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"The dissolute Cape Town beer brewer, Willem Menssink, whose fatal passion for a young slave woman brought about his downfall; Carel Buijtendag, the beast of the Bokkeveld; and Estienne Barbier, the quixotic champion of the oppressed and leader of a rebellion against the VOC government: these, as well as an assortment of runaway slaves and Company deserters, are some of the lesser-known characters from the eighteenth-century Dutch Cape whom the historian Nigel Penn has brought to life in a series of hugely enjoyable and historically revealing stories."--Cover, p. [4].
During global capitalism's long ascent from 1600–1850, workers of all kinds—slaves, indentured servants, convicts, domestic workers, soldiers, and sailors—repeatedly ran away from their masters and bosses, with profound effects. A Global History of Runaways, edited by Marcus Rediker, Titas Chakraborty, and Matthias van Rossum, compares and connects runaways in the British, Danish, Dutch, French, Mughal, Portuguese, and American empires. Together these essays show how capitalism required vast numbers of mobile workers who would build the foundations of a new economic order. At the same time, these laborers challenged that order—from the undermining of Danish colonization in the seventeenth century to the igniting of civil war in the United States in the nineteenth.
Print | eBook Language: English 150 pages Illustrations, map Vol. 12 , 2016 ISSN: 1660-9638 ISBN: Print: 978-3-905758-79-5 Ulla Dentlinger Where are you from? 'Playing White' under Apartheid “My family did the unthinkable: after getting away with ‘playing white’ for some years, we went one step further and ‘jumped the colour line’. By various obscure and not well-documented processes, we changed our ‘racial classification’ from ‘coloured’ – as defined by the apartheid policy of the day – to that of ‘white’ … The price we paid was anguish, constant fear of detection and a sacrifice of family connectedness. The decades-long process of becoming completely comfortable with my ultimate identity was psychologically so unnerving that I have only recently felt free to talk about it. This is certainly the first time I have ever written about it.” With these words the fascinating story of Ulla Dentlinger’s life history begins. Growing up in poor, rural Apartheid-Namibia in the early 1950s, Ulla Dentlinger soon learns that her parents are not prone to reminisce about their family’s past. The most mundane information about their background is guarded much like a state secret. As a child, she begins to panic at being asked the question so normal to others: Where are you from? Only in later years it dawns on her that she had to be a ‘Coloured’. The sense of conflict increases incrementally. Nonetheless, after living in Namibia for the first six years of her life, she grows up in a white area in Cape Town, goes to a white school and bears herself in a German fashion. She has, in fact, jumped the colour line. Returning to southern Africa in the 1990s, she now openly pursues investigations into her family background. Ulla Dentlinger portrays some of her relatives and their intimate, painful or straightforward stories as well as her own emotional realisation about her enriching heritage.
In this biography of the Khoikhoi Jan Paerl (1761-1851) light is being shed on a new form of resistance against colonial domination in Cape society. It emphasizes Khoikhoi colonial encounters and incorporates themes such as millenarian beliefs, identities, master-servant relations, indentured labour and the appropriation of mission Christianity.
"This volume challenges those who see gender inequalities invariably defining and constraining the lives of women. But it also broadens the conversation about the degree to which business is a gender-blind institution, owned and managed by entrepreneurs whose gender identities shape and reflect economic and cultural change." – Mary A. Yeager, Professor Emerita, University of California, Los Angeles This is the first book to consider nineteenth-century businesswomen from a global perspective, moving beyond European and trans-Atlantic frameworks to include many other corners of the world. The women in these pages, who made money and business decisions for themselves rather than as employees, ran a wide variety of enterprises, from micro-businesses in the ‘grey market’ to large factories with international reach. They included publicans and farmers, midwives and property developers, milliners and plumbers, pirates and shopkeepers. Female Entrepreneurs in the Long Nineteenth Century: A Global Perspective rejects the notion that nineteenth-century women were restricted to the home. Despite a variety of legal and structural restrictions, they found ways to make important but largely unrecognised contributions to economies around the world - many in business. Their impact on the economy and the economy’s impact on them challenge gender historians to think more about business and business historians to think more about gender and create a global history that is inclusive of multiple perspectives. Chapter one of this book is available open access under a CC BY 4.0 license at link.springer.com.
An analysis of the role of Muslims from South Africa’s founding to the present and points to the resonance of these discussions beyond South Africa. How do Muslims fit into South Africa's well-known narrative of colonialism, apartheid and post-apartheid? South Africa is infamous for apartheid, but the country's foundation was laid by 176 years of slavery from 1658 to 1834, which formed a crucible of war, genocide and systemic sexual violence that continues to haunt the country today. Enslaved people from East Africa, India and South East Asia, many of whom were Muslim, would eventually constitute the majority of the population of the Cape Colony, the first of the colonial territories that would eventually form South Africa. Drawing on an extensive popular and official archive, Regarding Muslims analyses the role of Muslims from South Africa?s founding moments to the contemporary period and points to the resonance of these discussions beyond South Africa. It argues that the 350-year archive of images documenting the presence of Muslims in South Africa is central to understanding the formation of concepts of race, sexuality and belonging. In contrast to the themes of extremism and alienation that dominate Western portrayals of Muslims, Regarding Muslims explores an extensive repertoire of picturesque Muslim figures in South African popular culture, which oscillates with more disquieting images that occasionally burst into prominence during moments of crisis. This pattern is illustrated through analyses of etymology, popular culture, visual art, jokes, bodily practices, oral narratives and literature. The book ends with the complex vision of Islam conveyed in the post-apartheid period.
Bringing together the latest research on the neglected area of second-hand exchange and consumption, this book offers fresh insights into the buying and selling of used goods in western-Europe during the eighteenth and nineteenth centuries, and seeks to re-examine and redefine the relationship between modernity and the second-hand trade.
The Cape Town Book presents a fresh picture of the Mother City, one that brings together all its stories. From geology and beaches to forced removals and hip-hop, Nechama Brodie, author of the best-selling The Joburg Book, has delved deeply into the hidden past of Cape Town to emerge with a lucid and compelling account of South Africa’s fi rst city, its landscape and its people. The book’s 14 chapters trace the origins and expansion of Cape Town – from the City Bowl to the southern and coastal suburbs, the vast expanse of the Cape Flats and the sprawling northern areas. Offering a nuanced, yet balanced, perspective on Cape Town, the book includes familiar attractions like Table Mountain, Kirstenbosch and the Company’s Garden, while also giving a voice to marginalised communities in areas such as Athlone, Langa, Mitchells Plain and Khayelitsha. Many of the images in the book have never been published before, and are drawn from the archives of museums, universities and public institutions. This beautifully illustrated, information-rich book is the defi nitive portrait of the wind-blown, contradictory city at the southern tip of Africa that more than three million people call home
Nineteen writers, nineteen views of Cape Town. Each recreate the city that has shaped them, going beyond the iconic picture postcard image of Cape Town. They explore, often with startling honesty, the complex personal relationship that each writer has with the city.