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This classic exploration of erotic themes in Rodin's sculptures and drawings offers stunning visual and textual insight into the artist's work and ideas. More than 350 superbly reproduced images of selected sculptures and late drawings by Rodin document his obsession with sexuality, revealing the countless ways he depicted the subject: as a threat and challenge, but also as the source of all creative inspiration and passion. Augmenting these illustrations, ten essays by leading scholars explore the ramifications of Eros in Rodin's work, including such topics as the nature of the fragment, Rodin's relationship to the model, his religiosity, and his influence on his contemporaries as well as on future artists. In word and image, this volume deepens our understanding of the nineteenth century's premier sculptor.
Superbly reproduced images of selected sculptures and late drawings by Rodin document his obsession with sexuality, revealing the countless ways he depicted the subject: as a threat and challenge, but also as the source of all creative inspiration and passion. Augmenting these illustrations are essays by leading scholars exploring the ramifications of eros in Rodin's work and his influence on his contemporaries as well as on future artists. In word and image, this volume deepens our understanding of nineteenth century's premier sculptor.
The late Albert Elsen was the first American scholar to study seriously the work of the French sculptor Auguste Rodin, and the person most responsible for a revival of interest in the artist as a modern innovator--after years during which the sculpture had been dismissed as so much Victorian bathos. After a fortuitous meeting with the financier, philanthropist, and art collector B. Gerald Cantor, Elsen helped Cantor to build up a major collection of Rodin's work. A large part of this collection, consisting of more than 200 pieces, was donated to the Stanford Museum by Mr. Cantor, who died recently. In size it is surpassed only the by the Musée Rodin in Paris and rivaled only by the collection in Philadelphia. In scope the collection is unique in having been carefully selected to present a balanced view of Rodin's work throughout his life. Rodin's Art encompasses a lifetime's thoughts on Rodin's career, surveying the artist's accomplishments through the detailed discussion of each object in the collection. It will begin with essays on the formation of the collection, the reception of Rodin's work, and his casting techniques. The entries that follow are arranged topically and include extensive discussions of Rodin's major projects.
The Gates of Hell: Rodin’s Passion in Stone is not just another biography of Rodin. There are many excellent ones already. Rather, it is an attempt to understand the sculptor, after immersion in his works, by listening to his own words and those spoken about him. For Rodin was more than a sculptor of genius. He had the imagination and the courage to search for the truth, not only with his artist’s hands, but with the penetrating gaze and mastery of the word that define the writer. His book Les Cathedrals de France and his hundreds of letters offer a new close-up of the artist, both visual and verbal. His musings on art and on life, and his contemporaries’ views of him, form a biographer’s trove. This rich assemblage of words, like a hoard of tiny fragments of stone and glass, when pieced together, form a mosaic likeness of an artist who was himself a story teller in stone.
Which cultural values, beliefs, and attitudes best promote democracy, social justice, and prosperity? How can we use the forces that shape cultural change, such as religion, education, and political leadership, to promote these values in the Third World--and for underachieving minorities in the First World? In this book, Lawrence E. Harrison offers intriguing answers to these questions, in a valuable follow-up to his acclaimed Culture Matters. Drawing on a three-year research project that explored the cultural values of dozens of nations--from Botswana, Sweden, and India to China, Egypt, and Chile--Harrison offers a provocative look at values around the globe, revealing how each nation's culture has propelled or retarded their political and economic progress. The book presents 25 factors that operate very differently in cultures prone to progress and those that resist it, including one's influence over destiny, the importance attached to education, the extent to which people identify with and trust others, and the role of women in society. Harrison pulls no punches, and many of his findings are controversial. Contradicting the arguments of multiculturalists, this book contends that when it comes to promoting human progress, some cultures are clearly more effective than others. It convincingly shows which values, beliefs, and attitudes work and how we can foster them. "Harrison takes up the question that is at the center of politics today: Can we self-consciously change cultures so they encourage development and modernization?" --David Brooks, New York Times "I can think of no better entrance to the topic, both for what it teaches and the way it invites and prepares the reader to continue. A gateway study." --David S. Landes, author of The Wealth and Poverty of Nations
The arts: general issues.
"Art historian Patricia Mathews examines the artistic, social, and scientific discourses of fin-de-siecle France. Along the way, she illuminates the Symbolist construction of a feminized aesthetic that nonetheless excluded female artists from its realm. She analyzes contemporary cultural assumptions as well as theories such as social Darwinism, biological determinism, and degeneracy."--BOOK JACKET.
I have drawn all my life. I began withdrawing: I have never stopped drawing.--Auguste Rodin
How and when did the kiss become a vital sign of romance and love? In this wide-ranging book, pop culture expert Marcel Danesi takes the reader on a fascinating journey through the history of the kiss, from poetry and painting to movies and popular songs, and argues that its romantic incarnation signaled the birth of popular culture.