructors vvho are mostly dealing with the first year students to teach them the alphabetic of technical dravving. The content of this book and its chapters classified and developed in vvhich instructors vvill be able to apply the topics vveekly during one academic semester. İn each chapter, there are some classvvork and homework for the students. Since, this book has been developed based on European Credits Transfer System (ECTS) for one academic semester, instructors may follovv the proposed sequence of this book. İn view of that, the objectives of this book are: To familiarize students with the basic architectural dravving techniques, equipment and applications. To develop students’ ability in using drawing tools and techniques. To introduce the basic principles of dravving. To begin with the basic dravving exercises and continue with more complex studies. To understand different properties of three-dimensional objects and dravv the orthographic projection. To introduce the concept of scale and dimension. To become familiar with the concept of scale and dimensioning by considering line types and line vveights.
By examining the revitalization of a number of historic urban quarters, this book synthesizes urban design and urban regeneration. It focuses on areas with significant concentrations of historic buildings; with places and area-based approaches.
This book synthesizes urban design and urban regeneration by examining the revitalization of a number of historic urban quarters. Its focus is on quarters or areas where there is a significant number of historic buildings concentrated in a small area; with places and area-based approaches. Many cities have such quarters that confer on them a sense of place and identity through their historic continuity and cultural associations. The quarters are often an integral element of the city's image and identity. The lessons and observations from the experience of the revitalization of such historic urban quarters forms the core of this book with a number of case study examples from North America and Europe showing a variety of approaches to and outcomes of revitalization.
This book examines key themes for the management of historic urban centres within a representative sample of centres in different European countries. The twelve historic centres that have been chosen are spread throughout Europe. They are diverse in character and the range includes small towns, cities and urban centres within cities. Some have been designated by UNESCO as World Heritage Sites or Cities, whilst others have recognition, or have been proposed as European Cities of Culture. The centres have all faced different problems and a variety of approaches have been utilised which are also examined. For each of the historic centres in the book the authors broadly cover a number of common themes: the policy and planning framework; management and regeneration action; environmental management; tourism and heritage management; and sustainability.
The management of cultural heritage and public real-estate assets is one of the most crucial challenges concerning the sustainable use of these resources, involving dynamic methods to stimulate preservation, development, renewal, and transmission to future generations of these essential assets. The contributions presented in this book provide a rich and varied panorama of research experiences and innovative tools, capable of promoting the re-use of cultural heritage in European cities and cultural landscapes, using a circular economy logic as a model of sustainable development. From this point of view, cultural capital becomes the driver of a regeneration process on the local, urban, and metropolitan scales, in which the transversal interconnections between the production cycles of the adaptive re-use of the available heritage, both in the adaptation and in the management phase, configure a circular process of multidimensional production of value. Therefore, future territorial redevelopment projects can base their idea strength on an open system of appropriately selected social attractors, whose enhancement and use have the objective of triggering widespread regeneration effects on the whole territory of influence, receiving inducement and resources to progress.
"In an era of globalization, where the progressive deterioration of local values is a dominating characteristic, identity is seen as a fundamental need that encompasses all aspects of human life. One of these identities relates to place and the physical en"
There was a time seven centuries ago when Famagusta's wealth and renown could be compared to that of Venice or Constantinople. The Cathedral of St Nicholas in the main square of Famagusta, serving as the coronation place for the Crusader Kings of Jerusalem after the fall of Acre in 1291, symbolised both the sophistication and permanence of the French society that built it. From the port radiated impressive commercial activity with the major Mediterranean trade centres, generating legendary wealth, cosmopolitanism, and hedonism, unsurpassed in the Levant. These halcyon days were not to last, however, and a 15th century observer noted that, following the Genoese occupation of the city, 'a malignant devil has become jealous of Famagusta'. When Venice inherited the city, it reconstructed the defences and had some success in revitalising the city's economy. But the end for Venetian Famagusta came in dramatic fashion in 1571, following a year long siege by the Ottomans. Three centuries of neglect followed which, combined with earthquakes, plague and flooding, left the city in ruins. The essays collected in this book represent a major contribution to the study of Medieval and Renaissance Famagusta and its surviving art and architecture and also propose a series of strategies for preserving the city's heritage in the future. They will be of particular interest to students and scholars of Gothic, Byzantine and Renaissance art and architecture, and to those of the Crusades and the Latin East, as well as the Military Orders. After an introductory chapter surveying the history of Famagusta and its position in the cultural mosaic that is the Eastern Mediterranean, the opening section provides a series of insights into the history and historiography of the city. There follow chapters on the churches and their decoration, as well as the military architecture, while the final section looks at the history of conservation efforts and assesses the work that now needs to be done.
This title was first published in 2002.Employing a range of case studies from three northern European countries - England, Sweden and The Netherlands - this captivating book explores the process of heritage conservation from theoretical initiation to practical expression. It traces the threads from the origination of conservation ideas by innovative individuals, their adoption by voluntary groups identified with particular conservation aims, to the inclusion of conservation policies in national legislation and international convention. A common cultural heritage underpins the diffusion of ideas across different systems within a similar time-scale. The ideas have been assimilated and adopted to differing degrees, providing the opportunity for questioning both the strength and purpose in heritage conservation, and the influence of the social and political context. This will be a stimulating read for an international audience of conservationists, heritage policy makers, conservation architects, planners and developers, urban design and planning scholars, and European and cultural studies academics.