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Rogue Intensities is a memoir grounded in Tasmania, with a richness of storytelling which emerges from the space between human, nature and environmental threads. It manages to straddle the intimate and the universal with ease a great deal of delight. The exploration of the Australian landscape through prose is a core tenet of Australian literature and the UWAP has been successful in finding a shining example of this in Rogue intensities. This work successfully adds to this canon in a way that extends it and enriches writing alongside it. 'Rogue Intensities is an uncannily timely work, its aesthetic achievement is deeply embedded in urgent concerns of our current moment. It breaks down the artificial divisions between science, art, creative production and history to forge an original perspective and a model of connection between the creative processes of nature, knowledge and writing. Angela manages to create intimacy with the elements of the observable world and with experiences through a careful detachment, which is akin to scientific record. Rogue Intensities engages the reader with what Hayden White termed the great ‘pleasure of information’ about creatures, the atmosphere, the weather, landscape, seasons, as they are encountered in everyday life. There is a great joy in this text of discovery — as if writer and reader were encyclopaedists who have been granted permission to wonder at the world. I know of no other contemporary text that does this.’ — Associate Professor Elizabeth McMahon, UNSW
Is the affirmation or intensification of life a value in itself? Can life itself be thought? This book breaks new ground in religious and philosophical thinking on the concept of life. It captures a moment in which such thinking is regaining its force and attraction for scholars, and the relevance of thought to social, cultural, political and religious dilemmas about how and why to live. Bringing together original contributions by highly distinguished authors in the field of Continental philosophy of religion, including John D. Caputo, Pamela Sue Anderson, Philip Goodchild, Alison Martin and Don Cupitt, this book has a distinctiveness based on its refusal to sit easily within either secular philosophical or theological approaches. The concept of life mobilizes a thinking that crosses narrow disciplinary boundaries, whilst retaining philosophical rigour. Three sections explore the various dimensions of the question of life: The Politics of Life'; 'Life and the Limits of Thinking'; and 'Life and Spirituality'. This book will be of interest to a broad range of readers in the humanities, particularly to philosophers, theologians, cultural theorists and all those interested in philosophical or theological debates on the concept of life.
Kiara has Asperger’s syndrome, and it’s hard for her to make friends. So whenever her world doesn’t make sense—which is often—she relies on Mr. Internet for answers. But there are some questions he can’t answer, like why she always gets into trouble, and how do kids with Asperger’s syndrome make friends? Kiara has a difficult time with other kids. They taunt her and she fights back. Now she’s been kicked out of school. She wishes she could be like her hero Rogue—a misunderstood X-Men mutant who used to hurt anyone she touched until she learned how to control her special power. When Chad moves in across the street, Kiara hopes that, for once, she’ll be able to make friendship stick. When she learns his secret, she’s so determined to keep Chad as a friend that she agrees not to tell. But being a true friend is more complicated than Mr. Internet could ever explain, and it might be just the thing that leads Kiara to find her own special power. In Rogue, author Lyn Miller-Lachmann celebrates everyone’s ability to discover and use whatever it is that makes them different.
Ordinary Affects is a singular argument for attention to the affective dimensions of everyday life and the potential that animates the ordinary. Known for her focus on the poetics and politics of language and landscape, the anthropologist Kathleen Stewart ponders how ordinary impacts create the subject as a capacity to affect and be affected. In a series of brief vignettes combining storytelling, close ethnographic detail, and critical analysis, Stewart relates the intensities and banalities of common experiences and strange encounters, half-spied scenes and the lingering resonance of passing events. While most of the instances rendered are from Stewart’s own life, she writes in the third person in order to reflect on how intimate experiences of emotion, the body, other people, and time inextricably link us to the outside world. Stewart refrains from positing an overarching system—whether it’s called globalization or neoliberalism or capitalism—to describe the ways that economic, political, and social forces shape individual lives. Instead, she begins with the disparate, fragmented, and seemingly inconsequential experiences of everyday life to bring attention to the ordinary as an integral site of cultural politics. Ordinary affect, she insists, is registered in its particularities, yet it connects people and creates common experiences that shape public feeling. Through this anecdotal history—one that poetically ponders the extremes of the ordinary and portrays the dense network of social and personal connections that constitute a life—Stewart asserts the necessity of attending to the fleeting and changeable aspects of existence in order to recognize the complex personal and social dynamics of the political world.
Beautifully designed and packaged, Rogue Urbanism enlarges and deepens the search for the rogue intensities that mark African cities as they find their voice and footing in a truly unwieldy world.
From the first vistas provided by flight in balloons in the eighteenth century to the most recent sensing operations performed by military drones, the history of aerial imagery has marked the transformation of how people perceived their world, better understood their past, and imagined their future. In Aerial Aftermaths Caren Kaplan traces this cultural history, showing how aerial views operate as a form of world-making tied to the times and places of war. Kaplan’s investigation of the aerial arts of war—painting, photography, and digital imaging—range from England's surveys of Scotland following the defeat of the 1746 Jacobite rebellion and early twentieth-century photographic mapping of Iraq to images taken in the immediate aftermath of 9/11. Throughout, Kaplan foregrounds aerial imagery's importance to modern visual culture and its ability to enforce colonial power, demonstrating both the destructive force and the potential for political connection that come with viewing from above.
Caustics are natural phenomena, forming light patterns in rainbows or through drinking glasses, and creating light networks at the bottom of swimming pools. Only in recent years have scientists started to artificially create simple caustics with laser light. However, these realizations have already contributed to progress in advanced imaging, lithography, and micro-manipulation. In this book, Alessandro Zannotti pioneers caustics in many ways, establishing the field of artificial caustic optics. He employs caustic design to customize high-intensity laser light. This is of great relevance for laser-based machining, sensing, microscopy, and secure communication. The author also solves a long standing problem concerning the origin of rogue waves which appear naturally in the sea and can have disastrous consequences. By means of a far-reaching optical analogy, he identifies scattering of caustics in random media as the origin of rogue waves, and shows how nonlinear light-matter interaction increases their probability.
The fifth Lost Lords novel “delivers captivating characters, an impeccably realized Regency setting, and a thrilling plot rich in action and adventure” (Booklist, starred review). Even the most proper young lady yearns for adventure. But when the very well-bred Miss Sarah Clarke-Townsend impulsively takes the place of her pregnant twin, it puts her own life at risk. If the kidnappers after her sister discover they’ve abducted Sarah instead, she will surely pay with her life . . . Rob Carmichael survived his disastrous family by turning his back on his heritage and becoming a formidable Bow Street Runner with a talent for rescuing damsels in distress. But Sarah is one damsel who is equal to whatever comes. Whether racing across Ireland with her roguish rescuer or throwing herself into his arms, she challenges Rob at every turn. “Putney’s reputation as one of the finest writers of Regency romance is well deserved. She never shies away from different plots or atypical characters and writes wildly exciting adventure romances. She’s done it all again in the marvelous, emotional and thrilling fifth book in the Lost Lords series.”—RT Book Reviews (Top Pick) Praise for Mary Jo Putney and the Lost Lords series “Romance at its best!”—Julia Quinn “Intoxicating, romantic and utterly ravishing. . .”—Eloisa James “Putney’s endearing characters and warm-hearted stories never fail to inspire and delight.”—Sabrina Jeffries “Adventure, passion and pure reading pleasure!”—Jo Beverley “No one writes historical romance better.”—Cathy Maxwell